The City We Became

by

N. K. Jemisin

Police Symbol Icon

The police symbolize how some abusers pose as defenders of their victims—sometimes even convincing the victims themselves to act against their best interests. In the  novel’s universe, great cities can become alive and sentient, at which point they choose one or more of their residents as avatars to represent and defend them. In one of the novel’s first scenes, New York City’s avatar, a homeless young Black man, sees a police officer and wills himself invisible, indicating that police officers—who are supposed to protect and serve the city—are in fact a threat to the city’s residents. Then Paolo—the avatar of São Paolo—warns New York City’s avatar that an enemy of cities from a parallel dimension, the Woman in White, will send her underlings “among the city’s parasites.” Shortly afterward, a tourist falsely accuses New York City’s avatar of stealing a purse, leading two police officers to merge into a single eldritch creature and attack him.

This sequence of scenes underscores the novel’s claim that police officers are “parasites” on the living organisms of cities—that is, they end up harming the cities they claim to defend. This dynamic of abusive policemen becomes even clearer with the introduction of police officer Matthew Houlihan, the father of Staten Island’s avatar, Aislyn Houlihan. Under the guise of protecting Aislyn from the dangers of the big city, Matthew controls her, berates her, monitors how much she drives, and may even have hidden a GPS tracker in her car. The novel does not claim that all police officers abuse their power or harm the city—toward the novel’s end, one female police officer mistakes Paolo and Manhattan’s avatar Manny as authorized personnel and aids them because “those who would help protect the city see what they need to see”—but in general, the novel uses police officers to show how abusers can hide their controlling, abusive behavior by claiming that they are defending or protecting their victims.

Police Quotes in The City We Became

The The City We Became quotes below all refer to the symbol of Police. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Cities and Gentrification Theme Icon
).
Chapter 2 Quotes

I am Manhattan, he thinks again, this time in a slow upwelling of despair. Every murderer. Every slave broker. Every slumlord who shut off the heat and froze children to death. Every stockbroker who got rich off war and suffering.

It’s only the truth. He doesn’t have to like it, though.

Related Characters: Manny (Manhattan), Bel Nguyen
Related Symbols: Tendrils, Police
Page Number: 81-82
Explanation and Analysis:
Chapter 3 Quotes

“Just getting sick of these immigrants,” he says. He’s always careful to use acceptable words when he’s on the job, rather than the words he says at home. That’s how cops mess up, he has explained to her. They don’t know how to keep home words at home and work words at work.

Related Characters: Matthew Houlihan (speaker), Aislyn Houlihan (Staten Island)
Related Symbols: Police
Page Number: 92
Explanation and Analysis:
Chapter 4 Quotes

So when she’d seen this man step out of the crumbling entryway of an old building shell, with a smirk on his lips and his hand prominently resting on the handle of his gun, she’d felt like she does now, fiftyish years later in an art center bathroom. She’d felt bigger. Beyond fear or anger. She’d gone to the doorway, of course. Then she grabbed its sides to brace herself, and kicked in his knee. He’d spent three months in traction, claiming he’d slipped on a brick, and never messed with her again. Six years later, having bought her own pair of steel-toed boots, Bronca had done the same thing to a police informant at Stonewall—another time she’d been part of something bigger.

Bigger. As big as the whole goddamn borough.

Related Characters: Bronca Siwanoy (The Bronx), The Woman in White (The Enemy) (R’lyeh)
Related Symbols: Police
Page Number: 124-125
Explanation and Analysis:
Chapter 14 Quotes

“I know an apology don’t make up for it […] I know it don’t, okay? I damn sure got called a dyke enough myself just for stepping into a ring that dude rappers thought was theirs by default. Motherfuckers tried to rape me, all because I didn’t fit into what they thought a woman should be—and I passed that shit on. I know I did. But I got better. I had some friends slap some sense into me, and I listened when they did. And I figured out that the dudes were fucked in the head, so maybe it wasn’t the best idea to imitate them.”

Related Characters: Brooklyn Thomason (Brooklyn) (speaker), Bronca Siwanoy (The Bronx), Aislyn Houlihan (Staten Island), The Woman in White (The Enemy) (R’lyeh), Matthew Houlihan
Related Symbols: Police
Page Number: 377-378
Explanation and Analysis:
Get the entire The City We Became LitChart as a printable PDF.
The City We Became PDF

Police Symbol Timeline in The City We Became

The timeline below shows where the symbol Police appears in The City We Became. The colored dots and icons indicate which themes are associated with that appearance.
Prologue: See, What Had Happened Was
Cities and Gentrification Theme Icon
Community, Diversity, and Prejudice Theme Icon
Art Theme Icon
...sing the city.” He hears a strange echo and a “growl” that reminds him of police sirens, which he dislikes. (full context)
Community, Diversity, and Prejudice Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
Abuse Theme Icon
...sandwich and fantasizing about having a place to sleep with food in it when a police officer enters the café. The avatar visualizes “mirrors around [his own] head” that repels the... (full context)
Ethics and Nature Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
...in them indefinitely unless you do something objectionable—and reads. When he leaves, he sees two police officers on the street whose shadows are moving unnaturally. They begin following the avatar. When... (full context)
Chapter 1: Starting with Manhattan, and the Battle of FDR Drive
Cities and Gentrification Theme Icon
Community, Diversity, and Prejudice Theme Icon
Abuse Theme Icon
...she has an emergency car kit. She says yes and tells him to act fast—the police will arrive soon and “they’re not gonna help much.” Intuitively, Manny asks her whether she’s... (full context)
Chapter 2: Showdown in the Last Forest
Community, Diversity, and Prejudice Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
...pavement but not around the memorial rock, tugs Bel toward it. The woman calls the police and tells them Manny and Bel are drug dealers having public sex. She identifies them... (full context)
Cities and Gentrification Theme Icon
Community, Diversity, and Prejudice Theme Icon
The woman informs Manny and Bel that the police are on their way. She tells them that she didn’t relocate to New York for... (full context)
Cities and Gentrification Theme Icon
Community, Diversity, and Prejudice Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
...and Bel were drug dealers, she wouldn’t have confronted them—instead, he suggests she called the police on them because they were “comfortable and unafraid” in public. On her phone, he finds—and... (full context)
Chapter 3: Our Lady of (Staten) Aislyn
Beliefs, Concepts, and Stereotypes Theme Icon
...person grabs her; she scratches that person and flees the ferry. As Aislyn runs, a police officer yells at her. Though her father (Matthew Houlihan) has told her “only criminals run,”... (full context)
Community, Diversity, and Prejudice Theme Icon
Abuse Theme Icon
...he’s tired of “immigrants,” which Aislyn knows is a euphemism—he’s said in the past that police officers get in trouble when they “don’t know how to keep home words at home... (full context)
Community, Diversity, and Prejudice Theme Icon
Ethics and Nature Theme Icon
Abuse Theme Icon
Matthew, still talking, mentions he heard something over police radio about a woman matching Aislyn’s description but says he finds it hard to believe... (full context)
Community, Diversity, and Prejudice Theme Icon
Abuse Theme Icon
...trying to intimate Aislyn on “her island” and gets ready to threaten to call the police. (full context)
Chapter 4: Boogie-Down Bronca and the Bathroom Stall of Doom
Community, Diversity, and Prejudice Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
Abuse Theme Icon
...knee. He ended up in the hospital. Bronca also remembers kicking the knee of “a police informant at Stonewall.” She compares the sensations she felt at these times to the sensations... (full context)
Chapter 9: A Better New York Is in Sight
Cities and Gentrification Theme Icon
Community, Diversity, and Prejudice Theme Icon
Abuse Theme Icon
Keyholders come downstairs to check on Bronca and Veneza. Bronca tells them to call the police and says she’ll retrieve the Center’s security footage. Veneza insists on making a copy, since... (full context)
Chapter 10: Make Staten Island Grate Again(st São Paolo)
Abuse Theme Icon
...When her father says no, Aislyn senses he’s lying, though Conall doesn’t seem like a police officer to her. Conall says he and Matthew are working on a “hobby,” and both... (full context)
Ethics and Nature Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
Abuse Theme Icon
At Aislyn’s house, Matthew and Conall are talking to the police outside. No one notices Aislyn return to her bedroom. Through her window, she hears Conall... (full context)
Community, Diversity, and Prejudice Theme Icon
As Aislyn sleeps, police and city staff investigate gouges like giant claw marks breaking Staten Island’s subway tracks. While... (full context)
Chapter 14: The Gauntlet of Second Avenue
Community, Diversity, and Prejudice Theme Icon
...“feminist liberal nonsense” because “it’s okay to be a white man.” Bronca speculates that the police won’t stop them and may target counter-protestors. She also thinks this demonstration of public racism... (full context)
Cities and Gentrification Theme Icon
Beliefs, Concepts, and Stereotypes Theme Icon
Abuse Theme Icon
...the car, which shields it from the next Starbucks attack and seems to prevent the police from noticing her speeding. (full context)
Chapter 15: “And lo, the Beast looked upon the face of Beauty”
Beliefs, Concepts, and Stereotypes Theme Icon
Abuse Theme Icon
...and Paolo at the Brooklyn Bridge/City Hall subway stop. Manny expects trouble when he sees police, some infected by tendrils, at the entrance; he hears them talking about a bomb threat.... (full context)
Community, Diversity, and Prejudice Theme Icon
Abuse Theme Icon
...take Aislyn with them by force. Aislyn is sputtering at them that her father’s a police officer when the Woman in White blocks Brooklyn and Bronca’s way and summons a doorway.... (full context)