Old God’s Time

by

Sebastian Barry

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Old God’s Time: Chapter 7 Summary & Analysis

Summary
Analysis
The next day, Tom takes a train from Dalkey to Dublin. During the ride, he recalls how the trainline’s route had to be slightly altered during its construction, leaving some deserted tunnels. In one of these tunnels, a young man was discovered dead, with the circumstances of his death never coming to light; some believed he died by suicide, but there were no injuries on the body. Tom regrets the lack of resolution to his death. As the train moves further along, the sea comes into view, instilling a sense of profound awe in Tom. Although he has no town he can fully call home, he feels that he could rightfully claim a place in the sea. He wishes the train would extend to the end of time and never stop—but ultimately, he arrives in Dublin.
Much like the contrast between the murdered girl in the cemetery and Tom’s memory of meeting June, Tom’s ride to Dublin juxtaposes a brutal crime with a moment that brings Tom great joy. In this scene, the latter is Tom’s observation of the sea, an entity that gives him a deep sense of happiness and belonging. Instances such as this one highlight how Tom is able to simultaneously hold terrible and wonderful moments in his mind.
Themes
Memory Theme Icon
Abuse of Institutional Power Theme Icon
Quotes
In Dublin, Tom is assailed with traumatic memories of the 1974 bombing of Dublin. During the tragedy, he and Fleming investigated the explosions and thus became first responders who bore witness to the horrific carnage that the bombs wrought. When Tom first arrived at the scene, he thought someone had blown up a butcher shop due to the pieces of meat strewn across the street, only to realize he was staring at body parts. However, the worst part for him was not the dead and injured, but the unharmed people kneeling over them to offer prayers and reassurance. That night, June had to call the doctor because Tom couldn’t stop trembling, which Tom found strange because he never trembled as a soldier in Malaya. The doctor told him the bombing was different because it was close to home. Tom did not view Dublin as his city but felt a responsibility to guard it.
The revelation of Tom’s role as a first responder in the Dublin bombing more explicitly establishes his individual trauma as part of a communal trauma. Dublin’s bombing was part of the Troubles, a period of civil unrest that was mostly focused on Northern Ireland but spilled over into the Republic of Ireland as well—as seen by this tragedy. The Troubles left a scar on Ireland that persists to the present-day; thus, intertwining Tom’s backstory with one of the country’s most terrible acts of violence highlights how Tom’s individual suffering is part of something much bigger, affecting all of Ireland.
Themes
Memory Theme Icon
Abuse of Institutional Power Theme Icon
Personal Trauma vs. Collective Trauma Theme Icon
Back in the present, Tom hurries up Harcourt Street, where some gardeners are working. The street brings up memories of seeing movies with Billy at the nearby theater. He arrives at the station where Dymphna, the receptionist, greets him warmly. He heads through the large entrance hall and up the wide stairs to the incident room, whose table is covered with photos that he recognizes, including of two priests, Byrne and Matthews, that invoke contempt in Tom. Fleming, O’Casey, and Wilson enter the room along with a newer detective, Maureen Scally, whom Fleming introduces to Tom. Tom notes her golden hair, which he finds “not mousy at all.” The group makes small talk about Wilson and O’Casey’s visit to Dalkey, then turn their attention to the case.
Much like his encounter at the Tomeltys’ flat, Tom’s visit to the station is slightly surreal, particularly owing to its unusually large entrance hall and wide stairs—architecture not especially common in police stations. The new detective, Maureen Scally, also bears a subtle resemblance to June, who had golden hair that she considered to be “mousy.”
Themes
Memory Theme Icon
Grief and Ghosts Theme Icon
Tom wakes up on a bench in St. Stephen’s Green; his encounter at the station was a dream. The gardeners are still there. Now that he’s awake, he recognizes the various discrepancies in the dream, such as the station being in a large castle rather than a functional building and being relatively empty when it’s usually quite crowded with detectives. He wonders if he’s going crazy, but then he wonders if recognizing his insanity really makes him sane. He stands up and slaps his face in an attempt to ground himself in reality, prompting the curiosity of nearby schoolchildren. He angrily asks them why they’re not in school, realizing as he does it that he sounds like a madman. Ashamed of himself, he turns to find Harcourt Street.
Tom’s dream is another example of his struggle to distinguish between reality and illusion and his failing mind. His reaction to his waking also shows how snapping back into reality often causes him to descend into a negative mood swing; his realization of his mind’s instability often pushes him into despair and anger, as seen here when he lashes out at the nearby students. His anger at the children mirrors the anger he felt at his neighbor’s dancing child, suggesting that he resents the young for their innocence and lack of lifelong trauma.
Themes
Memory Theme Icon
Grief and Ghosts Theme Icon
Personal Trauma vs. Collective Trauma Theme Icon
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