As a sci-fi and fantasy novel that takes place in a world similar to the reader’s, but which isn’t ours, it can be difficult to place
Son (and for that matter, the entire Giver Quartet) in a historical context. In her Newbery acceptance speech for
The Giver in 1994, however, Lowry has said that she was inspired to create this world in part because people kept asking her why her Holocaust novel,
Number the Stars, had to exist at all—that is, why it was important to continue talking about historical horrors like the Holocaust. The community where Claire, Gabe, and Jonas come from has eliminated such remembering, and the novel presents this as an extremely flawed choice. The characters’ final village, meanwhile, insists on the importance of remembering the past as a way to do better in the future. In publicity interviews for
Son, meanwhile, Lowry has said that it makes sense why contemporary children and teens are so interested in reading dystopian novels like the Giver Quartet, given a media landscape that makes frightening global events impossible to ignore. Such a landscape, she suggested, makes it tempting to dive into novels that explore what the world might become. On an even more personal level, Lowry was inspired to write
Son and to focus on Claire’s search for her son as one way to process her grief for one of her sons, Grey, an Air Force pilot who died in a plane crash.