Major Barbara

by

George Bernard Shaw

Power, Anarchy, and Freedom Theme Analysis

Themes and Colors
Power, Anarchy, and Freedom Theme Icon
Critique of Capitalism Theme Icon
Moralism and Hypocrisy Theme Icon
Good vs. Evil Theme Icon
Punishment and Forgiveness Theme Icon
LitCharts assigns a color and icon to each theme in Major Barbara, which you can use to track the themes throughout the work.
Power, Anarchy, and Freedom Theme Icon

Late in Major Barbara, Andrew Undershaft explains the “Armorer’s Code” to his family. The weapons dealer must sell his wares to whomever can pay for them, leaving judgements about right and wrong to a higher power. His beliefs are essentially anarchist, since he sees power itself as a neutral force and finds evil only in the use of power to control others. He thus confirms Bernard Shaw’s argument in the preface written for the play—namely, that humanity will become free and reach its full potential only when people act on principle without the pressure of legal punishments, social conventions, religious ideas, or constraints like poverty.

Shaw thus uses Major Barbara to call for an overthrow of the social order. Accordingly, the play shows how coercive power denies people freedom of conscience and action, and it celebrates those who break free from this constraint. Andrew Undershaft escapes petty moralism and thus poverty, and this not only allows him to provide a good life for himself and his family but also to raise his workers from poverty and suffering as well. Stephen remains weak and ineffectual as long as he allows Lady Britomart to tell him what to do; he achieves adulthood when he starts making his own choices. Adolphus Cusins, meanwhile, cannot find anything to truly believe in as long as he denies his desire to wield power, hiding this desire under a veneer of social nicety. And although Barbara, in contrast, is truly pious, she ultimately comes to feel that when religious bodies like the Salvation Army remain beholden to wealthy benefactors (and reliant on poverty to drive people to their meetings out of desperation), most converts won’t be sincere and will try to work the system. When Barbara agrees that it's only possible to do good in the world in places like Undershaft’s village (where people are free from religious, moral, economic, and political coercion), Shaw effectively challenges the audience to create a better world by rejecting the societal systems that ultimately force a false sense of morality and equality onto the population—only when people free themselves from such systems and embrace their principles in and of themselves will humanity realize its potential.

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Power, Anarchy, and Freedom ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Power, Anarchy, and Freedom appears in each act of Major Barbara. Click or tap on any chapter to read its Summary & Analysis.
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Power, Anarchy, and Freedom Quotes in Major Barbara

Below you will find the important quotes in Major Barbara related to the theme of Power, Anarchy, and Freedom.
Act 1 Quotes

LADY BRITOMART. […] I thought Barbara was going to make the most brilliant career of all of you. And what does she do? Joins the Salvation Army; discharges her maid; lives on a pound a week; and walks in one evening with a professor of Greek whom she has picked up in the street, who pretends to be a Salvationist, and actually plays the big drum for her in public because he has fallen head over ears in love with her.

STEPHEN. I was certainly taken aback when I heard they were engaged. […]

LADY BRITOMART. Oh, Adolphus Cusins will make a very good husband. After all […] Greek […] stamps a man at once as an educated gentleman. And my family, thank Heaven, is not a pigheaded Tory one. We are Whigs, and believe in liberty. Let snobbish people say what they please: Barbara shall marry, not the man they like, but the man I like.

Related Characters: Lady Britomart (speaker), Stephen Undershaft (speaker), Barbara Undershaft, Adolphus Cusins
Related Symbols: Salvation Army
Page Number: 3
Explanation and Analysis:
Act 2 Quotes

UNDERSHAFT. Only that there are two things necessary to Salvation.

CUSINS (disappointed, but polite). Ah, the Church Catechism. Charles Lomax also belongs to the Established Church.

UNDERSHAFT. The two things are —

CUSINS. Baptism and—

UNDERSHAFT. No. Money and gunpowder.

CUSINS (surprised, but interested). That is the general opinion of our governing classes. The novelty is in hearing any man confess it.

UNDERSHAFT. Just so.

CUSINS. Excuse me, is there any place in your religion for honor, justice, truth, love, mercy, and so on?

UNDERSHAFT. Yes: they are the graces and luxuries of a rich, strong, and safe life.

CUSINS. Suppose one is forced to choose between them and money or gunpowder?

UNDERSHAFT: Choose money and gunpowder; for without enough of both you cannot afford the others.

Related Characters: Andrew Undershaft (speaker), Adolphus Cusins (speaker), Barbara Undershaft, Charles Lomax
Related Symbols: Weapons
Page Number: 34
Explanation and Analysis:

CUSINS. Father Undershaft: you are mistaken. I am a sincere Salvationist. You do not understand the Salvation Army. It is the army of joy, of love, of courage: it has banished the fear and remorse and despair of the old and hell-ridden evangelical sects: it marches to fight the devil with trumpet and drum, with music and dancing, with banner and palm, as becomes a sally from heaven by its happy garrison. It picks the waster out of the public house and makes a man of him: it finds a worm wiggling in a back kitchen, and lo! a woman! Men and women of rank, too, sons and daughters of the Highest. It takes the poor professor of Greek, the most artificial and self-suppressed of human creatures, from his meal of roots and lets loose the rhapsodist in him; […] sends him down the public street drumming dithyrambs.

Related Characters: Adolphus Cusins (speaker), Andrew Undershaft, Barbara Undershaft, Peter Shirley, Rummy Mitchens, Horace Bodger
Related Symbols: Salvation Army
Page Number: 35
Explanation and Analysis:

UNDERSHAFT (cold and sardonic). Have you ever been in love with Poverty, like St Francis? Have you ever been in love with Dirt, like St Simeon? Have you ever been in love with disease and suffering, like our nurses and philanthropists? Such passions are not virtues, but the most unnatural of all the vices. This love of the common people may please an earl’s granddaughter and a university professor; but I have been a common man and a poor man; and it has no romance for me. Leave it to the poor to pretend that poverty is a blessing; leave it to the coward to make a religion of his cowardice by preaching humility: we know better than that. We three must stand together above the common people: how else can we help their children to climb up beside us? Barbara must belong to us, not to the Salvation Army.

Related Characters: Andrew Undershaft (speaker), Barbara Undershaft, Adolphus Cusins
Related Symbols: Salvation Army
Page Number: 38
Explanation and Analysis:
Act 3 Quotes

CUSINS. Do you call poverty a crime?

UNDERSHAFT. The worst of crimes […] Poverty blights whole cities; spreads horrible pestilences; strikes dead the very souls of all who come within sight, sound, or smell of it. What you call a crime is nothing: a murder here and a theft there, a blow now and a curse then: what do they matter? They are only the accidents and illnesses of life: there are not fifty genuine professional criminals in London. But there are millions of poor people, abject people, dirty people, ill fed, ill clothed people. They poison us morally and physically: they kill the happiness of society: the force us to do away with our own liberties and to organize unnatural cruelties for fear they should rise against us and drag us down into their abyss. Only fools fear crime: we all fear poverty.

Related Characters: Andrew Undershaft (speaker), Adolphus Cusins (speaker), Barbara Undershaft
Page Number: 73
Explanation and Analysis:

UNDERSHAFT. Vote! Bah! When you vote, you only change the names of the cabinet. When you shoot, you pull down governments, inaugurate new epochs, abolish old orders and set up new. Is that historically true, Mr Learned Man, or is it not?

CUSINS. It is historically true. I loathe having to admit it. I repudiate your sentiments. I abhor your nature. I defy you in every possible way. Still, it is true. But it ought not to be true.

UNDERSHAFT. Ought! ought! ought! ought! ought! Are you going to spend your life saying ought, like the rest of our moralists? Turn your oughts into shalls, man. Come and make explosives with me. Whatever can blow men up can blow society up. The history of the world is the history of those who had courage enough to embrace this truth. Have you the courage to embrace it, Barbara?

Related Characters: Andrew Undershaft (speaker), Adolphus Cusins (speaker), Barbara Undershaft
Related Symbols: Weapons
Page Number: 74-75
Explanation and Analysis:

CUSINS. You cannot have power for good without having power for evil too. Even mother’s milk nourishes murderers as well as heroes. This power which only tears men’s bodies to pieces has never been so horribly abused as the intellectual power, the imaginative power, the poetic, religious power that enslave men’s souls. As a teacher of Greek, I gave the intellectual man weapons against the common man. I now want to give the common man weapons against the intellectual man. I love the common people. I want to arm them against the lawyers, the doctors, the priests, the literary men, the professors, the artists, and the politicians, who, once in authority, are more disastrous and tyrannical than all the fools, rascals, and imposters. I want a power simple enough for common men to use, yet strong enough to force the intellectual oligarchy to use its genius for the general good.

Related Characters: Adolphus Cusins (speaker), Andrew Undershaft, Barbara Undershaft
Related Symbols: Weapons
Page Number: 79
Explanation and Analysis: