Paul Harding’s This Other Eden is full of unconventional families, and it raises the question of what exactly makes a group of people a family. Although the Honeys (who are all biologically related) all care for and protect each other, their family has a dark beginning: Esther only gave birth to Eha because her white father raped her. Esther considers drowning Eha to erase the memory of her father, but instead she keeps her newborn son and becomes the matriarch of a new line of the family. Esther’s decision to make the best of her situation shows how family is not just about biology but also about choice. The Honey family continues to grow and shrink due to character choices, with Zachary Hand becoming a father figure to Eha, Ethan leaving the family to pursue art, and Bridget joining the family after she becomes pregnant with the absent Ethan’s child.
Other families on Apple Island are equally unconventional. Iris and Violet have no biological children but choose to take in Norma Sockalexis, Scotty, and Emily. On the other end of the spectrum, Candace and Theophilus Lark are likely siblings, and yet they still choose to marry and have biological children. Each of these families is unconventional in some way, and yet the novel portrays them with dignity, questioning what right outsiders have to dictate how the Apple Islanders live their lives and create their families. No matter what hardships the people of Apple Island face, the families stay united and face their problems together. This Other Eden presents families as a mix of biology and choice, showing how families can have dark secrets, but also showing how families support each other in hard times.
Family ThemeTracker
Family Quotes in This Other Eden
Benjamin Honey—American, Bantu, Igbo—born enslaved—freed or fled at fifteen, only he ever knew—ship’s carpenter, aspiring orchardist, arrived on the island with his wife, Patience, née Raferty, Galway girl, in 1793.
[…] I held that foolish flag as high as I could, and the water rose up my shoulder, and the water rose up to my raised elbow, and the water rose up my forearm, and the water reached my wrist, and so there was just my one hand holding that motley little tattered flag sticking up above the surface of the flood, and the waters rose up my fingers, and just as my hand was about to disappear and that flag and all us Honeys be swallowed up in the catastrophe, the water stopped rising.
So Theophilus poked around the shack and brooded over the pile of sleeping children like a mother robin, wearing the dress and shopkeeper’s apron, and whenever any islander passed by he paused at his aimless chores or rose from the chair outside the door and came to the edge of the dirt yard and wrung his hands in an old red rag he took from the apron’s front pocket, nodded at the passerby and said, What lack ye, Mr. Diamond? What lack ye, Eha Honey? To the children he asked, What lack ye, my little salted cods? What lack ye, my little oysters?
Candace Lark never liked housekeeping and was no good at it anyway. A particular squalor surrounded the Larks’ shack when she had been in charge of domestic order. Much of that had been due to the children, who arrived one after another for eight years, counting the five that didn’t live. But even considering mothering and scant means and the necessity of staying home while Theophilus fished, Candace lacked instinct for tending her kids and shack.
Violet had milky skin and tightly curled burnished-copper red hair that flared red beneath the sun and fuller moons, and had her parents’ broad nose, across which dry dark freckles were speckled. Her mouth was full, like her parents’ as well, her lips pale. Her eyes were the color of greening copper. Iris had her parents’ acorn dark skin, but the narrow nose and thin lips of her Irish ancestors persisted in her face, as did their hair, which she inherited straight and black.
Esther watched Tabby and Lotte and Ethan come up the path. The memory of curling up on her side, still-unnamed Eha in her arms, the water by then alternately pulling and pushing them both toward the depths and back onto the rocks, and her thinking that was cruel—Just drown us now, quick—as ever overwhelmed her, not because it was vague and dim and made her feel like she’d suffered some awful half-recollected disfigurement while practically still a child herself, but because she remembered every single detail of it all and because she did it all on purpose. She shuddered, at the shame of almost having murdered her son and therefore her three grandchildren, but also in gratitude for God having taken all their fates out of her selfish hands.
Or Zachary, she corrected herself. Gratitude for Zachary—or God through Zachary—having taken all their fates out of her selfish young hands.
THE MORNING AFTER the feast, Ethan woke with bleary eyes and a slight headache from the beer. He took the small circle of mirror that had been his mother’s from its shelf near his father’s bed and sat on the rocks on the west side of the island and drew four self-portraits.
DO YOU MIND if I watch you draw? Bridget asked Ethan when, after a day spent mostly watching the mowers from just inside the opened barn doors (and stepping back out of view whenever Bridget came out to bring him food or to hang the laundry), he first ventured to the meadow and began sketching.
Here. He gave her his handkerchief and mixed the blood into the paint with a small brush. Look.
There’d been no real need to get onto the tree, but Zachary had said to Eha, Well, get up onto it and see if it’s sound. It’s going to be your house.
Zachary interlocked his hands into a stirrup and Eha put a foot in it and Zachary launched him up onto the trunk. Zachary clambered up like he was a bear scrambling for a beehive full of honey. There was no need for the man and the boy to stand on top of the tree other than for the man to take pleasure in the work and the boy to thrill at the work and his part in it and for the view, for the simple novelty of standing eight feet up on top of the tree they’d just felled with the old saw. Zachary looked at the tree, smiling with transparent pleasure, thinking maybe about the first time he himself had cut down a tree with his father, and he seemed to Eha from that moment on like his own father, his real, blood father.
And Esther, sleeping in her rocking chair in the house—as she did now, lashed to the deck of the raft—would awaken at the commotion and know it was Ethan come back and cry out, Is that our boy? Bring him here! Bring him here so I can see his beautiful face!
As the light left the sky, John Thorpe saw Zachary Hand to God wading away from the island across the channel, chest-deep in the water. Zachary held what looked like an old faded and patched flag bundled and knotted together by the corners above his head. His silhouette cut through the invisible current of the tide and to Thorpe he looked like a threadbare angel abandoning the wrecked ship over which he’d once been guardian, light fanning across the water behind him as he pushed against the incoming flood.