Misery

by

Stephen King

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Suffering, Justice, and the Human Condition Theme Analysis

Themes and Colors
Addiction, Compulsion, and Obsession Theme Icon
Fiction, Reality, and Coping Theme Icon
Suffering, Justice, and the Human Condition Theme Icon
Control and Entrapment Theme Icon
LitCharts assigns a color and icon to each theme in Misery, which you can use to track the themes throughout the work.
Suffering, Justice, and the Human Condition Theme Icon

Annie’s psychosis seems to be rooted in her dissatisfaction with society at large, which routinely fails to meet her high expectations of justice. In moments of disquieting depression, she likens humanity to “a rat in a trap” whose suffering (or misery) is pointless and needs to end. Paul notes that Annie tends to classify other people as either “cockadoodie brats” or “poor things,” both of whom she believes deserve death as either a punishment or a release from an unjust, nonsensical world. Annie then escapes into fiction because fiction, unlike real life, “play[s] fair.” It’s worth noting that the reader does much the same thing by reading Misery, or indeed, any work of fiction: reading is an attempt to make sense of the human experience, which is often unfair, confusing, and painful.

Importantly, though, the way Annie responds to life’s inherent suffering isn’t fair either. By imprisoning and torturing Paul for no reason, Annie causes suffering rather than relieving it. In other words, Misery seeks to explain Annie’s distress over how unfair life is and thus make her violent psychosis more understandable. But it doesn’t excuse her behavior, as readers see the effect Annie’s violence and abuse has on Paul. And so, while the novel sympathizes with Annie and validates the idea that life isn’t fair, it also cautions against people becoming so possessed and embittered by life’s unfairness that they, in turn, create more suffering in the world. 

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Suffering, Justice, and the Human Condition ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Suffering, Justice, and the Human Condition appears in each chapter of Misery. Click or tap on any chapter to read its Summary & Analysis.
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Suffering, Justice, and the Human Condition Quotes in Misery

Below you will find the important quotes in Misery related to the theme of Suffering, Justice, and the Human Condition.
Part 1, Chapters 1-13 Quotes

The pain wasn’t tidal. That was the lesson of the dream which was really a memory. The pain only appeared to come and go. The pain was like the piling, sometimes covered and sometimes visible, but always there. When the pain wasn’t harrying him through the deep stone grayness of his cloud, he was dumbly grateful, but he was no longer fooled—it was still there, waiting to return.

Related Characters: Paul Sheldon, Annie Wilkes
Related Symbols: Natural Phenomena
Page Number: 6
Explanation and Analysis:

But characters in stories DO NOT just slip away! God takes us when He thinks it’s time and a writer is God to the people in a story, he made them up just like God made us up and no one can get hold of God to make him explain, all right, okay, but as far as Misery goes, I’ll tell you one thing you dirty bird, I’ll tell you that God just happens to have a couple of broken legs and God just happens to be in MY house eating MY food…and…

She went blank then.

Related Characters: Annie Wilkes (speaker), Paul Sheldon, Misery Chastain
Page Number: 39
Explanation and Analysis:
Part 1, Chapters 29-36 Quotes

“So you just sit there,” she said, lips pulled back in that grinning rictus, “and you think about who is in charge here, and all the things I can do to hurt you if you behave badly or try to trick me. You sit there and you scream if you want to, because no one can hear you. No one stops here because they all know Annie Wilkes is crazy, they all know what she did, even if they did find me innocent.”

Related Characters: Annie Wilkes (speaker), Paul Sheldon, Misery Chastain
Related Symbols: Typewriter
Page Number: 82
Explanation and Analysis:
Part 2, Chapters 1-6 Quotes

“When he found that parachute under the seat, it was fair. Maybe not all that realistic, but fair.”

He thought about this, startled—her occasional sharp insights never failed to startle him—and decided it was true. Fair and realistic might be synonyms in the best of all possible worlds, but if so, this was not that world.

Related Characters: Annie Wilkes (speaker), Paul Sheldon, Rocket Man
Page Number: 116
Explanation and Analysis:

She suddenly leaped at him with that limber ferocity, and although he felt certain she meant to hurt him as she had before, possibly because she couldn’t get at the dirty birdie of a scriptwriter who had cheated Rocket Man out of the Hudson before it went over the cliff, he did not move at all—he could see the seeds of her current instability in the window of the past she had just opened for him, but he was also awed by it—the injustice she felt was, in spite of its childishness, completely, inarguably real.

Related Characters: Paul Sheldon, Annie Wilkes, Rocket Man
Page Number: 119
Explanation and Analysis:
Part 2, Chapters 7-17 Quotes

“How its heart beats! How it struggles to get away! As we do, Paul. As we do. We think we know so much, but we really don’t know any more than a rat in a trap—a rat with a broken back that thinks it still wants to live.”

[…]

“I’ll get my gun, Paul, shall I? Maybe the next world is better. For rats and people both—not that there’s much difference between the two.”

Related Characters: Annie Wilkes (speaker), Paul Sheldon
Page Number: 176
Explanation and Analysis:
Part 2, Chapters 18-20 Quotes

Annie had killed them because—

“Because they were rats in a trap,” he whispered.

Poor things. Poor poor things.

Sure. That was it. In Annie’s view all the people in the world were divided into three groups: brats, poor poor things…and Annie.

Related Characters: Paul Sheldon (speaker), Annie Wilkes
Page Number: 197
Explanation and Analysis:
Part 2, Chapters 21-23 Quotes

“Sometimes, the native workers stole diamonds. […] And do you know what the British did to them if they got caught before they could get over Oranjerivier and into Boer country?”

“Killed them, I suppose,” he said, eyes still closed.

“Oh, no! That would have been like junking an expensive car just because of a broken spring. If they caught them they made sure that they could go on working…but they also made sure they would never run again. The operation was called hobbling, Paul, and that is what I’m going to do to you. For my own safety…and yours as well. Believe me, you need to be protected from yourself.”

Related Characters: Paul Sheldon (speaker), Annie Wilkes (speaker)
Page Number: 229
Explanation and Analysis:
Part 3, Chapters 1-10 Quotes

Of course he would ask Annie for nothing, much less demand. Once there had been a man who would at least have asked. A man who had been in a great deal more pain, a man who had nothing to hold onto, not even this shitty book. That man would have asked. Hurt or not, that man had had the guts to at least try to stand up to Annie Wilkes.

He had been that man, and he supposed he ought to be ashamed, but that man had two big advantages over this one: that man had had two feet…and two thumbs.

Related Characters: Paul Sheldon, Annie Wilkes
Related Symbols: Typewriter
Page Number: 237-238
Explanation and Analysis:

Misery, of course. That was the thread that ran through everything, but, true thread or false, it was so goddam silly.

As a common noun it meant pain, usually lengthy and often pointless; as a proper one it meant a character and a plot, the latter most assuredly lengthy and pointless, but one which would nonetheless end very soon. Misery ran through the last four (or maybe it was five) months of his life, all right, plenty of Misery, Misery day in and Misery day out, but surely that was too simple, surely—

Oh no, Paul. Nothing is simple about Misery. Except that you owe her your life, such as that may be…because you turned out to be Scheherazade after all, didn’t you?

[…]

What you keep overlooking, because it’s so obvious, is that you were—are—also Scheherazade to yourself.

Related Characters: Paul Sheldon (speaker), Annie Wilkes, Misery Chastain, Scheherazade
Related Symbols: Typewriter
Page Number: 245-246
Explanation and Analysis:
Part 3, Chapters 23-33 Quotes

Was he going to keep his mouth shut because there were two chances in ten that she would off these two as well if he opened it?

The guilt stabbed quickly again and was gone. The answer to that was also no. It would be nice to credit himself with such selfless motives, but it wasn’t the truth. The fact was simple: he wanted to take care of Annie Wilkes himself. They could only put you in jail, bitch, he thought. I know how to hurt you.

Related Characters: Paul Sheldon (speaker), Annie Wilkes, Duane Kushner (The Young Officer), David (Wicks), Goliath (McKnight)
Page Number: 305
Explanation and Analysis:
Part 3, Chapters 34-48 Quotes

But his ideas about God—like his ideas about so many things, had changed. They had changed in Africa. In Africa, he had discovered that there was not just one God but many, and some were more than cruel—they were insane, and that changed all. Cruelty, after all, was understandable. With insanity, however, there was no arguing.

If his Misery were truly dead, as he had come to fear, he intended to go up on the foredeck and throw himself over the rail. He had always known and accepted the fact that the gods were hard; he had no desire, however, to live in a world where the gods were insane.

Related Characters: Paul Sheldon, Annie Wilkes, Misery Chastain, Geoffrey Alliburton, The Bourkas
Related Symbols: Typewriter, Africa
Page Number: 322
Explanation and Analysis:

In a book, all would have gone according to plan…but life was so fucking untidy—what could you say for an existence where some of the most crucial conversations of your life took place when you needed to take a shit, or something? An existence where there weren’t even any chapters?

Related Characters: Paul Sheldon, Annie Wilkes
Related Symbols: Typewriter
Page Number: 335-336
Explanation and Analysis:
Part 4, Chapters 1-12 Quotes

That was all in the past, though. Annie Wilkes was in her grave. But, like Misery Chastain, she rested there uneasily. In his dreams and waking fantasies, he dug her up again and again. You couldn’t kill the goddess. Temporarily dope her with bourbon, maybe, but that was all.

Related Characters: Paul Sheldon, Annie Wilkes, Misery Chastain
Page Number: 348
Explanation and Analysis: