Major Barbara

by

George Bernard Shaw

Themes and Colors
Power, Anarchy, and Freedom Theme Icon
Critique of Capitalism Theme Icon
Moralism and Hypocrisy Theme Icon
Good vs. Evil Theme Icon
Punishment and Forgiveness Theme Icon
LitCharts assigns a color and icon to each theme in Major Barbara, which you can use to track the themes throughout the work.
Critique of Capitalism Theme Icon

The earliest and most important lesson Andrew Undershaft learned, as he explains in Major Barbara’s third act, is that the greatest evil and crime in capitalist societies is to be poor. Shaw anticipates that his audience will have difficulty grasping this truth, as he points out in the preface he wrote for the play, since capitalist societies expend massive amounts of energy covering up this truth with platitudes and policies designed to keep the poor in their place. Yet, the play suggests that the results of poverty—uncleanliness, crime, and disease—ultimately hurt all of society, not just its poorest members.

To that end, Major Barbara examines many ways in which social, economic, and religious systems conspire to protect the status quo by oppressing social and economic underclasses. If the audience is bothered by the fact that Undershaft creates a better world in his company’s village by profiting from violence, the play encourages them to honestly confront the violence and coercion inherent to the current societal system under which they live. Limited resources drive people to jealously guard what little they have and to discourage revolt. The tenets of Christianity—sobriety, honesty, generosity, and the expectation of a heavenly reward—make poor people into pliable, easily exploitable workers, the play implies. And the way that poverty renders the poor reliant on the charity of organizations like the Salvation Army undermines these organizations’ religious ideals: ultimately, Barbara comes to understand that the Army bribes people with food and shelter while ultimately failing to improve their earthly or heavenly fates. Peter Shirley can’t find dignity in the job the Salvation Army finds him, and the ongoing vices of Snobby Price and Rummy Mitchens suggest that they have misunderstood or don’t take seriously the message of Christianity. In this sense, the play provides an extended critique of capitalism and argues for the absolute necessity of ensuring that every person in a society has sufficient resources to escape what Undershaft declares to be the real source of sin: being denied the dignity of a good life and the ability to make one’s choices freely.

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Critique of Capitalism ThemeTracker

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Critique of Capitalism Quotes in Major Barbara

Below you will find the important quotes in Major Barbara related to the theme of Critique of Capitalism.
Preface Quotes

The reason why the independent income-tax payers are not solid in defence of their position is that since we are not medieval rovers through a sparsely populated country, the poverty of those we rob prevents our having the good life for which we sacrifice them. Rich men or aristocrats with a developed sense of life—men like Ruskin and William Morris and Kropotkin—have enormous social appetites and very fastidious personal ones. They are not content with bediamoned wives and blooming daughters: they complain because the charwoman is badly dressed, because the laundress smells of gin, because the sempstress is anemic, because every man they meet is not a friend and every woman not a romance. They turn up their noses at their neighbors’ drains and are made ill by the architecture of their neighbors’ houses.

Page Number: xv
Explanation and Analysis:

[Money] is the counter that enables life to be distributed socially: it is life as truly as sovereigns and bank notes are money. The first duty of every citizen is to insist on having money on reasonable terms; and this demand is not complied with by giving four men three shillings each for ten or twelve hours’ drudgery and one man a thousand pounds for nothing. The crying need of the nation is not for better morals, cheaper bread, temperance, liberty, culture, redemption of fallen sisters and erring brothers, nor the grace, love, and fellowship of the Trinity, but simply for enough money. And the evil to be attacked is not sin, suffering, greed, priestcraft, kingcraft, demagogy, monopoly, ignorance, drink, war, nor any of the other scapegoats which reformers sacrifice, but simply poverty.

Related Characters: Andrew Undershaft
Related Symbols: Salvation Army
Page Number: xvi
Explanation and Analysis:

In proof I might point to the sensational object lesson provided by our commercial millionaires today. They begin as brigands: merciless, unscrupulous, dealing out ruin and death and slavery to their competitors and employees […] Captain Kidd would have marooned a modern Trust magnate for conduct unworthy of a gentleman of fortune. The law every day seizes on unsuccessful scoundrels of this type and punishes them with a cruelty worse than their own […]

But the successful scoundrel is dealt with very differently, and very Christianly. He is not only forgiven: he is idolized, respected, made much of, all but worshipped. Society returns him good for evil in the most extravagant overmeasure. And with what result? He begins […] to live up to the treatment he receives. He preaches sermons; he writes books of the most edifying advice to young men […] he endows educational institutions; he supports charities […]

Related Characters: Andrew Undershaft, Bill Walker
Page Number: xxv
Explanation and Analysis:
Act 1 Quotes

LADY BRITOMART. But after all, Stephen, our present income comes from Andrew.

STEPHEN (shocked). I never knew that.

LADY BRITOMART: Well, you surely didnt suppose your grandfather had anything to give me. The Stevenages could not do everything for you. We gave you social position. Andrew had to contribute something. He had a very good bargain, I think.

STEPHEN (bitterly). We are utterly dependent on him and his cannons, then?

LADY BRITOMART. Certainly not: the money is settled. But he provided it. So you can see it is not a question of taking money from him or not: it is simply a question of how much. I dont want any more for myself.

Related Characters: Lady Britomart (speaker), Stephen Undershaft (speaker), Andrew Undershaft, Barbara Undershaft
Related Symbols: Salvation Army, Weapons
Page Number: 7-8
Explanation and Analysis:
Act 2 Quotes

THE MAN. […] Furst, I’m intelligent […]intelligent beyond the station o life into which it has pleased the capitalists to call me; and they dont like a man that sees through em. Second, an intelligent bein needs a doo share of appiness; so I drink somethink cruel when I get the chawnce. Third, I stand by my class and do as little as I can so’s to leave arf the job for me fellow workers. Fourth, I’m fly enough to know wots inside the law and wots outside it; and inside it I do as the capitalists do: pinch wot I can lay me ands on. In a proper state of society, I am sober, industrious, and honest: in Rome, so to speak, I do as the Romans do. Wots the consequence? When trade is bad—and it’s rotten bad just now—and the employers az to sack arf their men, they generally start on me.

Related Characters: Snobby Price (speaker), Barbara Undershaft, Rummy Mitchens
Related Symbols: Salvation Army
Page Number: 21
Explanation and Analysis:

SHIRLEY. […] Holy God! I’ve worked ten to twelve hours a day since I was thirteen, and paid my way all through; and now am I to be thrown into the gutter and my job given to a young man that can do it no better than me because Ive black hair that goes white at the first change?

PRICE (cheerfully). No good jawrin about it. Youre only a jumped-up, jerked-off, orspittle-turned-out incurable of an ole workin man: who cares about you? Eh? Make the thevin swine give you a meal: theyve stole many a one from you. Get a bit o your own back. (JENNY returns with the usual meal). There you are, brother. Awsk a blessin an tuck that into you.

SHIRLEY (looking at it ravenously but not touching it, and crying like a child). I never took anything before.

Related Characters: Snobby Price (speaker), Peter Shirley (speaker), Jenny Hill
Related Symbols: Salvation Army
Page Number: 23
Explanation and Analysis:

CUSINS. Father Undershaft: you are mistaken. I am a sincere Salvationist. You do not understand the Salvation Army. It is the army of joy, of love, of courage: it has banished the fear and remorse and despair of the old and hell-ridden evangelical sects: it marches to fight the devil with trumpet and drum, with music and dancing, with banner and palm, as becomes a sally from heaven by its happy garrison. It picks the waster out of the public house and makes a man of him: it finds a worm wiggling in a back kitchen, and lo! a woman! Men and women of rank, too, sons and daughters of the Highest. It takes the poor professor of Greek, the most artificial and self-suppressed of human creatures, from his meal of roots and lets loose the rhapsodist in him; […] sends him down the public street drumming dithyrambs.

Related Characters: Adolphus Cusins (speaker), Andrew Undershaft, Barbara Undershaft, Peter Shirley, Rummy Mitchens, Horace Bodger
Related Symbols: Salvation Army
Page Number: 35
Explanation and Analysis:

UNDERSHAFT (cold and sardonic). Have you ever been in love with Poverty, like St Francis? Have you ever been in love with Dirt, like St Simeon? Have you ever been in love with disease and suffering, like our nurses and philanthropists? Such passions are not virtues, but the most unnatural of all the vices. This love of the common people may please an earl’s granddaughter and a university professor; but I have been a common man and a poor man; and it has no romance for me. Leave it to the poor to pretend that poverty is a blessing; leave it to the coward to make a religion of his cowardice by preaching humility: we know better than that. We three must stand together above the common people: how else can we help their children to climb up beside us? Barbara must belong to us, not to the Salvation Army.

Related Characters: Andrew Undershaft (speaker), Barbara Undershaft, Adolphus Cusins
Related Symbols: Salvation Army
Page Number: 38
Explanation and Analysis:
Act 3 Quotes

CUSINS. […] How do you maintain discipline among your men?

UNDERSHAFT. I dont. They do. You see, the one thing Jones wont stand is any rebellion from the man under him, or any assertion of social equality between the wife of the man with four shillings a week less than himself, and Mrs Jones! Of course they all rebel against me, theoretically. Practically, every man of them keeps the man just below him in his place. I never meddle with them. I never bully them. I dont even bully Lazarus. I say that certain things are to be done; but I dont order anybody to do them. I dont say, mind you, that there is no ordering about and snubbing and even bullying. [… But the] result is colossal profit, which comes to me.

CUSINS (revolted). You really are a—well, what I was saying yesterday.

Related Characters: Andrew Undershaft (speaker), Adolphus Cusins (speaker), Lady Britomart, Bill Walker, Snobby Price, Rummy Mitchens, Horace Bodger, Mog Habbijam
Page Number: 61
Explanation and Analysis:

STEPHEN. Well, I cannot help thinking that all this provision for every want of your workmen may sap their independence and weaken their sense of responsibility. And greatly as we enjoyed our tea at that splendid restaurant—how they gave us all that luxury and cake and jam and cream for threepence I really cannot imagine!—still you must remember that restaurants break up home life. Look at the continent, for instance! Are you sure so much pampering is really good for men’s characters?

UNDERSHAFT. Well you see, my dear boy, when you are organizing civilization you have to make up your mind whether trouble and anxiety are good things or not. If you decide that they are, then, I take it, you simply dont organize civilization; and there you are with trouble and anxiety enough to make us all angels! But if you decide the other way, you may as well go through with it.

Related Characters: Andrew Undershaft (speaker), Stephen Undershaft (speaker)
Page Number: 64-65
Explanation and Analysis:

BARBARA. Justify yourself: shew me some light through the darkness of this dreadful place, with its beautifully clean workshops, and respectable workmen, and model homes.

UNDERSHAFT. Cleanliness and respectability do not need justification, Barbara: they justify themselves. I see no darkness here, no dreadfulness. In your Salvation shelter I saw poverty, misery, cold and hunger. You gave them bread and treacle and dreams of heaven. I give them thirty shillings a week to twelve thousand a year. They find their own dreams; but I look after the drainage.

BARBARA: And their souls?

UNDERSHAFT: I save their souls, just as I saved yours […] from the seven deadly sins […which are] Food, clothing, firing, rent, taxes, respectability, and children. Nothing can lift these seven millstones from Man’s neck but money; and the spirit cannot soar until the millstones are lifted.

Related Characters: Andrew Undershaft (speaker), Barbara Undershaft (speaker), Adolphus Cusins, Stephen Undershaft
Related Symbols: Salvation Army, Weapons
Page Number: 72
Explanation and Analysis:

CUSINS. Do you call poverty a crime?

UNDERSHAFT. The worst of crimes […] Poverty blights whole cities; spreads horrible pestilences; strikes dead the very souls of all who come within sight, sound, or smell of it. What you call a crime is nothing: a murder here and a theft there, a blow now and a curse then: what do they matter? They are only the accidents and illnesses of life: there are not fifty genuine professional criminals in London. But there are millions of poor people, abject people, dirty people, ill fed, ill clothed people. They poison us morally and physically: they kill the happiness of society: the force us to do away with our own liberties and to organize unnatural cruelties for fear they should rise against us and drag us down into their abyss. Only fools fear crime: we all fear poverty.

Related Characters: Andrew Undershaft (speaker), Adolphus Cusins (speaker), Barbara Undershaft
Page Number: 73
Explanation and Analysis: