Although Miss Lonelyhearts is surrounded by people to the point where he often wishes that he could escape them, he spends the duration of the novella feeling isolated from those around him. After all, Miss Lonelyhearts’s numerous attempts at romantic relationships ultimately fail to fulfill him, and he notes that even the time he spends with Betty, who does her best to be a supportive, caring partner, makes him feel bad about himself—and alone. In addition, those around Miss Lonelyhearts actively regard him as foolish and absurd because of his preoccupation with Christianity, further exacerbating his sense of isolation from others. As Miss Lonelyhearts grows more stressed and less capable of coping with his emotions, he descends into an all-consuming madness that urges him to act violently and ultimately believe that he has turned into God. Notably, the novella doesn’t seem to suggest that Miss Lonelyhearts’s religious transformation is false or an impossibility; rather, it merely reflects that the characters within this world view Miss Lonelyhearts as a fool. As a result, the novella casts Miss Lonelyhearts’s eventual madness in a somewhat compassionate light, underscoring that his social isolation played a key role in his progressively nonsensical, violent way of coping with the world.
Like Miss Lonelyhearts, Shrike also acts in nonsensical and sometimes violent ways that can be interpreted as madness. For example, he goes on non sequitur tirades about religion at the speakeasy while pretending to hit his female companion, seemingly because he finds her reactions humorous, and when faced with a pantsless Miss Lonelyhearts, he simply asks his employee to dress himself, suggesting that he understands his behavior on some level. It’s important to note that Shrike does have a moment where he “breaks character” when he tells Miss Lonelyhearts, who’s about to take his wife Mary out to dance, that he suffers, too. Although Shrike frames his isolation as not being able to have sex with his wife, his short-lived moment of earnestness implies that he has some level of awareness that he, too, is alone. As such, while the novella doesn’t go as far as to excuse the acts of violence that Miss Lonelyhearts and Shrike commit, it does explore the idea that suffering from social isolation and a lack of genuine human connection can undermine a person’s sanity, leading them to absurd and even dangerous behaviors in their efforts to cope.
Isolation and Madness ThemeTracker
Isolation and Madness Quotes in Miss Lonelyhearts
They paraded the lamb through the market. Miss Lonelyhearts went first, carrying the knife, and others followed, Steve with the jug and Jud with the animal. As they marched, they sang an obscene version of “Mary Had a Little Lamb.”
When the old man still remained silent, he took his arm and twisted it. Gates tried to tear him away, but he refused to let go. He was twisting the arm of all the sick and miserable, broken and betrayed, inarticulate and impotent. He was twisting the arm of Desperate, Broken-hearted, Sick-of-it-all, Disillusioned-with-tubercular-husband.
When he kissed Shrike’s wife, he felt less like a joke. She returned his kisses because she hated Shrike. But even there Shrike had beaten him. No matter how hard he begged her to give Shrike horns, she refused to sleep with him.
“My good friend, your accusation hurts me to the quick. You spiritual lovers think that you alone suffer. But you are mistaken. Although my love is of the flesh flashy, I too suffer. It’s suffering that drives me into the arms of the Miss Farkises of this world. Yes, I suffer.”
He had always been the pursuer, but now found a strange pleasure in having the rôles reversed. He drew back when she reached for a kiss. She caught his head and kissed him on his mouth. At first it ticked like a watch, then the tick softened and thickened into a heart throb. It beat louder and more rapidly each second until he thought it was going to explode.
He was too tired to be annoyed by her wide-eyed little mother act and let her feed him with a spoon. When he had finished eating, she opened the window and freshened the bed. As soon as the room was in order, she started to leave, but he called her back.
Crowds of people moved through the street with a dream-like violence. As he looked at their broken hands and torn mouths he was overwhelmed by the desire to help them, and because this desire was sincere, he was happy despite the feeling of guilt which accompanied it.
The cripple had a very strange face. His eyes failed to balance; his mouth was not under his nose; his forehead was square and bony; and his round chin was like a forehead in miniature. […] They sat staring at each other until the strain of wordless communication began to excite them both.
After finishing the letter, he did not let go, but pressed it firmly with all the love he could manage. At first the cripple covered his embarrassment by disguising the meaning of the clasp with a handshake, but he soon gave in to it and they sat silently hand in hand.
He could feel her knee pressing his under the table, but he paid no attention and only broke his beatific smile to drink. The heavy food had dulled him and he was trying desperately to feel again what he had felt while holding hands with the cripple in the speakeasy.
He tried again by becoming hysterical. “Christ is love,” he screamed at them. It was a stage scream, but he kept on. “Christ is the black fruit that hangs on the crosstree. Man was lost by eating of the forbidden fruit. He shall be saved by eating of the bidden fruit. The black Christ-fruit, the love fruit…”
He did not understand the cripple’s shout and heard it as a cry for help from Desperate, Harold S. Catholic-mother, Broken-hearted, Broad-shoulders, Sick-of-it-all, Disillusioned-with-tubercular-husband. He was running to succor them with love.