As Lewis has already discussed, human loves have ambivalent potential, and Affection is no different. Affection becomes distorted when people start to see it as an end in itself—when they assume that because Affection can
resemble God, it means a person has actually drawn
near to God. Lewis sees evidence for this in the overly sentimental art of his time (the mid-20th century). Instead of seeing Affection as a step towards greater goodness, people stop short here, resulting in Affection becoming grossly exaggerated.