The Curious Case of Benjamin Button

by

F. Scott Fitzgerald

Age, Development, and Identity Theme Analysis

Themes and Colors
Age, Development, and Identity Theme Icon
Reputation, Gossip, and Scandal Theme Icon
Expectations and Acceptance Theme Icon
Support and Caretaking Theme Icon
LitCharts assigns a color and icon to each theme in The Curious Case of Benjamin Button, which you can use to track the themes throughout the work.
Age, Development, and Identity Theme Icon

As Benjamin Button ages backwards due to a mysterious condition, his developmental stages have a huge impact on his identity—his entire personality seems to change with each new season of life. For example, he has the body of an old man when he’s at the beginning of his life, and he behaves accordingly by exhibiting the kind of calm reserve that’s often associated with older people. Then, as he approaches middle age, he becomes more engaged with life, leaving behind his slower personality. By the time he has the body and mind of a man in his twenties (though he’s actually lived for 50 years), he’s desperate to find excitement in life, acting like a fun-loving young person. And when he nears the end of his life and finally becomes a little boy, he leads the carefree existence of an innocent child. This all means that Benjamin doesn’t just change physically, but also mentally. His transformation throughout the story suggests that while age is an arbitrary number that doesn’t necessarily impact a person’s identity, actual developmental stages do profoundly affect the way a person moves through the world.

Benjamin’s entire personality depends not on his numerical age, but on his body and mind’s current developmental state. This is especially apparent just hours after his birth, when he complains to his father about the hospital in the same cranky way an old man might gripe about something unsatisfactory. “This is a fine place to keep a youngster of quiet tastes,” he chirps. “With all this yelling and howling, I haven’t been able to get a wink of sleep.” Complaining about noise is the kind of thing a stereotypically grumpy old man might do, so Benjamin essentially becomes a caricature of old age in this moment. At the same time, though, this moment also reminds readers that Benjamin is a “youngster” himself—a newborn, to be more precise. And yet, neither his body nor his mind are babyish; he even wishes that the hospital would provide him with a rocking chair to sit in. It’s quite clear, then, that he has the conventional sensibilities and preferences of an old man despite only being a few hours old. Regardless of his age, it’s obvious that he’s in an advanced developmental stage—and this, not his numerical age, is what dictates his identity.

In keeping with this, Benjamin’s identity is so affected by his developmental stage that it seems inauthentic when he tries to act his numerical age. When he’s a child, for instance, he tries to satisfy his father by breaking something every day, since his father likes it when he behaves like a mischievous child. And yet, this doesn’t do much to change Benjamin’s overall personality, given that what he really wants to do is sit around, smoke cigars, and pass the day in idle conversation with his grandfather—pastimes normally enjoyed by elderly people. But when Benjamin does become a little boy at the end of his life, he comes to genuinely enjoy the exact things a young child would enjoy. Despite technically being elderly in terms of how many years he’s lived, his body and mind have developed backwards to those of a toddler. He doesn’t want to smoke cigars anymore, nor does he have the ambition that defined his middle-aged years, when he sought out the thrills of romance and war. Instead, he spends his time during this period jumping on the bed, repeating satisfying words like “elephant,” and taking comfort in the soothing presence of his Nana. And Benjamin doesn’t do these things as a way of taking on the childish identity everyone that around him thinks he should have—rather, he genuinely becomes a child through and through, even though his numerical age reflects otherwise.

Although Benjamin’s transformation is unique in a sense, it represents a core truth about humans: that in each phase of a person’s age-related development, their whole identity tends to drastically shift. Of course, everyone naturally changes as they go through life. But the fact that the changes to Benjamin’s identity happens in reverse calls special attention to the influence of each developmental stage. If Benjamin aged regularly, it would be easy to overlook just how much the different phases of his life affect his personality—but flipping the process around makes these changes difficult to ignore, since Benjamin’s development doesn’t line up with his numerical age. Instead, his progress through life seems strange and novel, adding a fresh perspective on the many changes people undergo as they move through each chapter of life. Although the story has an unconventional premise, then, it actually helps readers see something fairly straightforward about the developmental process: namely, that every stage of life has the power to reshape a person’s identity.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Age, Development, and Identity ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Age, Development, and Identity appears in each chapter of The Curious Case of Benjamin Button. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Get the entire The Curious Case of Benjamin Button LitChart as a printable PDF.
The Curious Case of Benjamin Button PDF

Age, Development, and Identity Quotes in The Curious Case of Benjamin Button

Below you will find the important quotes in The Curious Case of Benjamin Button related to the theme of Age, Development, and Identity.
Chapter 1 Quotes

The cool perspiration redoubled on Mr. Button’s forehead. He closed his eyes, and then, opening them, looked again. There was no mistake—he was gazing at a man of threescore and ten—a baby of threescore and ten, a baby whose feet hung over the sides of the crib in which it was reposing.

The old man looked placidly from one to the other for a moment, and then suddenly spoke in a cracked and ancient voice. “Are you my father?” he demanded.

Mr. Button and the nurse started violently.

“Because if you are,” went on the old man querulously, “I wish you’d get me out of this place—or, at least, get them to put a comfortable rocker in here.”

Related Characters: Benjamin Button (speaker), Roger Button, The Nurse
Related Literary Devices:
Page Number: 162
Explanation and Analysis:

“This is a fine place to keep a youngster of quiet tastes. With all this yelling and howling, I haven’t been able to get a wink of sleep. I asked for something to eat”—here his voice rose to a shrill note of protest—“and they brought me a bottle of milk!”

Mr. Button sank down upon a chair near his son and concealed his face in his hands. “My heavens!” he murmured, in an ecstasy of horror. “What will people say? What must I do?”

Related Characters: Benjamin Button (speaker), Roger Button (speaker), Doctor Keene, The Nurse
Page Number: 163
Explanation and Analysis:

A grotesque picture formed itself with dreadful clarity before the eyes of the tortured man—a picture of himself walking through the crowded streets of the city with this appalling apparition stalking by his side. “ I can’t. I can’t,” he moaned.

People would stop to speak to him, and what was he going to say? He would have to introduce this—this septuagenarian: “This is my son, born early this morning.” And then the old man would gather his blanket around him and they would plod on, past the bustling stores, the slave market—for a dark instant Mr. Button wished passionately that his son was black—past the luxurious houses of the residential district, past the home for the aged. . . .

Related Characters: Roger Button (speaker), Benjamin Button, The Nurse
Related Literary Devices:
Page Number: 163
Explanation and Analysis:
Chapter 2 Quotes

If, say, he could only find a very large boy’s suit, he might cut off that long and awful beard, dye the white hair brown, and thus manage to conceal the worst, and to retain something of his own self-respect—not to mention his position in Baltimore society.

But a frantic inspection of the boys’ department revealed no suits to fit the new-born Button. He blamed the store, of course—in such cases it is the thing to blame the store.

Related Characters: Benjamin Button, Roger Button
Page Number: 164
Explanation and Analysis:

“They look sort of funny to me,” he complained. “I don’t want to be made a monkey of—”

“You’ve made a monkey of me!” retorted Mr. Button fiercely. “Never you mind how funny you look. Put them on—or I’ll—or I’ll spank you.” He swallowed uneasily at the penultimate word, feeling nevertheless that it was the proper thing to say.

“All right, father”—this with a grotesque simulation of filial respect—“you’ve lived longer; you know best. Just as you say.”

As before, the sound of the word “father” caused Mr. Button to start violently.

Related Characters: Benjamin Button (speaker), Roger Button (speaker)
Page Number: 164
Explanation and Analysis:

The remaining brush of scraggly hair, the watery eyes, the ancient teeth, seemed oddly out of tone with the gayety of the costume. Mr. Button, however, was obdurate—he held out his hand. “Come along!” he said sternly.

His son took the hand trustingly. “What are you going to call me, dad?” he quavered as they walked from the nursery—“just ‘baby’ for a while? till you think of a better name?”

Mr. Button grunted. “I don’t know,” he answered harshly. “I think we’ll call you Methuselah.”

Related Characters: Benjamin Button (speaker), Roger Button (speaker)
Related Literary Devices:
Page Number: 165
Explanation and Analysis:
Chapter 3 Quotes

But Mr. Button persisted in his unwavering purpose. Benjamin was a baby, and a baby he should remain. At first he declared that if Benjamin didn’t like warm milk he could go without food altogether, but he was finally prevailed upon to allow his son bread and butter, and even oatmeal by way of a compromise. One day he brought home a rattle and, giving it to Benjamin, insisted in no uncertain terms that he should “play with it,” whereupon the old man took it with a weary expression and could be heard jingling it obediently at intervals throughout the day.

Related Characters: Benjamin Button, Roger Button
Related Symbols: The Colorful Paper
Page Number: 166
Explanation and Analysis:

The sensation created in Baltimore was, at first, prodigious. What the mishap would have cost the Buttons and their kinsfolk socially cannot be determined, for the outbreak of the Civil War drew the city’s attention to other things. A few people who were unfailingly polite racked their brains for compliments to give to the parents—and finally hit upon the ingenious device of declaring that the baby resembled his grandfather, a fact which, due to the standard state of decay common to all men of seventy, could not be denied. Mr. and Mrs. Roger Button were not pleased, and Benjamin’s grandfather was furiously insulted.

Related Characters: Benjamin Button, Roger Button, Benjamin’s Grandfather
Related Literary Devices:
Page Number: 166
Explanation and Analysis:

Benjamin, once he left the hospital, took life as he found it. Several small boys were brought to see him, and he spent a stiff-jointed afternoon trying to work up an interest in tops and marbles—he even managed, quite accidentally, to break a kitchen window with a stone from a sling shot, a feat which secretly delighted his father.

Thereafter Benjamin contrived to break something every day, but he did these things only because they were expected of him, and because he was by nature obliging.

Related Characters: Benjamin Button, Roger Button
Page Number: 166
Explanation and Analysis:

When he was five he was sent to kindergarten, where he was initiated into the art of pasting green paper on orange paper, of weaving colored maps and manufacturing eternal cardboard necklaces. He was inclined to drowse off to sleep in the middle of these tasks, a habit which both irritated and frightened his young teacher. To his relief she complained to his parents, and he was removed from the school. The Roger Buttons told their friends that they felt he was too young.

By the time he was twelve years old his parents had grown used to him. Indeed, so strong is the force of custom that they no longer felt that he was different from any other child—except when some curious anomaly re- minded them of the fact.

Related Characters: Benjamin Button, Roger Button
Related Symbols: The Colorful Paper
Page Number: 167
Explanation and Analysis:
Chapter 4 Quotes

The word had gone around that a lunatic had passed the entrance examinations for Yale and attempted to palm himself off as a youth of eighteen. A fever of excitement permeated the college. Men ran hatless out of classes, the football team abandoned its practice and joined the mob, professors’ wives with bonnets awry and bustles out of position, ran shouting after the procession, from which proceeded a continual succession of remarks aimed at the tender sensibilities of Benjamin Button.

Related Characters: Benjamin Button, The Registrar
Page Number: 169
Explanation and Analysis:
Chapter 5 Quotes

“I’ve always said,” went on Hildegarde, “that I’d rather marry a man of fifty and be taken care of than marry a man of thirty and take care of him.”

Related Characters: Hildegarde Moncrief (speaker), Benjamin Button
Related Literary Devices:
Page Number: 171
Explanation and Analysis:
Chapter 6 Quotes

So many of the stories about her fiancé were false that Hildegarde refused stubbornly to believe even the true one. In vain General Moncrief pointed out to her the high mortality among men of fifty—or, at least, among men who looked fifty; in vain he told her of the instability of the wholesale hardware business. Hildegarde had chosen to marry for mellowness—and marry she did….

Related Characters: Benjamin Button, Hildegarde Moncrief, Roger Button, General Moncrief
Page Number: 172
Explanation and Analysis:
Chapter 7 Quotes

In the early days of their marriage Benjamin had worshipped her. But, as the years passed, her honey-colored hair became an unexciting brown, the blue enamel of her eyes assumed the aspect of cheap crockery—moreover, and most of all, she had become too settled in her ways, too placid, too content, too anemic in her excitements, and too sober in her taste. As a bride it had been she who had “dragged” Benjamin to dances and dinners—now conditions were reversed. She went out socially with him, but without enthusiasm, devoured already by that eternal inertia which comes to live with each of us one day and stays with us to the end.

Related Characters: Benjamin Button, Hildegarde Moncrief, Roger Button, General Moncrief
Related Literary Devices:
Page Number: 173
Explanation and Analysis:
Chapter 8 Quotes

“Well,” he remarked lightly, “everybody says I look younger than ever.”

Hildegarde regarded him with scorn. She sniffed. “Do you think it’s anything to boast about?”

“I’m not boasting,” he asserted uncomfortably.

She sniffed again. “The idea,” she said, and after a moment: “I should think you’d have enough pride to stop it.”

“How can I?” he demanded.

“I’m not going to argue with you,” she retorted. “But there’s a right way of doing things and a wrong way. If you’ve made up your mind to be different from everybody else, I don’t suppose I can stop you, but I really don’t think it’s very considerate.”

Related Characters: Benjamin Button (speaker), Hildegarde Moncrief (speaker)
Page Number: 174
Explanation and Analysis:

“Look!” people would remark. “What a pity! A young fellow that age tied to a woman of forty-five. He must be twenty years younger than his wife.” They had forgotten—as people inevitably forget—that back in 1880 their mammas and papas had also remarked about this same ill-matched pair.

Related Characters: Benjamin Button, Hildegarde Moncrief
Page Number: 175
Explanation and Analysis:
Chapter 9 Quotes

But though he was welcomed in a general way, there was obviously no heartiness in Roscoe’s feeling toward him—there was even perceptible a tendency on his son’s part to think that Benjamin, as he moped about the house in adolescent mooniness, was somewhat in the way. Roscoe was married now and prominent in Baltimore life, and he wanted no scandal to creep out in connection with his family.

Related Characters: Benjamin Button, Hildegarde Moncrief, Roger Button, Roscoe Button
Page Number: 176
Explanation and Analysis:

“And another thing,” continued Roscoe, “when visitors are in the house I want you to call me ‘Uncle’—not ‘Roscoe,’ but ‘Uncle,’ do you understand? It looks absurd for a boy of fifteen to call me by my first name. Perhaps you’d better call me ‘Uncle’ all the time, so you’ll get used to it.”

With a harsh look at his father, Roscoe turned away. . . .

Related Characters: Roscoe Button (speaker), Benjamin Button
Page Number: 177
Explanation and Analysis:
Chapter 11 Quotes

Roscoe took them both to kindergarten on the same day and Benjamin found that playing with little strips of colored paper, making mats and chains and curious and beautiful designs, was the most fascinating game in the world.

Related Characters: Benjamin Button, Roscoe Button
Related Symbols: The Colorful Paper
Related Literary Devices:
Page Number: 179
Explanation and Analysis:

Roscoe’s son moved up into the first grade after a year, but Benjamin stayed on in the kindergarten. He was very happy. Sometimes when other tots talked about what they would do when they grew up a shadow would cross his little face as if in a dim, childish way he realized that those were things in which he was never to share.

The days flowed on in monotonous content.

Related Characters: Benjamin Button, Roscoe Button
Page Number: 180
Explanation and Analysis: