The Sailor Who Fell from Grace with the Sea

by

Yukio Mishima

The chief is the murderous, authoritarian, highly intelligent leader of a cultlike gang of 13-year-old schoolboys, including Noboru. At the gang’s meetings, the chief lectures the other boys about “the uselessness of Mankind [and] the insignificance of Life” and ridicules them whenever they question or contradict him. He argues that society and its norms are meaningless, fathers are evil oppressors, and violence is necessary to prevent the world from falling apart. Most importantly, he believes that he and his gang are special “geniuses” who are not only exempt from the normal rules of morality but are actually responsible for setting these rules for everyone else. Accordingly, he frequently sorts out which people and things are “permissible” (like the sea) and which ought to be destroyed (like Ryuji Tsukazaki). Then, he leads his gang in violent rituals, like dismembering the kitten and eventually murdering Ryuji. It’s hinted that the chief’s distant, abusive father is responsible for his antisocial tendencies and disdain for authority. In addition to driving much of the novel’s plot and deeply influencing Noboru’s personal beliefs, the chief also communicates many of author Yukio Mishima’s beliefs about the senselessness of everyday life. In particular, he preaches the values of traditional, imperial Japan—arguably, he represents the Emperor himself, which is why the other boys swear loyalty to him.

The Chief Quotes in The Sailor Who Fell from Grace with the Sea

The The Sailor Who Fell from Grace with the Sea quotes below are all either spoken by The Chief or refer to The Chief. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Glory, Heroism, and Death Theme Icon
).
Part 1, Chapter 1 Quotes

And the zone of black. […] He tried all the obscenity he knew, but words alone couldn’t penetrate that thicket. His friends were probably right when they called it a pitiful little vacant house. He wondered if that had anything to do with the emptiness of his own world.

At thirteen, Noboru was convinced of his own genius (each of the others in the gang felt the same way) and certain that life consisted of a few simple signals and decisions; that death took root at the moment of birth and man’s only recourse thereafter was to water and tend it; that propagation was a fiction; consequently, society was a fiction too: that fathers and teachers, by virtue of being fathers and teachers, were guilty of a grievous sin. Therefore, his own father’s death, when he was eight, had been a happy incident, something to be proud of.

Related Characters: Noboru Kuroda, Fusako Kuroda, The Chief, Noboru’s Father
Related Symbols: The Peephole
Page Number: 8
Explanation and Analysis:
Part 1, Chapter 5 Quotes

“That sailor is terrific! He’s like a fantastic beast that’s just come out of the sea all dripping wet. Last night I watched him go to bed with my mother.”

Related Characters: Noboru Kuroda (speaker), Ryuji Tsukazaki, Fusako Kuroda, The Chief
Related Symbols: The Sea
Page Number: 49
Explanation and Analysis:

“Real danger is nothing more than just living. Of course, living is merely the chaos of existence, but more than that it’s a crazy mixed-up business of dismantling existence instant by instant to the point where the original chaos is restored, and taking strength from the uncertainty and the fear that chaos brings to re-create existence instant by instant. You won’t find another job as dangerous as that. There isn’t any fear in existence itself, or any uncertainty, but living creates it. And society is basically meaningless, a Roman mixed bath. And school, school is just society in miniature: that’s why we’re always being ordered around. A bunch of blind men tell us what to do, tear our unlimited ability to shreds.”

Related Characters: The Chief (speaker), Noboru Kuroda, Number Two
Page Number: 51
Explanation and Analysis:

Noboru seized the kitten by the neck and stood up. It dangled dumbly from his fingers. He checked himself for pity; like a lighted window seen from an express train, it flickered for an instant in the distance and disappeared. He was relieved.

The chief always insisted it would take acts such as this to fill the world’s great hollows. Though nothing else could do it, he said, murder would fill those gaping caves in much the same way that a crack along its face will fill a mirror. Then they would achieve real power over existence.

Related Characters: Noboru Kuroda, The Chief
Page Number: 57
Explanation and Analysis:

Noboru tried comparing the corpse confronting the world so nakedly with the unsurpassably naked figures of his mother and the sailor. But compared to this, they weren’t naked enough. They were still swaddled in skin. Even that marvelous horn and the great wide world whose expanse it had limned couldn’t possibly have penetrated so deeply as this…the pumping of the bared heart placed the peeled kitten in direct and tingling contact with the kernel of the world.

Related Characters: Noboru Kuroda, Ryuji Tsukazaki, Fusako Kuroda, The Chief
Page Number: 60
Explanation and Analysis:
Part 2, Chapter 4 Quotes

“There is no such thing as a good father because the role itself is bad. Strict fathers, soft fathers, nice moderate fathers—one’s as bad as another. They stand in the way of our progress while they try to burden us with their inferiority complexes, and their unrealized aspirations, and their resentments, and their ideals, and the weaknesses they’ve never told anyone about, and their sins, and their sweeter-than-honey dreams, and the maxims they’ve never had the courage to live by—they’d like to unload all that silly crap on us, all of it!

[…]

They’re suspicious of anything creative, anxious to whittle the world down into something puny they can handle. A father is a reality-concealing machine, a machine for dishing up lies to kids, and that isn’t even the worst of it: secretly he believes that he represents reality.”

Related Characters: The Chief (speaker), Noboru Kuroda, Ryuji Tsukazaki, Noboru’s Father
Page Number: 136-137
Explanation and Analysis:
Part 2, Chapter 6 Quotes

“I’m sure you all know where our duty lies. When a gear slips out of place it’s our job to force it back into position. If we don’t, order will turn to chaos. We all know that the world is empty and that the important thing, the only thing, is to try to maintain order in that emptiness. And so we are guards, and more than that because we also have executive power to insure that order is maintained.”

Related Characters: The Chief (speaker), Noboru Kuroda, Ryuji Tsukazaki, Fusako Kuroda
Related Symbols: The Peephole
Page Number: 162-163
Explanation and Analysis:

“We must have blood! Human blood! If we don’t get it this empty world will go pale and shrivel up. We must drain that sailor’s fresh lifeblood and transfuse it to the dying universe, the dying sky, the dying forests, and the drawn, dying land.”

Related Characters: The Chief (speaker), Noboru Kuroda, Ryuji Tsukazaki
Page Number: 167
Explanation and Analysis:
Part 2, Chapter 7 Quotes

Still immersed in his dream, he drank down the tepid tea. It tasted bitter. Glory, as anyone knows, is bitter stuff.

Related Characters: Noboru Kuroda, Ryuji Tsukazaki, Fusako Kuroda, The Chief
Related Symbols: The Sea
Page Number: 181
Explanation and Analysis:
Get the entire The Sailor Who Fell from Grace with the Sea LitChart as a printable PDF.
The Sailor Who Fell from Grace with the Sea PDF

The Chief Quotes in The Sailor Who Fell from Grace with the Sea

The The Sailor Who Fell from Grace with the Sea quotes below are all either spoken by The Chief or refer to The Chief. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Glory, Heroism, and Death Theme Icon
).
Part 1, Chapter 1 Quotes

And the zone of black. […] He tried all the obscenity he knew, but words alone couldn’t penetrate that thicket. His friends were probably right when they called it a pitiful little vacant house. He wondered if that had anything to do with the emptiness of his own world.

At thirteen, Noboru was convinced of his own genius (each of the others in the gang felt the same way) and certain that life consisted of a few simple signals and decisions; that death took root at the moment of birth and man’s only recourse thereafter was to water and tend it; that propagation was a fiction; consequently, society was a fiction too: that fathers and teachers, by virtue of being fathers and teachers, were guilty of a grievous sin. Therefore, his own father’s death, when he was eight, had been a happy incident, something to be proud of.

Related Characters: Noboru Kuroda, Fusako Kuroda, The Chief, Noboru’s Father
Related Symbols: The Peephole
Page Number: 8
Explanation and Analysis:
Part 1, Chapter 5 Quotes

“That sailor is terrific! He’s like a fantastic beast that’s just come out of the sea all dripping wet. Last night I watched him go to bed with my mother.”

Related Characters: Noboru Kuroda (speaker), Ryuji Tsukazaki, Fusako Kuroda, The Chief
Related Symbols: The Sea
Page Number: 49
Explanation and Analysis:

“Real danger is nothing more than just living. Of course, living is merely the chaos of existence, but more than that it’s a crazy mixed-up business of dismantling existence instant by instant to the point where the original chaos is restored, and taking strength from the uncertainty and the fear that chaos brings to re-create existence instant by instant. You won’t find another job as dangerous as that. There isn’t any fear in existence itself, or any uncertainty, but living creates it. And society is basically meaningless, a Roman mixed bath. And school, school is just society in miniature: that’s why we’re always being ordered around. A bunch of blind men tell us what to do, tear our unlimited ability to shreds.”

Related Characters: The Chief (speaker), Noboru Kuroda, Number Two
Page Number: 51
Explanation and Analysis:

Noboru seized the kitten by the neck and stood up. It dangled dumbly from his fingers. He checked himself for pity; like a lighted window seen from an express train, it flickered for an instant in the distance and disappeared. He was relieved.

The chief always insisted it would take acts such as this to fill the world’s great hollows. Though nothing else could do it, he said, murder would fill those gaping caves in much the same way that a crack along its face will fill a mirror. Then they would achieve real power over existence.

Related Characters: Noboru Kuroda, The Chief
Page Number: 57
Explanation and Analysis:

Noboru tried comparing the corpse confronting the world so nakedly with the unsurpassably naked figures of his mother and the sailor. But compared to this, they weren’t naked enough. They were still swaddled in skin. Even that marvelous horn and the great wide world whose expanse it had limned couldn’t possibly have penetrated so deeply as this…the pumping of the bared heart placed the peeled kitten in direct and tingling contact with the kernel of the world.

Related Characters: Noboru Kuroda, Ryuji Tsukazaki, Fusako Kuroda, The Chief
Page Number: 60
Explanation and Analysis:
Part 2, Chapter 4 Quotes

“There is no such thing as a good father because the role itself is bad. Strict fathers, soft fathers, nice moderate fathers—one’s as bad as another. They stand in the way of our progress while they try to burden us with their inferiority complexes, and their unrealized aspirations, and their resentments, and their ideals, and the weaknesses they’ve never told anyone about, and their sins, and their sweeter-than-honey dreams, and the maxims they’ve never had the courage to live by—they’d like to unload all that silly crap on us, all of it!

[…]

They’re suspicious of anything creative, anxious to whittle the world down into something puny they can handle. A father is a reality-concealing machine, a machine for dishing up lies to kids, and that isn’t even the worst of it: secretly he believes that he represents reality.”

Related Characters: The Chief (speaker), Noboru Kuroda, Ryuji Tsukazaki, Noboru’s Father
Page Number: 136-137
Explanation and Analysis:
Part 2, Chapter 6 Quotes

“I’m sure you all know where our duty lies. When a gear slips out of place it’s our job to force it back into position. If we don’t, order will turn to chaos. We all know that the world is empty and that the important thing, the only thing, is to try to maintain order in that emptiness. And so we are guards, and more than that because we also have executive power to insure that order is maintained.”

Related Characters: The Chief (speaker), Noboru Kuroda, Ryuji Tsukazaki, Fusako Kuroda
Related Symbols: The Peephole
Page Number: 162-163
Explanation and Analysis:

“We must have blood! Human blood! If we don’t get it this empty world will go pale and shrivel up. We must drain that sailor’s fresh lifeblood and transfuse it to the dying universe, the dying sky, the dying forests, and the drawn, dying land.”

Related Characters: The Chief (speaker), Noboru Kuroda, Ryuji Tsukazaki
Page Number: 167
Explanation and Analysis:
Part 2, Chapter 7 Quotes

Still immersed in his dream, he drank down the tepid tea. It tasted bitter. Glory, as anyone knows, is bitter stuff.

Related Characters: Noboru Kuroda, Ryuji Tsukazaki, Fusako Kuroda, The Chief
Related Symbols: The Sea
Page Number: 181
Explanation and Analysis: