McTeague initially leads a modest life as an unlicensed dentist in San Francisco. However, his life changes when the woman he is about to marry, Trina Sieppe, wins the lottery. After their marriage, Trina’s obsession with money becomes apparent as she refuses to spend any of her winnings, instead hoarding the coins and deriving a perverse pleasure from merely counting them. Her insistence that they live frugally causes strain in the marriage and contributing to McTeague’s growing frustration and resentment. Even when McTeague loses his dental practice, Trina refuses to budge, instead forcing herself and McTeague to live as if they are broke. It is this perverse irony that drives the book, as characters chase material wealth only to ultimately squander the money when they finally get their hands on it.
McTeague, too, falls victim to the lure of money. When he loses his dental practice, his desperation for financial stability grows. When Trina will not give him money, McTeague becomes a violent alcoholic. In a fit of rage, McTeague ultimately murders Trina and takes her money, sacrificing the most important relationship in his life to satisfy his greed. Similarly, Marcus, McTeague’s former best friend, ruins his relationship with McTeague because he is jealous that McTeague married Trina after she won the lottery. This leads Marcus to undermine McTeague’s business, even though McTeague barely benefits from his wife’s money. In their pursuit of wealth, none of these characters gets a happy ending. Trina and Marcus end up dead, and the novel ends with McTeague alone in Death Valley and on the verge of death, chained to Marcus’s corpse. Through the tragic fates of its main characters, then, McTeague warns against the danger and self-destruction that can result from allowing material desires to overshadow human connection.
Greed and Self-Destruction ThemeTracker
Greed and Self-Destruction Quotes in McTeague
But for one thing, McTeague would have been perfectly contented. Just outside his window was his signboard—a modest affair—that read: “Doctor McTeague. Dental Parlors. Gas Given”; but that was all. It was his ambition, his dream, to have projecting from that corner window a huge gilded tooth, a molar with enormous prongs, something gorgeous and attractive. He would have it some day, on that he was resolved; but as yet such a thing was far beyond his means.
Maria found Zerkow himself in the back room, cooking some sort of a meal over an alcohol stove. Zerkow was a Polish Jew—curiously enough his hair was fiery red. He was a dry, shriveled old man of sixty odd. He had the thin, eager, cat-like lips of the covetous; eyes that had grown “keen as those of a lynx from long searching amidst muck and debris; and claw-like, prehensile fingers—the fingers of a man who accumulates, but never disburses. It was impossible to look at Zerkow and not know instantly that greed—inordinate, insatiable greed—was the dominant passion of the man.
When McTeague had all at once caught her in his huge arms, something had leaped to life in her—something that had hitherto lain dormant, something strong and overpowering. It frightened her now as she thought of it, this second self that had wakened within her, and that shouted and clamored for recognition. And yet, was it to be feared? Was it something to be ashamed of? Was it not, after all, natural, clean, spontaneous? Trina knew that she was a pure girl; knew that this sudden commotion within her carried with it no suggestion of vice.
“You fool, you fool, Marcus Schouler! If you’d kept Trina you’d have had that money. You might have had it yourself. You’ve thrown away your chance in life—to give up the girl, yes—but this," he stamped his foot with rage—"to throw five thousand dollars out of the window—to stuff it into the pockets of someone else, when it might have been yours, when you might have had Trina AND the money—and all for what? Because we were pals. Oh, ‘pals’ is all right—but five thousand dollars—to have played it right into his hands—God DAMN the luck!”
The dentist circled about that golden wonder, gasping with delight and stupefaction, touching it gingerly with his hands as if it were something sacred. At every moment his thought returned to Trina. No, never was there such a little woman as his—the very thing he wanted—how had she remembered? And the money, where had that come from? No one knew better than he how expensive were these signs; not another dentist on Polk Street could afford one. Where, then, had Trina found the money? It came out of her five thousand dollars, no doubt.
“Now, Mac, you know I don’t want you should talk like that. That money’s never, never to be touched.”
Zerkow had come to believe in this story infallibly. He was immovably persuaded that at one time Maria or Maria’s people had possessed these hundred golden dishes. In his perverted mind the hallucination had developed still further. Not only had that service of gold plate once existed, but it existed now, entire, intact; not a single burnished golden piece of it was missing. It was somewhere, somebody had it, locked away in that leather trunk with its quilted lining and round brass locks. It was to be searched for and secured, to be fought for, to be gained at all hazards.
Only one thing remained. On the wall between the windows, in its oval glass frame, preserved by some unknown and fearful process, a melancholy relic of a vanished happiness, unsold, neglected, and forgotten, a thing that nobody wanted, hung Trina’s wedding bouquet.
“I wonder,” she said to herself, “I wonder where he got the money to buy his whiskey.” She searched the pockets of his coat, which he had flung into a corner of the room, and even came up to him as he lay upon the bed and went through the pockets of his vest and trousers. She found nothing.
“I wonder,” she murmured, “I wonder if he’s got any money he don’t tell me about. I’ll have to look out for that.”
Trina was awakened by her husband pinching her arm.
“Oh, Mac,” she cried, jumping up in bed with a little scream, “how you hurt! Oh, that hurt me dreadfully.”
“Give me a little money,” answered the dentist, grinning, and pinching her again.”
After that they spoke but little. The day lapsed slowly into twilight, and the two old people sat there in the gray evening, quietly, quietly, their hands in each other’s hands, “keeping company,” but now with nothing to separate them. It had come at last. After all these years they were together; they understood each other. They stood at length in a little Elysium of their own creating. They walked hand in hand in a delicious garden where it was always autumn.
And the tooth, the gigantic golden molar of French gilt, enormous and ungainly, sprawled its branching prongs in one corner of the room, by the footboard of the bed. The McTeague’s had come to use it as a sort of substitute for a table. After breakfast and supper Trina piled the plates and greasy dishes upon it to have them out of the way.
As McTeague rose to his feet, he felt a pull at his right wrist; something held it fast. Looking down, he saw that Marcus in that last struggle had found strength to handcuff their wrists together. Marcus was dead now; McTeague was locked to the body. All about him, vast interminable, stretched the measureless leagues of Death Valley.
McTeague remained stupidly looking around him, now at the distant horizon, now at the ground, now at the half-dead canary chittering feebly in its little gilt prison.