Historical Fact vs. Emotional Truth Theme Analysis

“Alvin’s going to go to Canada and join the Canadian army,” he said. “He’s going to fight for the British against Hitler.”

“But nobody can beat Roosevelt,” I said.

“Lindbergh’s going to. America’s going to go fascist.”

Then we just stood there together under the intimidating spell of the three portraits [of Lindbergh.]

Harmless enough, and yet it drove some of the mothers crazy who had to hear us at it for hours on end through their open windows. “Can’t you kids do something else? Can’t you find another game to play?” But we couldn’t—declaring war was all we thought about too.

“I am here,” Rabbi Bengelsdorf [said,] “to crush all doubt of the unadulterated loyalty of the American Jews to the United States of America. […] America is our beloved homeland. America is our only homeland. Our religion is independent of any piece of land other than this great country, to which, now as always, we commit our total devotion and allegiance as the proudest of citizens. I want Charles Lindbergh to be my president not in spite of my being a Jew but because I am a Jew—an American Jew.”

It was when I looked next at the album’s facing page to see what, if anything, had happened to my 1934 National Parks set of ten that I fell out of the bed and woke up on the floor, this time screaming. […] Across the face of each, […] across everything in America that was the bluest and the greenest and the whitest and to be preserved forever in these pristine reservations, was printed a black swastika.

We had driven right to the very heart of American history, and whether we knew it in so many words, it was American history, delineated in its most inspirational form, that we were counting on to protect us against Lindbergh.

It was from there that we heard him refer to my father as “a loudmouth Jew,” followed a moment later by the elderly lady declaring, “I’d give anything to slap his face.”

Mr. Taylor led us quickly away to a smaller hall just off the main chamber where there was a tablet inscribed with the Gettysburg Address and a mural whose theme was the Emancipation.

“To hear words like that in a place like this,” said my father, his choked voice quivering with indignation. “In a shrine to a man like this!”

“An independent destiny for America”—that was the phrase Lindbergh repeated some fifteen times in his State of the Union speech and again at the close of his address on the night of June 22. When I asked my father to explain what the words meant […] he frowned and said, “It means turning our back on our friends. It means making friends with their enemies. You know what it means, son? It means destroying everything that America stands for.”

“The Jews of America […] are unlike any other community of Jews in the history of the world. […] The Jews of America can participate fully in the national life of their country. They need no longer dwell apart, a pariah community separated from the rest.”

“Alvin can’t bear your president,” my father replied, “that’s why he went to Canada. Not so long ago you couldn’t bear the man either. But now this anti-Semite is your friend. The Depression is over, all you rich Jews tell me, and thanks not to Roosevelt but to Mr. Lindbergh. The stock market is up, profits are up, business is booming—and why? Because we have Lindbergh’s peace instead of Roosevelt’s war.”

“Is it healed?” I asked him.

“Not yet.”

“How long will it take?”

“Forever,” he replied.

I was stunned. Then this is endless! I thought.

“Extremely frustrating,” Alvin said. “You get on the leg they make for you and the stump breaks down. You get on crutches and it starts to swell up. The stump goes bad whatever you do.”

Gone were the wall banners proclaiming “Wake up America—Smash Jewish Communists!” […] and the big white buttons with the black lettering that had been distributed to Bund members to stick into their lapels, the buttons that read:

KEEP AMERICA
OUT OF
THE JEWISH WAR

“And who will I talk to?” she asked. “Who will I have there like the friends I’ve had my whole life?”

“There are women there, too.”

“Gentile women,” she said. […] “Good Christian women,” she said,” who will fall all over themselves to make me feel at home. They have no right to do this!” she proclaimed. […] “this is illegal. You cannot just take Jews because they’re Jews and force them to live where you want them to.”

“I am not running away!” he shouted, startling everyone. “This is our country!” “No, my mother said sadly, “not anymore. It’s Lindbergh’s. It’s the goyim’s. It’s their country,” she said, and her breaking voice and the shocking words and the nightmare immediacy of what was mercilessly real forced my father […] to see himself with mortifying clarity: a devoted father of titanic energy no more capable of protecting his family from harm than was Mr. Wishnow hanging dead in the closet.

“I lived in Kentucky! Kentucky is one of the forty-eight states! Human beings live there like they do everywhere else! It is not a concentration camp! This guy makes millions selling his shitty hand lotion—and you people believe him!”

“I already told you about the dirty words, and now I’m telling you about this ‘you people’ business. ‘You people’ one more time, son, and I am going to ask you to leave the house.”

“But who could have taken them? Where could they be? They’re mine! We’ve got to find them! They’re my stamps!

I was inconsolable. I envisioned a horde of orphans spotting the album in the woods and tearing it apart with their filthy hands. I saw them pulling out the stamps and eating them and stomping on them and flushing them by the handful down the toilet in their terrible bathroom. They hated the album because it wasn’t theirs—they hated the album because nothing was theirs.

Of course, that no Jew could ever be elected to the presidency—least of all a Jew with a mouth as unstoppable as Winchell’s—even a kid as young as I was already accepted, as if the proscription were laid out in so many words in the U.S. Constitution. Yet not even that ironclad certainty could stop the adults from abandoning common sense and, for a night or two, imagining themselves and their children as native-born citizens of Paradise.

“Well, like it or not, Lindbergh is teaching us what it is to be Jews.” Then she added, “We only think we’re Americans.” “Nonsense. No!” my father replied. “They think we only think we’re Americans. It is not up for discussion, Bess. It is not up for negotiation. These people are not understanding that I take this for granted, goddamnit! Others? He dares to call us others? He’s the other. The one who looks most American—and he’s the one who is least American!”

A previously unpublicized section of the homesteading plan called the Good Neighbor Project [was] designed to introduce a steadily increasing number of non-Jewish residents into predominantly Jewish neighborhoods and in this way “enrich” the “Americanness” of everyone involved. […] The underlying goal of the Good Neighbor Project like that of Just Folks, was to weaken the solidarity of the Jewish social structure as well as to diminish whatever electoral strength a Jewish community might have in local and congressional elections.

A family, my father liked to say, is both peace and war, but this was family war as I could never have imagined it. Spitting into my father’s face the way he’d spit into the face of that dead German soldier!

I wept all the way to school. Our incomparable American childhood was ended. Soon my homeland would be nothing more than my birthplace.

This was how Seldon came to live with us. After their safe return to Newark from Kentucky, Sandy moved into the sun parlor and Seldon took over where Alvin and Aunt Evelyn had left off—as the person in the twin bed next to mine shattered by the malicious indignities of Lindbergh’s America. There was no stump for me to care for this time. The boy himself was the stump, and until he was taken to live with his mother’s married sister in Brooklyn ten months later, I was the prosthesis.