McTeague

by

Frank Norris

Gender Stereotypes Theme Analysis

Themes and Colors
Greed and Self-Destruction Theme Icon
Naturalism Theme Icon
Gender Stereotypes  Theme Icon
Class Struggle Theme Icon
Isolation vs. Connection Theme Icon
LitCharts assigns a color and icon to each theme in McTeague, which you can use to track the themes throughout the work.
Gender Stereotypes  Theme Icon

McTeague presents a decidedly outdated and often problematic view of gender. The narration tends to describe characters using language such as “the natural male impulse” or “the nature female impulse,” suggesting that there are some distinct ways that men and women behave based on their innate biology. For instance, Trina is initially drawn to McTeague only after he physically overpowers her and forces her to kiss him. Norris describes McTeague’s desire to restrain Trina as the natural male desire to dominate. Meanwhile, he describes Trina’s reaction in terms of the natural female desire to be dominated.

This essentialist perspective continues throughout the novel, shaping the dynamics between the characters. Trina’s role in the household, managing the finances and making decisions about their frugal lifestyle, contrasts with McTeague’s brute strength and physical labor. Despite her financial acumen, the novel still frames Trina’s actions as within the context of her supposed natural tendencies. The novel implies that her obsessive hoarding of money, for instance, is driven by a feminine instinct for security. The interactions between other characters also reflect other gendered stereotypes. The novel portrays Marcus Schouler’s aggressive and competitive behavior toward McTeague as a manifestation of his innate masculine drive for dominance. In contrast, the novel depicts female characters like Maria Macapa and Miss Baker as passive and nurturing, adhering to traditional gender roles that emphasize their dependency and emotional nature. Through its heavy reliance on gender stereotypes, then, the reinforces an essentialist view of gender, suggesting that men and women act according to  innate biological impulses, acting masculinely or femininely according to their nature.

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Gender Stereotypes ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Gender Stereotypes appears in each chapter of McTeague. Click or tap on any chapter to read its Summary & Analysis.
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Gender Stereotypes Quotes in McTeague

Below you will find the important quotes in McTeague related to the theme of Gender Stereotypes .
Chapter 1 Quotes

McTeague’s mind was as his body, heavy, slow to act, sluggish. Yet there was nothing vicious about the man. Altogether he suggested the draught horse, immensely strong, stupid, docile, obedient.

Related Characters: McTeague
Page Number: 3
Explanation and Analysis:
Chapter 2 Quotes

Trina was McTeague’s first experience. With her the feminine element suddenly entered his little world. It was not only her that he saw and felt, it was the woman, the whole sex, an entire new humanity, strange and alluring, that he seemed to have discovered. How had he ignored it so long? It was dazzling, delicious, charming beyond all words. His narrow point of view was at once enlarged and confused, and all at once he saw that there was something else in life besides concertinas and steam beer. Everything had to be made over again. His whole rude idea of life had to be changed. The male virile desire in him tardily awakened, aroused itself, strong and brutal. It was resistless, untrained, a thing not to be held in leash an instant.

Related Characters: McTeague, Trina Sieppe
Page Number: 21
Explanation and Analysis:

He turned to his work, as if seeking a refuge in it. But as he drew near to her again, the charm of her innocence and helplessness came over him afresh. It was a final protest against his resolution. Suddenly he leaned over and kissed her, grossly, full on the mouth. The thing was done before he knew it. Terrified at his weakness at the very moment he believed himself strong, he threw himself once more into his work with desperate energy. By the time he was fastening the sheet of rubber upon the tooth, he had himself once more in hand. He was disturbed, still trembling, still vibrating with the throes of the crisis, but he was the master; the animal was downed, was cowed for this time, at least.

Related Characters: McTeague, Trina Sieppe
Page Number: 24-25
Explanation and Analysis:
Chapter 4 Quotes

Marcus was thinking hard. He could see very clearly that McTeague loved Trina more than he did; that in some strange way this huge, brutal fellow was capable of a greater passion than himself, who was twice as clever. Suddenly Marcus jumped impetuously to a resolution.

“Well, say, Mac,” he cried, striking the table with his fist, “go ahead. I guess you—you want her pretty bad. I’ll pull out; yes, I will. I’ll give her up to you, old man.”

Related Characters: McTeague, Trina Sieppe, Marcus Schouler
Page Number: 44
Explanation and Analysis:
Chapter 5 Quotes

He went farther into the closet, touching the clothes gingerly, stroking them softly with his huge leathern palms. As he stirred them a delicate perfume disengaged itself from the folds. Ah, that exquisite feminine odor! It was not only her hair now, it was Trina herself—her mouth, her hands, her neck; the indescribably sweet, fleshly aroma that was a part of her, pure and clean, and redolent of youth and freshness. All at once, seized with an unreasoned impulse, McTeague opened his huge arms and gathered the little garments close to him, plunging his face deep amongst them, savoring their delicious odor with long breaths of luxury and supreme content.

Related Characters: McTeague, Trina Sieppe
Page Number: 62
Explanation and Analysis:

“Ah, come on,” urged McTeague. He could think of nothing else to say, repeating the same phrase over and over again to all her refusals.

“Ah, come on! Ah, come on!”

Suddenly he took her in his enormous arms, crushing down her struggle with his immense strength. Then Trina gave up, all in an instant, turning her head to his. They kissed each other, grossly, full in the mouth.

Related Characters: McTeague, Trina Sieppe
Page Number: 66
Explanation and Analysis:
Chapter 9 Quotes

The dentist crossed the outside room, parted the chenille portieres, and came in. He came toward her quickly, making as if to take her in his arms. His eyes were alight.

“No, no,” cried Trina, shrinking from him. Suddenly seized with the fear of him—the intuitive feminine fear of the male—her whole being quailed before him. She was terrified at his huge, square-cut head; his powerful, salient jaw; his huge, red hands; his enormous, resistless strength.

Related Characters: Trina Sieppe (speaker), McTeague
Page Number: 141
Explanation and Analysis:
Chapter 10 Quotes

McTeague, on his part, never asked himself now-a-days whether he loved Trina the wife as much as he had loved Trina the young girl. There had been a time when to kiss Trina, to take her in his arms, had thrilled him from head to heel with a happiness that was beyond words; even the smell of her wonderful odorous hair had sent a sensation of faintness all through him. That time was long past now. Those sudden outbursts of affection on the part of his little woman, outbursts that only increased in vehemence the longer they lived together, puzzled rather than pleased him. He had come to submit to them good-naturedly, answering her passionate inquiries with a “Sure, sure, Trina, sure I love you. What—what’s the matter with you?”

Related Characters: McTeague (speaker), Trina Sieppe
Page Number: 149
Explanation and Analysis:
Chapter 11 Quotes

Then followed a terrible scene. The brute that in McTeague lay so close to the surface leaped instantly to life, monstrous, not to be resisted. He sprang to his feet with a shrill and meaningless clamor, totally unlike the ordinary bass of his speaking tones. It was the hideous yelling of a hurt beast, the squealing of a wounded elephant. He framed no words; in the rush of high-pitched sound that issued from his wide-open mouth there was nothing articulate. It was something no longer human; it was rather an echo from the jungle.

Related Characters: McTeague, Marcus Schouler
Page Number: 184
Explanation and Analysis:
Chapter 16 Quotes

Trina was awakened by her husband pinching her arm.

“Oh, Mac,” she cried, jumping up in bed with a little scream, “how you hurt! Oh, that hurt me dreadfully.”

“Give me a little money,” answered the dentist, grinning, and pinching her again.”

Related Characters: McTeague (speaker), Trina Sieppe
Page Number: 241
Explanation and Analysis:
Chapter 20 Quotes

The life pleased the dentist beyond words. The still, colossal mountains took him back again like a returning prodigal, and vaguely, without knowing why, he yielded to their influence—their immensity, their enormous power, crude and blind, reflecting themselves in his own nature, huge, strong, brutal in its simplicity. And this, though he only saw the mountains at night. They appeared far different then than in the daytime. At twelve o’clock he came out of the mine and lunched on the contents of his dinner-pail, sitting upon the embankment of the track, eating with both hands, and looking around him with a steady ox-like gaze. The mountains rose sheer from every side, heaving their gigantic crests far up into the night, the black peaks crowding together, and looking now less like beasts than like a company of cowled giants.

Related Characters: McTeague
Page Number: 304-305
Explanation and Analysis:
Chapter 22 Quotes

As McTeague rose to his feet, he felt a pull at his right wrist; something held it fast. Looking down, he saw that Marcus in that last struggle had found strength to handcuff their wrists together. Marcus was dead now; McTeague was locked to the body. All about him, vast interminable, stretched the measureless leagues of Death Valley.

McTeague remained stupidly looking around him, now at the distant horizon, now at the ground, now at the half-dead canary chittering feebly in its little gilt prison.

Related Characters: McTeague, Marcus Schouler
Related Symbols: The Caged Canary
Page Number: 347
Explanation and Analysis: