On the mantle in the ballroom of the Overlook Hotel sits a clock beneath a glass dome, and the clock symbolizes time’s relativity in The Shining. The clock was gifted to the hotel by a Swiss diplomat in 1949, and even though Danny is sure it is something he probably shouldn’t touch, he winds the clock. The clock begins to tick and play Strauss’s “Blue Danube Waltz,” and two mechanical ballet dancers come from a door and twirl around. The clock begins to chime, and when it gets near the twelfth chime, Danny hears shouts of “Hooray!” and “Unmask!” Danny looks around the empty ballroom. The clock is simultaneously keeping time in Danny’s era in 1975 and in 1945 during the masquerade ball that perpetually unfolds in the ballroom of the haunted hotel. Ironically, the clock is closely associated with the ball in 1945, yet was not gifted to the hotel until 1949, which again underscores the idea of multiple eras in the novel.
When Danny winds the clock near the end of the novel, all of the hotel’s past eras converge as one—all but the current “Torrance Era,” which stands outside of time in the hotel. Of course, once Jack kills his family and himself like the hotel wants, the “Torrance Era” will join with the others. As the climax builds, the clock can be heard chiming alongside echoes of “Unmask! Unmask!” And when Wendy sneaks through the hotel trying to evade Jack to sounds of the clock chiming, Jack steps out of the shadows at the stroke of midnight, clearly insane and holding a roque mallet. A moment before the boiler explodes, killing Jack and destroying the hotel, Hallorann looks to the clock and notes it is one minute to midnight. When the boiler explodes one minute later, the glass dome shatters, and the clock is blown to pieces, presumably putting an end to the evil of the Overlook Hotel. The clock may keep time for the hotel’s many eras, but it is ultimately destroyed in the “Torrance Era,” thus putting a symbolic end to the horrors of the Overlook that have continued to play out across the decades.
The Clock Quotes in The Shining
“I don’t want to see,” he said low, and then looked back at the rubber ball, arcing from hand to hand. “But I can hear them sometimes, late at night. They’re like the wind, all sighing together. In the attic. The basement. The rooms. All over. I thought it was my fault, because of the way I am. The key. The little silver key.”