Old God’s Time

by

Sebastian Barry

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Themes and Colors
Memory Theme Icon
Grief and Ghosts Theme Icon
Abuse of Institutional Power Theme Icon
Personal Trauma vs. Collective Trauma Theme Icon
LitCharts assigns a color and icon to each theme in Old God’s Time, which you can use to track the themes throughout the work.
Abuse of Institutional Power Theme Icon

Abusive authority figures are incredibly important to the plot of Old God’s Time. The primary antagonists of the novel are Fathers Byrne and Matthews, two priests who abused many young boys but got away with it due to the church’s unwillingness to investigate the evidence that Tom and his partner Billy discovered. The gravity of the two priests’ crimes is further amplified with the revelation that Tom was abused at an orphanage and that June was violently abused by Father Matthews himself for six years, illustrating the individual impact that institutional complicity in abuse can have. In this way, the novel paints a graphic and damning criticism of the Irish church.

While the crimes of the Irish church are particularly pertinent to the novel’s plot, Old God’s Time also explores the police, another powerful institution with authority that gives it the power to perpetuate abuse. Although Tom still holds a great deal of fondness for his former occupation, his position as a retired detective allows him to reflect more fully on the ethical quandaries he observed in his department. For instance, he frequently recalls instances in which his colleagues used physical violence against a suspect in order to get them to confess, and he even reflects on his own moments of exerting his power in order to intimidate the civilians around him while on the job. Furthermore, it was Tom’s own supervisor who decided to pass on the evidence of Byrne and Matthews’s abuse to the Archbishop in order to let him discard it, rather than insisting on pushing the investigation forward. In other words, while the novel is not as overtly critical of the police as he is of the church, it still subtly questions the authority of the police and whether this authority is always used for good. And additionally, the final revelation that it was June who murdered Father Matthews in front of Tom, and that Tom doesn’t feel bad about his involvement, suggests that true justice can perhaps only occur when people operate outside of established institutions. 

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Abuse of Institutional Power ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Abuse of Institutional Power appears in each chapter of Old God’s Time. Click or tap on any chapter to read its Summary & Analysis.
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Abuse of Institutional Power Quotes in Old God’s Time

Below you will find the important quotes in Old God’s Time related to the theme of Abuse of Institutional Power.
Chapter 1 Quotes

It was time they left him alone, is what he wanted to say. Retired men could be let go safely—let the new ones put their minds to the work. All his working life he had dealt with villains. After a few decades of that your faith in human nature is in the ground. It’s a premature burial, pre-dating your own. But he wanted to be a believer again, in something. He wanted to live in his wealth of minutes, the ones he had left anyhow. He wanted a blessed, a quiet time. He wanted—

Outside the window a gull dropped the full height of the frame, a sudden white thing in the corner of his eye, free-falling so abruptly it made him jump.

Related Characters: Tom Kettle
Page Number: 8-9
Explanation and Analysis:
Chapter 6 Quotes

And if the nuns didn’t know, they must have been blind, dead, and dumb. Because he did it to a dozen girls, over the years, how many I couldn’t say. Oh, and always so nice to him, Father Thaddy this, and Father Thaddy that, they worshipped him, and baking three cakes for him every now and then, [...] and one time he tore me, you know, in the backside, and the doctor had to come, and he said, hmm, hmm, yes, yes, she has colitis, saying it clearly for the nun, the poor little thing, that’s very sore, [...] —yes, Sister Brenda was there, while he was fucking scoping my bits, Tom, and all the tut-tutting of her, and the hands of her going like a butterfly, dear me, dear me, how on earth does that happen.

Related Characters: June Kettle (speaker), Thaddeus Matthews
Page Number: 98-99
Explanation and Analysis:
Chapter 9 Quotes

The only thing he had been good for in his brief sojourn in the army had been sniping. He had just had a steady eye, so unlike many serving soldiers, he had killed a fair number of the enemy. He wished he hadn’t. He wondered now about those lives he had ended. Mostly local men among the Malayan rebels. They had given him an honourable discharge after a year of that. He had begun to be sleepless, and to have nightmares when he did sleep. The army doctor had called it ‘gross stress reaction’. Doctors had to give even terror a name, he supposed. […] As soon as he hit Irish soil, though, mercifully, his symptoms began to subside, slowly, and then he had a notion to try the police. […] They liked his rifle skills, and the recruiter had a great regard for the army. Lucky Tom.

Related Characters: Tom Kettle
Page Number: 133
Explanation and Analysis:
Chapter 10 Quotes

Up early, get your grub, obey your commands—the army was something of a tonic, and no war ever seemed to compare with what they had already endured. Nothing as terrifying as the shadow of a dark-soutaned Brother by your bed, in the deep night, to drag you out either to lather you or fuck you. No Malayan fighter, magnificent, fearsome and dark, ever as terrifying as the small shopkeeper’s son in his measly garb, given a coward’s power over you by virtue of being at least a grown man. No wonder they released the boys, like knackered greyhounds from the cage, at sixteen, before they gained the muscles and the strength to fell the Brothers with righteous and merciless blows.

Related Characters: Tom Kettle
Page Number: 152
Explanation and Analysis:
Chapter 11 Quotes

This is for June, he kept repeating, muttering, muttering, like a Buddhist mantra, this is for June. And that fucker there, whose head I can see bobbing about as he drives that stupid little car, he looks like the black dot in a bubble of frogspawn, that creature there, indicating right, and left, and right, little flashing lights, on stalks springing open, retracted, heading to the back of the city now and up onto higher ground, motoring towards the mountains seemingly, is the lousy, filthy, fucking cruel, vicious shite of a man that well-nigh destroyed her, tore through her, a little girl without defences, week after week, his possession and his plaything.

Related Characters: Tom Kettle (speaker), June Kettle, Thaddeus Matthews
Page Number: 171
Explanation and Analysis:
Chapter 12 Quotes

There had been times when he simply didn’t care about himself anymore. He used to be tempted to drive through red lights in his little car, which was truly stupid, and truly murderous when he thought about it. Just now and then. And when that young man, what was his name, Purcell, something Purcell, Tim maybe, waved his army-issue gun around—he was a mechanic in logistics in the army, so why did he have a gun?—Tom didn’t feel anything remotely like fear. He just thought: you had best not shoot your wife. Shoot me instead. So they gave him a medal for that.

Related Characters: Tom Kettle
Page Number: 185-186
Explanation and Analysis:
Chapter 13 Quotes

He hadn’t been obliged to shoot his rifle for many many years. There seemed to be a component of light also in this scope that he couldn’t see the origin of. There were the cormorants right in front of his nose, it seemed like, and the very barnacles on the black rocks, and the heavy skirts of dark brown seaweed, shrugging in the late tide. It had an aspect cold and wild. The cormorants looked like they had been carved violently out of the dark rocks. He wondered what it would be like to pull the trigger softly, ease his index finger through the small arc of it, and peg a bullet into a breast, and watch the bird fall, far far off and yet so near. But he knew in his heart he would never pull the trigger.

Related Characters: Tom Kettle, Ronnie McGillicuddy
Related Symbols: The Sea
Page Number: 201-202
Explanation and Analysis:
Chapter 14 Quotes

He was genuinely shocked when June took their humble bread knife from her gansey. She took it from her gansey, and then she went in under his coat like a bone-collapsing rat, trying to get in in a manner no human ever could. And she wriggled herself up onto his back, using his spine as a great brace, and she flattened herself like a huge plaster, not a human creature at all. He had clearly married a Trickster.

Related Characters: Tom Kettle, June Kettle, Thaddeus Matthews
Page Number: 210-211
Explanation and Analysis:

No crime more dark, more fucking pessimum, more beyond human mercy. To do this with the mote of June in your eye, her essence floating on the Irish wind. All the children gravely assailed. All the children in filthy Irish history, with no bugle blowing to announce their rescue, no arms of love to envelop them, no hand of kindness to wash their wounds. Priests! The boyos themselves, peddling piety and goodness. As pious and good as—but there was no entity, no animal, no thing, to compare to them. A shark was vicious, but it was all beyond the shark.

Related Characters: Tom Kettle, June Kettle, Thaddeus Matthews, Joseph Byrne
Page Number: 216
Explanation and Analysis:

Possible court appearance. If the DPP thought there was evidence. What of the blood sample? Would that be enough? The word of an evil man, himself under scrutiny, judgement, sentence. But what did Tom care? He didn’t. He had served the only soul he cared about, not his own soul, or the souls even of his children, but the girl he had met in the Wimpy café, who had laughed at Billy Drury’s taste on the jukebox, and in laughing, with her bright face, fished out his deathless love.

Related Characters: Tom Kettle, June Kettle, Thaddeus Matthews, Joseph Byrne
Page Number: 217
Explanation and Analysis: