Manny (Manhattan) Character Analysis

He’s been talking like this since he showed up—places that never were, things that can’t be, omens and portents. I figure it’s bullshit because he’s telling it to me, a kid whose own mama kicked him out and prays for him to die every day and probably hates me. God hates me. And I fucking hate God back, so why would he choose me for anything? But that’s really why I start paying attention: because of God. I don’t have to believe in something for it to fuck up my life.

“But seriously, thanks for helping me. You hear all kinds of stuff about how rude New Yorkers are, but . . . thanks.”

“Eh, we’re only assholes to people who are assholes first,” she says, but she smiles as she says it.

The tendril mass looms, ethereal and pale, more frightening as the cab accelerates. There is a beauty to it, he must admit—like some haunting, bioluminescent deep-sea organism dragged to the surface. It is an alien beauty, however, meant for some other environment, some other aether, and here in New York its presence is a contaminant. The very air around it has turned gray, and now that they’re closer, he can hear the air hissing as if the tendrils are somehow hurting the molecules of nitrogen and oxygen they touch. Manny’s been in New York for less than an hour and yet he knows, he knows, that cities are organic, dynamic systems. They are built to incorporate newness. But some new things become part of a city, helping it grow and strengthen—while some new things can tear it apart.

“Heard they were calling in emergency personnel from the whole, what do you call it? Tri-state area? for this mess. God, I can’t wait to see which entire ethnic group they’re going to scapegoat in the wake of this one.”

“Maybe it’s a white guy. Again.”

“A ‘lone wolf’ with mental health issues, right!”

I am Manhattan, he thinks again, this time in a slow upwelling of despair. Every murderer. Every slave broker. Every slumlord who shut off the heat and froze children to death. Every stockbroker who got rich off war and suffering.

It’s only the truth. He doesn’t have to like it, though.

It is the other place. The other him. The city he has become. New York City, as its whole and distinct self rather than the agglomeration of images and ideas that are its camouflage in this reality. He understands, suddenly, why he has seen that other place as empty; it isn’t. The people are there, but in spirit—just as New York City itself has a phantom presence in the lives of every citizen and visitor. Here in this strange, abstract mural, Manny sees the truth that he now lives.

And he knows as well: the person who is the Bronx made this.

“I keep thinking about how, at the park, she kept switching between ‘we’ and ‘I’ like the pronouns were interchangeable. Like she couldn’t keep the words straight, and they didn’t really matter anyway.”

“Maybe this isn’t her first language.”

That’s partly it. But Manny suspects the problem is less linguistic than contextual. She doesn’t get English because English draws a distinction between the individual self and the collective plural, and wherever she comes from, whatever she is, that difference doesn’t mean the same thing. If there’s a difference at all.

I’m his, he thinks suddenly, wildly. I want to be . . . oh, God, I want to be his. I live for him and will die for him if he requires it, and oh yes, I’ll kill for him, too, he needs that, and so for him and him alone I will be again the monster that I am—

“Not sure I love New York enough to die for it. Definitely don’t love it enough to sacrifice my family for it.”

[…]

“Anything I can do to help your family, I will.”

Her expression softens. Maybe she likes him a little more. “And I hope you get to become the person you actually want to be,” she says, which makes him blink. “This city will eat you alive, you know, if you let it. Don’t.”

“Okay, so.” Brooklyn visibly braces herself. “So what happens to those universes that our city punches through?”

[…]

“They die,” Bronca says. She’s decided to be compassionate about it, but relentless. None of them can afford sentimentality. “The punching-through? It’s a mortal wound, and that universe folds out of existence. Every time a city is born—no, really, before that. The process of our creation, what makes us alive, is the deaths of hundreds or thousands of other closely related universes, and every living thing in them.”

Brooklyn shuts her eyes for a moment. “Oh my God,” Queens breaths. “Oh my God. We’re all mass murderers.”

[…]

[Manny] takes [Padmini’s] shaking hands in his own, and looks her in the eye, and says, “Would you prefer to offer up all of your family and friends to die instead? Maybe there’s a way we can.”

“Millions of lives in exchange for four?” She shrugs. It looks nonchalant but isn’t. “That ain’t even a debate.”

“Living cities aren’t defined by politics,” he says. It’s almost a shout, so urgently does he speak. “Not by city limits or county lines. They’re made of whatever the people who live in and around them believe.”

He’s been talking like this since he showed up—places that never were, things that can’t be, omens and portents. I figure it’s bullshit because he’s telling it to me, a kid whose own mama kicked him out and prays for him to die every day and probably hates me. God hates me. And I fucking hate God back, so why would he choose me for anything? But that’s really why I start paying attention: because of God. I don’t have to believe in something for it to fuck up my life.

“But seriously, thanks for helping me. You hear all kinds of stuff about how rude New Yorkers are, but . . . thanks.”

“Eh, we’re only assholes to people who are assholes first,” she says, but she smiles as she says it.

The tendril mass looms, ethereal and pale, more frightening as the cab accelerates. There is a beauty to it, he must admit—like some haunting, bioluminescent deep-sea organism dragged to the surface. It is an alien beauty, however, meant for some other environment, some other aether, and here in New York its presence is a contaminant. The very air around it has turned gray, and now that they’re closer, he can hear the air hissing as if the tendrils are somehow hurting the molecules of nitrogen and oxygen they touch. Manny’s been in New York for less than an hour and yet he knows, he knows, that cities are organic, dynamic systems. They are built to incorporate newness. But some new things become part of a city, helping it grow and strengthen—while some new things can tear it apart.

“Heard they were calling in emergency personnel from the whole, what do you call it? Tri-state area? for this mess. God, I can’t wait to see which entire ethnic group they’re going to scapegoat in the wake of this one.”

“Maybe it’s a white guy. Again.”

“A ‘lone wolf’ with mental health issues, right!”

I am Manhattan, he thinks again, this time in a slow upwelling of despair. Every murderer. Every slave broker. Every slumlord who shut off the heat and froze children to death. Every stockbroker who got rich off war and suffering.

It’s only the truth. He doesn’t have to like it, though.

It is the other place. The other him. The city he has become. New York City, as its whole and distinct self rather than the agglomeration of images and ideas that are its camouflage in this reality. He understands, suddenly, why he has seen that other place as empty; it isn’t. The people are there, but in spirit—just as New York City itself has a phantom presence in the lives of every citizen and visitor. Here in this strange, abstract mural, Manny sees the truth that he now lives.

And he knows as well: the person who is the Bronx made this.

“I keep thinking about how, at the park, she kept switching between ‘we’ and ‘I’ like the pronouns were interchangeable. Like she couldn’t keep the words straight, and they didn’t really matter anyway.”

“Maybe this isn’t her first language.”

That’s partly it. But Manny suspects the problem is less linguistic than contextual. She doesn’t get English because English draws a distinction between the individual self and the collective plural, and wherever she comes from, whatever she is, that difference doesn’t mean the same thing. If there’s a difference at all.

I’m his, he thinks suddenly, wildly. I want to be . . . oh, God, I want to be his. I live for him and will die for him if he requires it, and oh yes, I’ll kill for him, too, he needs that, and so for him and him alone I will be again the monster that I am—

“Not sure I love New York enough to die for it. Definitely don’t love it enough to sacrifice my family for it.”

[…]

“Anything I can do to help your family, I will.”

Her expression softens. Maybe she likes him a little more. “And I hope you get to become the person you actually want to be,” she says, which makes him blink. “This city will eat you alive, you know, if you let it. Don’t.”

“Okay, so.” Brooklyn visibly braces herself. “So what happens to those universes that our city punches through?”

[…]

“They die,” Bronca says. She’s decided to be compassionate about it, but relentless. None of them can afford sentimentality. “The punching-through? It’s a mortal wound, and that universe folds out of existence. Every time a city is born—no, really, before that. The process of our creation, what makes us alive, is the deaths of hundreds or thousands of other closely related universes, and every living thing in them.”

Brooklyn shuts her eyes for a moment. “Oh my God,” Queens breaths. “Oh my God. We’re all mass murderers.”

[…]

[Manny] takes [Padmini’s] shaking hands in his own, and looks her in the eye, and says, “Would you prefer to offer up all of your family and friends to die instead? Maybe there’s a way we can.”

“Millions of lives in exchange for four?” She shrugs. It looks nonchalant but isn’t. “That ain’t even a debate.”

“Living cities aren’t defined by politics,” he says. It’s almost a shout, so urgently does he speak. “Not by city limits or county lines. They’re made of whatever the people who live in and around them believe.”