Readers may be familiar with Michael’s “spell”: it’s a poem by 17th-century poet John Donne, and it is, as Sophie suggests, a list of impossible tasks. It’s impossible to tell at this point whether John Donne’s work exists in Ingary, or whether Sophie and Michael are fully in the dark about what they’re working with. Either way, Michael insists on looking at the spell/poem in one very particular way—and seemingly because he refuses to wonder if he should approach it a different way, he fails to assemble the spell correctly.