My Name is Red: Chapter 52 Summary & Analysis

Master Osman shows Black Bihzad’s needle, and tells him that miniaturists have a duty to try to see the world as God sees it. He adds that when the great masters of history were forced to adopt new styles, they blinded themselves in order to avoid this indignity. Black confesses that he wishes to spend eternity gazing at Shekure’s face. He goes on to look through more books, and thinks about the stylistic choices in a version of Shirin and Hüsrev. Suddenly, a horse in a wedding scene catches his eye, and he immediately rushes to show Master Osman. Black explains that although the painting has been done in the Chinese style, the horses’ nostrils have the same peculiarity as the nostrils in the drawing found on Elegant. Osman asks Black to describe the picture; it is clear he cannot see it properly himself. They look through the rest of the illustrations, and see that the miniaturist has depicted melancholy figures and strange, frightening devils. Osman explains that clipping a horse’s nostrils is a Mongol tradition and that this is what is depicted in the illustration.

Master Osman declares that he will stay and stare at these books until he is forced to leave by the Sultan and Head Treasurer; however, Black realizes that Osman is now going blind. He asks Osman who the murderer is, but Osman replies that whoever painted the nostrils in this clipped manner must have been unconsciously displaying a Mongol influence, and that it could have been anyone. Black praises Osman’s ability to unite the royal miniaturists in such a way that he has shaped and defined the Ottoman style in their era. Osman smiles and strokes Black’s arms and face. Black asks again who painted the horse with the clipped nostrils, and this time Osman replies that it was Olive, but adds that he is sure it was not Olive who murdered Elegant. Rather, he believes that Stork is the murderer. He thinks that Elegant must have confessed to Stork his feelings of conflict about the secret book, and that the argument that ensued resulted in Elegant’s murder. Because Elegant had confided his feelings to the Erzurumis as well, they avenged his death by murdering Enishte.

Master Osman goes on to denounce Enishte for leading the miniaturists to betray him. He claims that all the miniaturists deserve to be tortured for what they have done. Black suspects that Osman may have been the one who planned the murders in order to obstruct the creation of the book. He continues to look through the books in the treasury until dusk and then announces to Osman that he intends to leave soon, as they have now figured out the clue of the horses’ nostrils. Together, they admire the picture in front of Osman, a scene from Shirin and Hüsrev. At the time of evening prayers, the door to the treasury is opened and the officers do not notice Bihzad’s needle hidden in Black’s clothes. Walking home, Black is overcome with excitement; now that the murderer’s identity is known, he will be able to share Shekure’s bed. However, when he gets back to Enishte’s house, he realizes no one is there, and he runs off joyfully to find them.