A battle between human effort and the power of nature lies at the heart of Flames. The novel’s human characters find themselves overwhelmed by the natural world, often in ways that completely disrupt their lives. For instance, when Thurston Hough, a self-obsessed coffin builder, kills the Esk God, a deity in the form of a water rat who rules over Tasmania’s Esk Rivers, he treasures its golden pelt without realizing he’s upset the rivers’ ecology. As vengeance, the river creatures take over Thurston’s home and eventually feast on his dead body. By ignoring the possible scope of his single-minded action and by attempting to assert control over nature, Thurston invites the wrath of creatures he misjudged as unimportant. Even characters like the ranger and Karl, who seek to commune with nature rather than to exploit it, are shocked by nature’s beauty and violence. The ranger finds that the magnificent beauty of his surroundings distracts him from his menial tasks, and Karl is distraught when orcas rip his seal companion to shreds.
While the strength of nature often renders these characters’ efforts and desires powerless, through the perspectives of the fire spirit and the Esk God, the novel also emphasizes the destruction humans can cause to their natural environment when compelled by greed—particularly the kind of greed characteristic of colonialism. While the indigenous people of Tasmania lived in relative harmony with nature, only building fires and killing wildlife to sustain themselves, the white colonialists brought with them an appetite for large-scale industry whose pollution and destruction of natural environments led to the deaths of many of the Esk God’s fellow gods. And though the fire spirit delights in the different forms he could take thanks to the settlers’ new technology of gunpowder, candles, and gas lamps, he’s bitterly aware that these developments directly endanger the indigenous people’s lives and ways of existing. Through these points of view, the novel suggests that human beings have a responsibility not only to acknowledge and respect nature’s magnificence, but to carefully consider how their desire for progress—which often involves disrupting natural processes and ecologies—does more harm than good.
Nature vs. Human Effort ThemeTracker
Nature vs. Human Effort Quotes in Flames
Back at home the girls showed no interest in hunting Onebloods. Instead, he taught them to push hooks through frozen squid and hurl them out into the water, which they loved as much as he found it boring. And through sharing this banal activity with his daughters he somehow developed an affection for the activity itself, and found himself angling off the rocks even when the girls were away in Devonport, casting and catching and occasionally crying, but only when the mist was clear and he could see past the heads towards the tall spires where the seals still hauled out, or so he assumed.
Charlotte’s neat nostrils are picking up a scent on the breeze: it smells of cleaning products, starch and artificial sweeteners. It is the smell of white-picket fences, of census-friendly families, of collared shirts at church, of people who gossip and chat and tell everyone everything, and she is marching back into the bus station and asking for a ticket that will take her further south.
He had been here longer than the loud pale apes, longer even than the quieter dark ones who had arrived earlier. He had seen them grow and die and spread, and he knew them far better than they would ever know themselves. With his blunt nose he could smell their foul industries; with the blanched tip of his tail he could feel their intrusions in the water; with his black eyes he could see the iron they sunk into his rivers, building dams, dropping anchors, hooking fish. He had learned the colour and the shape of their callousness, but he could not stop them, for his power was limited to the rivers, while they swamped over everything.
I have long found that the most appropriate material for those who have died young is wood taken from the many-hued whorls of an old snowgum. Its hard, cold-to-the-touch timber does not rot or warp or even fade. Instead it fossilises, and so too does the body it contains. The flesh of the dead turns as hard and unyielding as the stony coffin, and cannot be altered by any natural means.
So come: collect your half-made coffin. I shall not charge you for it, even though I have laboured over its creation. I no longer need the money—the taxman has no chance of getting to me while these creatures plague my doorstep. Come take the flesh-stoning panels of freshly carved snowgum. But the pelt stays with me, moron boy. The only grave it shall adorn is my own.
What case would you like to speak to the senior detective about? He’s very busy. The boy-cop smiled back, and behind his too-white teeth I could see his fragile little thoughts tracing lines, making assumptions, bouncing off words like Duty and Career and Citizen and Safety.
I suppose if you were to suspect one of us, it would be Charlotte, the new hand—but, hard as I try, I cannot convince myself that she is responsible. Yes, behind her pale face there lurks a curious ferocity; and yet, she often wanders through the freezing fields alone after her work for the day is done; and yes, she occasionally seems to lose control of herself in fits of quiet emotion, eyes closed, hands clenched, small noises leaking through her gritted teeth. But it cannot be her; she loves the wombats more than Nicola does, if that were possible.
They simper after the herd, cooing and frowning at the skinny beasts, treating them as if they were sick children, not mindless marsupials. They are certainly no help in dealing with what is actually threatening them. Each morning I march off, gun in hand and knife in belt, as their eyes follow me filled with what looks more and more like fear. It is futile, feminine softness, and nothing more. I am beginning to regret hiring them.
He was there to stop poachers, maintain trails, preserve the environment, not to be bowled over by the bright, harsh beauty of his surrounds. Yet soon this bowling over became such a common occurrence that he began to accept it, and once he accepted it he allowed himself to enjoy it: to let the wonder take his soul places it hadn’t been since he was a child in the forest, crouching in a branch-built shelter, thirsty for the taste of all the wild things in the world.
Everywhere the world would open up to him as it used to, huge and humbling; he would be dwarfed by its colour and power. He would forget the farmhands and the fire. In the shudder of his skin, in the run of his blood, he would feel the wonder again.
He even met others like him—beings of rock, of sand, of earth and ice, that lived in much the same way he did, although they weren’t the same, not really. Some wore fur and feathers and watched over the creatures they resembled. Some floated high in the sky and released rain, on a whim, to extinguish him. Some swam through rivers and called themselves gods. Some were kind. Some, like a blood-hungry bird spirit he encountered deep in the southwest, were cruel. Most were calm, seeking only to care for the creatures and land that they felt drawn closest to.
What part of the world had thrown hooks into his soul? The answer, he had learned early in his life, lay in the hands that had clashed two stones together to create him. It was people, always people; only people that he really cared for. He had helped them cook, create, shape and heat themselves, and had come to think of them as not so much a family but as part of himself. For of all the shapes of life he had encountered, they were the only ones who had shown him that he had a purpose in this water-edged world.
They brought pain to the people he’d been helping for centuries—pain that he initially responded to by burning down their buildings, their docks, their great bird-like ships—but they also came with a vast multitude of new purposes for him. With them he was not merely cooking marsupials, sharpening spears and burning scrub; he was exploding black powder and flinging balls of metal through the air faster than any bird could fly.
After all these years he was reduced to the same state he was in at the moment the woman, crouching by the riverbank, had first summoned him with the clash of two smooth stones.
So when Charlotte began leaking the fire he’d given her, he did nothing more than watch. When his son started unravelling, he intervened with only half of his flaming heart.
Just like their mother, they would eventually die. And he did not want to be close to them when they did.
The tree ferns blotted the sky and pawed at my face. Worms and beetles churned across the bracken floor. Water throttled in a stream; I was used to it crashing in waves. My mother found calmness there, down in the reaching, shading fronds, but all I found was a lingering distaste for wet soil.
Give me white-chopped seas full of salt and fury.
The cloud’s rage howled on, pushing the storm east and west, north and south. Fields became bogs; ponds became lakes; wombats swam like water rats, and water rats cavorted like seals, drunk on the storm’s power. A muscly current turned Tunbridge into Nobridge. The Avoca post office was washed clean of all its letters. Hours after it broke over Notley, the storm reached the southern capital’s sprawling suburbs. It lashed the huddled houses before pouring onto the shiny docks, where fortuned of yachts clattered against weathered concrete.