Gilead

by

Marilynne Robinson

Gilead: Pages 200-209 Summary & Analysis

Summary
Analysis
John lies awake all night, except for the time he spends writing all this out. He’s touched by his wife’s kind words about him. He’s also struck by Jack’s tone of amazement when he learned that John hadn’t yet warned Lila about him. He wonders how much of Jack’s apparent misery comes from the fact that he’s here in Gilead, and whether Jack feels shame. He wishes he could soothe any guilt and regret Jack is feeling. Then John could see what he’s dealing with. But he apologizes—that’s not a “theologically [acceptable] notion.”
The conversation John overheard between Lila and Jack is very striking to him. He still can’t figure Jack out, but he seems to draw reassurance from the fact that Jack apparently feels some degree of remorse. As a pastor, John instinctively wants to comfort Jack, but he’s also aware of the less admirable motivation that he just wants to get to the bottom of Jack’s intentions. John is a good pastor, but he also has endearingly honest, human moments.
Themes
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Estrangement and Reconciliation Theme Icon
John also admits that he heard the edge disappear from Jack’s voice while he spoke with Lila. The two sounded like friends.
Jack and Lila can relate to each other in a way that neither of them can relate to others in Gilead. John recognizes this and seems, for the moment at least, to accept this uncomfortable truth.
Themes
Loneliness and Love Theme Icon
After prayer and sleep, John thinks he’s starting to see where the grace is in all of this. He regrets that he’s never been to St. Louis.
John is slowly coming to terms with the painful situation surrounding Jack, though he doesn’t yet explain where he’s seeing “grace” in it all. His regret about St. Louis shows that he’s still reaching for ways to relate to Jack, despite the tension between them.
Themes
Estrangement and Reconciliation Theme Icon
After looking through the letter, John realizes he’s mostly been worrying to himself, while his intention had been to address his son. He fears that when his son reads this, he will just see an old man’s struggle. But he thinks he’s finding his way out of it. He remembers the kindness in his wife’s voice while she held his hand last night. She sounded as if she thought she’d never lose the settled life she enjoys with him, even though she knows she will. It gives him peace to know that her years of longing and wandering have been answered for her.
John realizes that the situation with Jack has dominated his letter to his son, which he’d intended to focus much more on family stories and life lessons. At the same time, the love and joy between him and Lila comes through even at incidental moments, and perhaps that’s the most important legacy for John to convey to his son.
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Loneliness and Love Theme Icon
Get the entire Gilead LitChart as a printable PDF.
Gilead PDF
Once John dreamed that he and Boughton were looking for something in the shallows of the river, when suddenly his grandfather appeared and threw a hatful of water over them; they stood there “shining like the apostles.” John thinks most of life’s transformations are just this sudden and unexpected. It makes him think of meeting Lila on that rainy Pentecost. He’s never told his son how their marriage came about. It sounds strange, but the event “sweetened [his] imagination of death.”
John’s dream has baptismal imagery, as though John’s grandfather had given him and Boughton some sort of transformative blessing. This prompts him to write about the most sudden, unexpected change in his life: the way he met Lila.
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Memory, Vision, and Conviction Theme Icon
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Quotes
After Lila visited his church for the first time, he spent the next week hoping she’d come back; he’d neglected to ask her name. He felt like a fool for wanting to see her and hear her voice again. He remarks that if his grandfather did “throw his mantle” over John, the holiness of his life gave the same holiness to John’s, which he has tried not to sully. He had always tried to match his life to his preaching. Yet all of a sudden, he found himself distracted by the memory of a young woman’s face.
John felt attracted to Lila from the first time he saw her in church. At the same time, he felt very conscious of the fact that she was much younger than him, and that it was his responsibility to uphold the dignity and sacredness of his profession by treating her appropriately.
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Loneliness and Love Theme Icon
If John had been younger, he might have been wiser. But now he understands more about passion. He no longer sees earthly love as separate from the kind of passion that moved saints and martyrs. Even in his misery, those days made him grateful to his core for the existence of love.
John had never experienced anything like this attraction before. The overpowering feeling couldn’t be entirely separated from what moved people to willingly suffer and die for their beliefs. Even though these are very different kinds of suffering, the all-consuming devotion struck John as the same.
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Loneliness and Love Theme Icon
John and Louisa were expected to marry from their childhood. He’d never experienced this constant preoccupation with a stranger before. It was the first time he felt at risk of damaging his character and reputation. In that way, it was a kind of foretaste of death. And it got worse: as Lila continued attending church, John found himself writing his sermons in the hope of pleasing her. He felt ridiculous even as he prayed about it—and yet God answered his prayers beyond his wildest hopes.
John loved his first wife, but their marriage was different. It was simply taken for granted that they’d get married, and it seems John had never really fallen in love before. John’s unprecedented, headlong rush of feelings for Lila felt like losing control, at risk of everything that he thought was important.
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Memory, Vision, and Conviction Theme Icon
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One awful Sunday, Lila didn’t appear in church. John spent the next week feeling foolish and resigned. But she was back the following week, and John tried not to let his joy show. (He’d also gotten a haircut and a new shirt and experimented with hair tonic.) Finally, after the service, he shook hands with her and said they’d missed her last week. She blushed with surprise and looked away.
John is honest that on some level, his feelings for Lila were foolishly unrealistic. He even has a sense of humor about his preoccupation with her. It’s also evident that, despite the strength of his feelings, John gave Lila space and didn’t pursue her in an obvious or aggressive way.
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Loneliness and Love Theme Icon
The following week John invited Lila to an evening Bible study. To his delight, she showed up on the church steps that night and asked to speak with him. She informed him, “an unworthy old swain with perfume in his hair,” that she wanted to be baptized—no one had made sure she was baptized as a child, and she’d been feeling the lack. He promised that she would be taken care of. When she admitted that she had no family at all, he felt sad for her, and wretchedly glad, too.
John continues to be ruefully self-deprecating about his lovesickness. At a time when American culture was a bit more uniformly Christian, it would have been more unusual for someone to remain unbaptized than it might be today. In any case, this seems to be a genuine spiritual concern for Lila, not just a formality. Despite his pastoral concern for Lila, John also can’t help feeling grateful that Lila’s loneliness could give him an opening to draw closer to her.
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So, John taught Lila the basic doctrines of the Christian faith and soon baptized her. He felt thankful that he hadn’t yet disgraced himself—he was 67, and yet he almost chased her down the street when he saw her coming out of the grocery store. He took care to treat her with the greatest respect. He even made sure that some of the church’s kindly older ladies sat through her baptismal instruction with her, though he regretted that this seemed to make her feel shy.
John recognizes that love is making him feel and potentially act ridiculous, so he goes to considerable lengths to make sure that he doesn’t cross any lines with Lila, even making sure their instructional sessions are chaperoned by church ladies.
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John remembers one evening of the baptismal class. The group was sitting there pondering a passage John had just read from Calvin’s Institutes, but he was really thinking about the loneliness stretching ahead of him. When he looked up, Lila smiled at him, touched his hand, and softly said, “You’ll be just fine.” He found it “unfathomable grace” to get to hear such a voice. Soon, Lila began to visit from time to time to tend his gardens. One day by the roses, he asked how he could repay her for it all. She replied, “You ought to marry me.” So he did.
It’s clear that at this point, John has no expectation that his lonely life will ever change. Lonely herself, Lila seems to intuit this about him. Their relationship quietly blossoms from there. It doesn’t seem that Lila necessarily even told John much about her past; they just grew in trust by spending time together. Eventually, Lila was the one to ask him to marry her, which would have been quite an unconventional move for a young woman in the 1950s Midwest. But John clearly didn’t mind.
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Even now, John can’t believe that Lila’s feelings could have been as passionate as his own. He even hopes that someday, the words of the Song of Songs might startle her the way they startled him when he first fell in love with her. He wonders why he worries so much about Jack. After all, love is like grace: “the worthiness of its object is never really what matters.” Perhaps he will leave her to an even greater happiness; he even supposes he might be witnessing its beginnings in her. If that’s true, then it’s a kindness from God.
John continues to have a certain realism about his relationship with Lila; he doesn’t mistake it for a grand, youthful passion. The Bible’s Song of Songs is known for its romantic, even sexual overtones, and these took on a fresh meaning for John after he met Lila. He doesn’t assume she feels the same passion and is okay with that. Remarkably, he implies here that if Lila were to fall in love with Jack after John dies, he could accept even that.
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