When Loretta starts to cry, it’s not for Asanka—it’s for herself. Her daily struggles and setbacks distract her from thinking about Asanka. Still, whether Loretta cries for herself or for Asanka makes no difference; ultimately, Loretta is only a volunteer and so lacks the ability to help Asanka in a meaningful way. And as the tragedy of Chaminda shows, even lawyers struggle to enact real change when up against a crowded, indifferent system. Finally, even if Loretta does turn back to talk to Asanka some more, he’s already beyond any comfort she can give him: the figure headed toward the fence is clearly Asanka, who will likely suffer a whole new set of traumas in the aftermath of his disturbing present actions.