Dear America

Dear America

by

Jose Antonio Vargas

Themes and Colors
Citizenship, Belonging, and Identity Theme Icon
Family, Love, and Intimacy Theme Icon
Immigration Politics and Policy Theme Icon
Journalism, Storytelling, and the Power of Truth Theme Icon
LitCharts assigns a color and icon to each theme in Dear America, which you can use to track the themes throughout the work.

Citizenship, Belonging, and Identity

Dear America: Notes of an Undocumented Citizen is the journalist and filmmaker Jose Antonio Vargas’s memoir about his life, work, and activism as an undocumented American. In 1993, at age 12, Vargas left his native Philippines to live with his grandparents (Lolo and Lola) in California. But four years later, he learned that he was undocumented. Nevertheless, he managed to attend college and become a wildly successful journalist: he covered the 2008…

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Family, Love, and Intimacy

Jose Antonio Vargas starts and ends Dear America by emphasizing how immigration fractures families. If they leave the U.S., undocumented migrants can’t easily return; meanwhile, their relatives generally can’t get visas to visit the U.S. As a result, undocumented people often go decades without seeing their relatives abroad. Vargas hasn’t seen his mother or siblings in over 25 years—and he doesn’t know if or when they will ever reunite. This separation has been devastating. In…

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Immigration Politics and Policy

The U.S. is famously known as a country of immigrants, but Jose Antonio Vargas argues that its immigration system is an “outdated and byzantine” nightmare that meets almost nobody’s needs. It ruins countless lives, wastes billions of dollars, and distracts Americans from passing laws that would actually improve their country. At the same time, in another sense, the system isn’t broken at all: it’s working just as intended. It’s the result of the executive branch…

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Journalism, Storytelling, and the Power of Truth

As soon as Jose Antonio Vargas’s high school English teacher introduced him to journalism, he knew that he wanted to be a reporter. When America rejected him, journalism became his “way of writing [him]self into America.” By reporting for the school newspaper—and later the San Francisco Chronicle, Philadelphia Daily News, and Washington Post—Vargas channeled his sense of fear and confusion into storytelling. At first, while he felt like he couldn’t tell…

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