The Princess Bride

by

William Goldman

The Princess Bride: Buttercup's Baby: 3. Buttercup and Westley Summary & Analysis

Summary
Analysis
The story picks up at the end of The Princess Bride, as Buttercup and Westley declare that they're doomed to be together while they ride away on the white horses with Fezzik and Inigo. Humperdinck is in pursuit and things start to go wrong. Goldman inserts himself to draw attention to what Morgenstern is doing by first offering the chapter in which Waverly gets kidnapped, then presenting the Unexplained Inigo Fragment where he (supposedly) says the kidnapping is going to happen, and then goes back to the end of The Princess Bride. He says that Morgenstern is “playing with time” and he thinks it's interesting, though he understands that many readers, including Willy, will find it confusing.
At this point, Goldman gets to take his turn as a Florinese or literary scholar of sorts, as now he's the one who understands what Morgenstern is doing when the reader and Willy are still in the dark. While “playing with time” is something that plenty of novels do (including this one, by going back in time to provide backstory, or saying what's going to happen well before it happens), when Goldman doesn't explain what he means by this, it suggests that he's maturing as a writer and as a reader.
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Back in the story, Fezzik is riding in the front of the group and finds himself in his worst nightmare: having to make a decision about which fork in the road to take. He knows that there's only one right path. Fezzik tries to ask Inigo his opinion, but Inigo is bleeding badly and can't speak. Fezzik pulls Inigo onto his horse to help him and while he's distracted, the horses take the wrong fork into the forest instead of taking the one that would lead them to the Revenge.
Notice that Morgenstern doesn't explain that Fezzik is the one who knows the horses took the wrong path; only the reader knows that they went the wrong way. This allows him to show that Fezzik still has a long way to go, as well as guide the reader towards a fuller understanding of what's going on so that they can root for their heroes.
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Fezzik hears Buttercup behind say, “Mr. Giant?” and realizes she's talking to him. Her horse throws a shoe and she says that Westley stopped breathing. Fezzik reaches for Westley just as his horse stops from the weight and the thick trees. Buttercup looks at Fezzik with a hopeful look, and Fezzik writes poems in his head about the troubles he's having in trying to think of a solution. At this moment, Prince Humperdinck shoots an arrow right at Fezzik's heart.
Fezzik's choice to write poems for himself reminds the reader that if given the chance, Fezzik might have led a very different life that had nothing to do with making decisions like this or fighting. It also indicates that Fezzik is likely more intelligent than he believes he is, he just can't think when he's nervous.
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Going back in time a few minutes, Prince Humperdinck, Yellin, and the brute squad sneak quietly towards their quarry. Humperdinck notices how beautiful the trees look as Yellin puts the brutes in position and then, they turn the corner and Humperdinck wishes he'd brought the Royal Sketcher to capture the scene. He decides to shoot Fezzik first and as the arrow hits Fezzik and knocks him off his horse, the brutes charge. Buttercup thinks that this is the best place to die: in Westley's arms, surrounded by beautiful Florinese trees.
The emphasis on the aesthetics of what's happening tells the reader that there's more to this passage than the action that Morgenstern is describing. When everyone from Humperdinck to Buttercup is concerned with aesthetics, it indicates that this is a universal concern—likely one of Morgenstern's—and not necessarily one that the characters' honestly care about.
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Goldman interrupts and tells the reader what comes next: 65 pages of Morgenstern talking about his beloved Florinese trees. Even Morgenstern's Florinese publishers wanted him to cut this, but he refused. Goldman says that this is because Morgenstern bought a house on the edge of a forest preserve after getting rich from The Princess Bride, but soon after, a lumber company started cutting down all the trees. He then became a tree advocate. Goldman says that Morgenstern knew people would read his “tree essay” to find out who lives and dies. Goldman says that in this essay, Morgenstern reveals that Fezzik is fine because he has the holocaust cloak and it saves him from the arrow, and the pirates from the Revenge save the day and get the heroes to safety on the Revenge.
The “tree essay” is another moment of satire on Goldman’s part, as he points to the ability of Morgenstern (again, not a real author) to do whatever he wanted in his work without thinking about what his readers would actually care about.
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Pierre, a pirate on the Revenge, calls a Blood Clogger to work on Inigo. Buttercup takes Fezzik's thumb as they anxiously watch. Pierre turns to Westley and notes that his life was sucked away. Fezzik explains that the scream they all heard yesterday was from Westley dying in the Zoo of Death, and says that he and Inigo got Westley to Miracle Max. This makes Pierre feel better. He asks how dead Max said Westley was and if Valerie coated the pill in chocolate. Goldman cuts in and says that Pierre works on Westley but because Morgenstern hated doctors, he wrote that Fezzik brings Westley back by filling his lungs with seawater and making him cough.
By making it very clear that Morgenstern writes something for a specific reason, Goldman seeks to humanize (the, again, fake) Morgenstern and show how Morgenstern's life influenced his work. When Goldman says that Morgenstern saved Westley with something that's objectively nonsense (even more so than the resurrection pill), Goldman reminds the reader again that Morgenstern is in charge of his own book and he can make his book work however he sees fit. 
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Late that night, Pierre approaches Westley and Buttercup and says that they need to leave the ship, as Prince Humperdinck's armada is after them. Westley asks Fezzik if he was tired after carrying three people up the Cliffs of Insanity, and Fezzik says he wasn't because his arms are so strong. Westley asks Pierre for chains, a boat, and to get them close to One Tree Island by dawn. When the Revenge gets there, Westley, Inigo, and Buttercup, all chained to Fezzik, get in the boat. Fezzik is scared, but he enjoys rowing.
When nobody questions Westley's thinking or his plan, it indicates that he's taking Vizzini's place as the planner of the group—just as Inigo wanted him to. Fezzik's willingness to go along with this plan, even though he doesn't know what's happening, speaks to how much he trusts Westley to keep him safe.
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Suddenly, Fezzik realizes that the boat is going fast without his help and he hears a roar. Westley calmly says that the whirlpool has them and that they need to escape Humperdinck by getting to One Tree Island, which is in the middle of the whirlpool. Humperdinck won't be able to get to them and, Westley believes, Fezzik is strong enough to swim through the whirlpool. Everyone is silent as the boat cracks and falls apart. Westley tells Fezzik to save them, but Fezzik sits and shivers. He finally admits that he hates getting water up his nose. Inigo and Westley refuse to hold Fezzik's nose, so Buttercup clamps her hands over Fezzik's nose.
While holding Fezzik's nose is certainly something that Morgenstern includes for laughs first and foremost, it also indicates that there's only so far that Westley and Inigo will go in supporting their friend. This suggests that Buttercup is now the one who has to teach the others how to be a good and caring friend and specifically, that doing so sometimes entails doing things a person doesn't want to do.
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The whirlpool grabs Fezzik and shoves him down to the bottom. Fezzik starts to swim to the top, fighting the whirlpool. Eventually, he makes land on One Tree Island. Goldman cuts in and says that Morgenstern includes ten pages on vegetation next, as One Tree Island is supposed to represent what Florin could be if the Florinese would stop cutting trees down. Buttercup also makes Fezzik a clothespin for his nose and with this, Fezzik learns to love swimming.
Goldman's reminder of what Morgenstern is trying to do by writing so much about vegetation keeps the reader thinking about what the author's intent is. It also suggests that the reader is under no obligation to take the author's intent seriously, given that Goldman cuts this vegetation essay.
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Months later, when Westley has his strength back, he and Buttercup sit by the fire. Buttercup notes that they've only kissed up to this point. Westley asks what else there is to do, which Morgenstern points out is a lie as “things happened” when he was the Dread Pirate Roberts. Buttercup says she took lovemaking classes at Royalty School and will teach Westley, but in reality, she learned nothing and is terrified. They lie down on a blanket together and Buttercup looks deep into Westley's eyes. Goldman says that Willy liked this scene, though he was curious what “things” Westley did as a pirate. Fortunately, Willy bought Goldman's insistence that Morgenstern would've said what happened if he wanted the reader to know.
The difference in how the reader (and Goldman) interpret “things happen” and how Willy interprets it brings up that readers engage very differently with texts depending on where they are in life. While an older reader is well aware that Morgenstern is referring to sex, because of Willy's youth, he's still willing to take Goldman at his word. As Willy gets older, however, he'll be able to revisit the book and find something new as he grows and changes.
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Nine months later, Buttercup declares at breakfast that she's going to give birth at sunset. Nobody argues with her, as they know nothing about childbirth. She knows that the baby is going to be a boy. After dinner, Westley settles her on a bed by a fire. An hour before sunset, her contractions are five minutes apart. The contractions become more frequent as Inigo fences with shadows. Fezzik stays away; he's squeamish and doesn't want to see the “blood and other stuff.”
While Buttercup would appear to be the expert on the matter of childbirth, it's worth noting that since she didn't learn anything about sex at princess school, she likely didn't learn much about childbirth either. Everyone's lack of knowledge will prove deadly soon, which makes the point that knowledge is power.
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By midnight, they all know that something is wrong. Buttercup's contractions are a minute apart and her back starts to spasm. She gets pale as the pain spreads to her legs and by noon the next day, she's still in labor. She labors overnight, and Westley assures her that a long labor means the baby will be healthy. By that evening, however, Westley knows something is seriously wrong. He and Inigo quietly discuss a “cutting” that could save Buttercup's life, but neither of them knows how to do it. Westley goes to Buttercup to distract her from her pain. They talk about the past and going to America in the future.
The “cutting” Westley and Inigo discuss would be a C-section. Because they don't know anything about it or how to perform one, Westley and Inigo are therefore unable to do anything to alleviate Buttercup's pain—except tell her stories. Here, Westley shows that talking about more pleasant things and essentially telling Buttercup stories is an effective way to distract her from the pain and danger.
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Westley holds Buttercup as she grows weaker and weaker. Fezzik gasps and tries to fight as something invades his brain. As the invader takes over, Fezzik begs for it to kill him before it kills Buttercup's baby. In Buttercup's fiftieth hour of labor, Westley cries as she slips away. He and Inigo hear Fezzik coming toward them, saying that he needs to disinfect his hands. He tells Inigo to sterilize his six-fingered sword and says that the baby is backwards and has the cord around its neck. Fezzik skillfully makes a cut in Buttercup's belly and pulls out Waverly.
Were Goldman able to abridge the entirety of Buttercup's Baby, the reader would likely learn who invaded Fezzik. As it is, however, this is all the reader gets. Because Goldman is the author and he's in charge of what he writes, instead of resolving things for the reader, he can lead them in asking questions.
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