Slammer’s demand for a duel reveals how easily honor culture escalates even the smallest offense into violence. Meanwhile, Tappleton’s recognition of the stranger as an actor highlights the rigid class distinctions at play: since actors are seen as socially inferior, the duel becomes unthinkable, reflecting how rules of honor only apply among equals. After Slammer and his colleagues leave, the Pickwickians save their night by turning to alcohol, which functions throughout the novel as a social lubricant that helps the characters leave the past in the past.