If We Were Villains

by

M. L. Rio

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If We Were Villains: Act 2, Prologue Summary & Analysis

Summary
Analysis
In 2007, Oliver leaves the prison facility for the first time since he arrived. He sees Filippa waiting for him and hugs her. He notices that she looks unchanged and thinks of how she’s visited him every two weeks since he entered prison—the only one of his old friends to do so. He climbs into her car and changes his clothes. Filippa mentions that Meredith is fine, but that she’s not in close contact with anyone from their old class. Alexander, she says, is with an immersive theater company in New York. She mentions that Alexander refuses to act in productions of Julius Caesar since he thinks that the play corrupted their group. Prompted by Oliver, Filippa says that she disagrees: she thinks they were “fucked up from the start.”
Alexander’s stance on Julius Caesar suggests that he’s come to think of art as something that has the power to transform and corrupt—although, given that he’s still acting, he clearly hasn’t extricated himself from its influence completely. Filippa, meanwhile, doesn’t blame Shakespeare for the disintegration of their group. Her phrasing leaves it ambiguous as to who she does blame, though: were their friends fated to be bad, or did they just make bad choices?
Themes
Fate vs. Free Will Theme Icon
Theatre and Corruption Theme Icon
Filippa puts on an audiobook, and Oliver sticks his head out the window and wonders if Dellecher has changed. In two hours, they arrive at Dellecher and get out of the car. Oliver feels nervous and excited, emotions that remind him of his first time at the conservatory. Filippa leads Oliver to the refectory, where Colborne is waiting. They exchange small talk, and Filippa mentions that she lives in Broadwater with Milo. She tells them that she, Gwendolyn, and Frederick are still deciding the plays for this year. She exits, leaving Oliver and Colborne alone. Colborne tells Oliver that he wants to understand his story, and Oliver warns him that that might be impossible, since he doesn’t understand it himself. They get coffee, and Oliver starts to tell Colborne the events of the fall of 1997.
Dellecher is a special place for Oliver and Filippa, both of whom have previously been implied to have come to the conservatory from somewhat dysfunctional homes. For Filippa, it’s special enough that she’s made her home at Dellecher permanently—something that might’ve surprised their other friends, given that she always played the “extra” roles. So long after leaving Dellecher, she’s overcome her typecast and found her place at the center of the school’s theater program as a professor. As Oliver starts to tell his story, it becomes clear that he’s working through his own feelings about it as he goes. Now that he’s the storyteller instead of Shakespeare, he gets to decide how to choose his words.
Themes
Identity and Disguise Theme Icon
Quotes