This Other Eden

by

Paul Harding

This Other Eden: Part 2 Summary & Analysis

Summary
Analysis
When Thomas Hale goes to Concord, Bridget Carney, an orphan from Ireland who works as his servant, has a free afternoon. She spends much of her time in the library reading, then goes to bed and sleeps soundly. She likes Mr. Hale, she but feels that he is like a “living ghost,” in part because he is over 80 years old.
Patience, the Apple Island co-founder, was also Irish, and so this chapter begins in a similar way to the first one. The contrast in age between the elderly Mr. Hale and the youthful Bridget shows again how this chapter represents the transition to a new generation.
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When Thomas Hale comes back, he tells Bridget that they’ll be having a guest come and stay. Bridget is nervous when she finds out that the guest will be a young man. Still, she is glad that at least Hale’s son, Robert, and his son’s wife, Phoebe, will be away for Robert’s astronomy work.
Despite the earlier claim that Bridget generally likes Mr. Hale, this passage depicts the uneasy relationship that Bridget sometimes has with her employer. Although by this point in history slavery is abolished (and Bridget is white), the novel nevertheless shows how large power imbalances continue to shape American society.
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Ethan is the young man that Thomas Hale has invited to stay on his estate. Bridget prepares a bed for him. When he finally arrives, Bridget goes to greet him, and he seems confused at first. He looks about 15 or 16 and wears well-worn clothes that have been patched up. Ethan seems like he doesn’t know what to do, and Bridget herself doesn’t know what to do with someone who doesn’t give her instructions.
Whereas previously people looked down on Ethan, he now has a servant assigned to take care of him. Bridget and Ethan’s meeting makes a big impact on both of them. He learns what it’s like to have power over others at the same time that she learns what it’s like to be around someone who doesn’t want or need to have power over her.
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At first, Ethan stays in his room, but eventually, he ventures out to draw the surrounding area. Bridget asks if she can watch him, since she’s never met an artist before. Although Ethan often drew with Charlotte or Tabitha watching, he’s nervous to have Bridget watch him. Nevertheless, he can’t think of a good excuse, so he agrees to let her do it. He realizes that Bridget is about his own age, and he finds her lovely.
Ethan hasn’t met many people his age due to his isolation on Apple Island. Bridget herself seemingly hasn’t met many strangers due to her constant need to attend to Thomas Hale. For both of them, romance is not just a coming-of-age experience but also a chance to experience something unfamiliar that might not have been available to them if they’d stayed at home.
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Ethan sketches some traveling Dutch farm workers who come up from the Hudson Valley in July to tend to Thomas Hale’s estate. He sketches the tedder (machine used in making hay) while smoking his cigarette, and Bridget feels she’ll never forget how Ethan managed to turn the real-life scene with the tedder into something in black and white. Meanwhile, Ethan himself is thinking of life back on Apple Island and how the sun used to look over the water. He feels he’s probably getting sunburned.
The Dutch farm workers help Ethan discover a world much larger than the one he knew on Apple Island. Ethan’s ability to capture the workers in his drawings shows that he is receptive to new ideas and can quickly see their essence. Ethan’s sunburn is a reminder of his pale skin, which is what allowed him to come to Mr. Hale’s in the first place. The sunburn suggests that despite Ethan’s white-passing privilege, his pale skin also comes with downsides.
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Ethan wants to look back at Bridget while he’s drawing, but he can’t think of a good excuse. He wonders whether it would be rude to ask to paint her, to have an excuse to look at her for long periods of time. All of a sudden, he wakes up and doesn’t know where he is. He realizes he must have passed out, either due to heat or allergies. Bridget offers to get him water. She says he should sit and rest, so he finds a place in the shade where he falls asleep.
Ethan’s inability to deal with the heat shows how he is out of his element in these new surroundings. His allergies suggest that the very air of this new place is hostile to his presence. Bridget’s treatment of Ethan goes beyond her duties as a maid, and she finds that choosing to care for someone is different than doing it as a job.
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Ethan wakes to Bridget holding a pitcher of lemonade on a tray with drinking glasses. In addition to the heat, he has been overwhelmed with new sensations ever since leaving Apple Island. He wonders how he’ll ever be able to draw all the new things he’s seen. The ice in the lemonade Bridget brings is clear as glass, unlike any Ethan has seen before. She explains that the ice is from Enon Lake and that it’s so famous that they even send it to London.
Enon is a fictional town that appeared in Paul Harding’s previous two novels. The ice, which goes from a lake in New England to the capital of old England, symbolizes how the world has become increasingly connected in this time period. Ethan begins to learn just how unusual his isolated childhood on Apple Island was.
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Evening falls over the estate. Ethan packs up his art supplies and rolls himself a cigarette. As he watches Bridget take out down some linens she was drying, he hears her humming an old Irish lullaby that he recognizes because the women on Apple Island also used to sing it. She stops when she hears Ethan singing along, but then he stops too when he notices her listening. Each considers saying something, but they stay quiet at first.
At several points in history, many Irish people have been forced to leave their homes to start new lives elsewhere. Both Ethan and Bridget carry some of this Irish tradition of forming a new life in a new place. Ethan learns that as big as the world is, he will still be able to find ways of connecting to other people.
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At last, Bridget calls out Ethan’s name and asks him to come over. She takes him into the main house (which he’s never been inside, since he’s been staying in the barn) while everyone else is asleep. The sheer number of rooms in the house amazes Ethan. Bridget leads him through several hallways until at last, they come to a painting of a small bundle of asparagus. Bridget says the painting reminds her of him, and it’s the one in the house she looks at most of all.
Thomas Hale’s refusal to let Ethan inside his house shows his prejudice. It recalls how Matthew Diamond never let the schoolchildren into his own room. The fact that Ethan resembles asparagus suggests that he is humble. But just as the painting shows unexpected skill, Ethan himself has unexpected depth and maturity.
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Back outside, around midnight, Bridget and Ethan sit beside each other and hold hands under the trees. They look at the stars and imagine whether there might be people on other planets. The fireflies in the air around them also look like stars. At last, instead of going back to the house, Bridget spends the night in the barn with Ethan in his bed.
By looking up at the stars, Bridget and Ethan continue to realize how small their own experiences are compared to everything else that exists in the universe. Nevertheless, the similarity of the fireflies and the stars also hints at how it is possible to find connections, as Bridget and Ethan do.
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Later, Ethan finishes a portrait of Bridget that he’s been working on. So far, he hasn’t let her see any of the portrait yet. With a knife, he draws blood from her finger and mixes it with red paint on his palette, then he adds some of his own blood. Finally, lets her see the painting. Bridget expects to recognize herself in the painting but is shocked to learn something new: how other people see her. She begins to both cry and laugh at how much care Ethan has shown in his observation of her. Ethan adds some of the paint with blood in it to some strawberries in the meadow in the background.
This passage depicts a deep level of intimacy between Ethan and Bridget. His ability to paint her as she recognizes herself shows how well he has come to understand her in such a short period of time. The mixing of their blood symbolizes the bond between them. It also hints at the possibility of children between them (since children are a less-literal version of blood mixing).
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Ethan continues to paint each day and study a painting book that Thomas Hale got him in the evenings. Most nights, Bridget spends in the barn with Ethan. One morning, Bridget wakes before Ethan and happens to see his photograph of all the students from Apple Island. She is surprised at how all of the children in the photo seem to have different skin colors. She is also confused by some of Ethan’s drawings, like one of a Black woman in a rocking chair in front of a shack.
Although Thomas Hale knew Ethan was mixed race, the news comes as a shock to Bridget. Because of her own isolated existence, even the concept of having siblings with different skin tones is surprising to her. This passage leaves some ambiguity about Bridget’s reaction, raising the question of whether she, like many of the white characters in the novel, holds secret prejudices.
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Thomas Hale spends a lot of time in his study alternating between reading and falling asleep. At one point, he thinks he sees an animal out the window, but he eventually realizes that it’s Bridget sneaking into the barn to see Ethan.
The drowsy Thomas Hale is not particularly watchful, so the fact that he finally caught Bridget suggests that perhaps she and Ethan have been getting reckless.
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When Bridget has the opportunity, she goes back to look at Ethan’s mysterious photograph and drawings. She wonders why Ethan would be in a school photo with Black girls. She notices the names “Lotte” and “Tabby” on two drawings of Black girls and realizes they must be his sisters, Charlotte and Tabitha, whom he’s told her about. She can’t understand how they can be his be his family, since she believes he’s white. But all of a sudden, she realizes that he might indeed be “colored,” despite his pale skin.
Bridget views black and white as two binary choices, like the drawings that Ethan himself sometimes makes. As this novel makes clear, however, racial identity is much more complicated than that, and even biology isn’t enough to determine race, since, out of context, even siblings could be perceived as being different races.
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Ethan gets ready to paint that day, not noticing that his photograph and drawings are missing. He watches one of the Dutch farm workers sharpening a scythe blade. All of a sudden, Thomas Hale comes out to see Ethan. Despite living in the barn by Thomas Hale’s house, Ethan has never met him before. Thomas Hale tells Ethan to come with him and that he’ll no longer be needing his paints.
A scythe blade symbolizes death (suggesting the Grim Reaper). Although there is no literal death in this passage, Ethan’s time in Massachusetts ends abruptly and unexpectedly, like a real death.
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