Minor Characters
Hayrire
Hayrire is an enslaved woman, owned by Enishte, who runs his household and helps take care of Shevket and Orhan. She and Enishte secretly sleep together, and she is devastated after his death. Shekure is suspicious of her and treats her cruelly.
Nesim
Nesim is Esther’s husband. We learn little about him, though Esther sometimes mockingly suggests that she wishes she weren’t married.
Nuri
Nuri is one of the miniaturists who works in the royal workshop. He helps show Black around during his visit.
Death
The storyteller impersonates an illustration of Death. Death claims that the unnamed miniaturist who illustrated it regretted what he did and feared that he had become what he drew.
The Horse
The horse is another of the storyteller’s characters. The horse boasts of how proud it feels to have been painted so often, and it provocatively suggests that the European style of painting is actually more in keeping with the doctrines of Islam than the miniaturist tradition.
The Imam
Black seeks the help of a local imam (Islamic religious leader) in order to legally certify Shekure’s widowhood and then marry Shekure. The imam is initially resistant to providing these services, but he is happy to help after Black bribes him.
The Head Treasurer Hazim Agha
The Head Treasurer oversees the Royal Treasury, and he permits Black and Master Osman to look through the treasury’s contents during their quest to find the murderer.
The Commander of the Imperial Guard
The Commander is another of the Sultan’s high-ranking officials.
Kabilye
Kabilye is Elegant’s wife. She is fiercely loyal to her husband and she is distrustful of Shekure and the miniaturists.
Jemzi Agha
Jemzi Agha is a dwarf who guards the books in the Royal Treasury. He tells Black and Master Osman that the spirits of the objects in the treasury whisper to each other at night.
Butterfly’s Wife
Butterfly is married to an unnamed beautiful woman with whom he has a mischievous, playful relationship. When Butterfly pins Black to the ground at their home, he imagines the act as a kind of performance to titillate his wife.