Tropic of Cancer explores the tension between sociability and isolation in the identity of an artist. The book revolves around Henry’s large and shifting circle of friends. To be sure, he often criticizes them both openly and to himself, but flawed as they may be, Henry evidently enjoys their company enough to continue spending time with them. Yet when he looks back on when he first arrived in Paris, he remembers a “weird sort of contentment in those days. No appointments, no invitations for dinner, no program, no dough. The golden period, when I had not a single friend.” He later calls this a “circumstance which was not so much depressing as bewildering, for wherever I have roamed in this world the easiest thing for me to discover has been a friend.” Henry is naturally sociable, as evidenced by the large circle of friends he eventually attains, yet this friendless period—though bewildering—was “golden” because of the loneliness it offered him: early in the novel, Henry plainly declares that “what the artist needs is loneliness.” Solitude apparently stokes one’s artistic fires.
Yet Henry’s claim doesn’t necessarily hold up throughout the novel. He doesn’t share any of the artistic fruit of that “golden period,” and late in the novel, when he finds himself utterly friendless and lonely in Dijon, he gives no indication that this isolation helped his creativity. He pounces on the first chance he gets to return to his friends in Paris. For Henry, having a circle of artistically-minded friends seems at least as important for affirming his own sense of himself as an artist as loneliness is. The novel does, however, end on an image of Henry embracing loneliness (rejecting the idea of ever returning to his wife, and indeed sending one of his best friends packing for the U.S., never to see him again). It suggests, then, that loneliness and companionship are both necessary for the artist, each condition offering something important for creative development that nevertheless must be balanced with its opposite.
Friendship, Loneliness, and Art ThemeTracker
Friendship, Loneliness, and Art Quotes in Tropic of Cancer
A weird sort of contentment in those days. No appointments, no invitations for dinner, no program, no dough. The golden period, when I had not a single friend.
"I hate Paris!" he whines. "All these stupid people playing cards all day... look at them! And this writing! What's the use of putting words together? I can be a writer without writing, can't I? What does it prove if I write a book? What do we want with books anyway? There are too many books already..."
It seems to me Papini misses something by a hair's breadth when he talks of the need to be alone. It is not difficult to be alone if you are poor and a failure. An artist is always alone – if he is an artist. No, what the artist needs is loneliness.
Art consists in going the full length. If you start with the drums you have to end with dynamite, or TNT.
And so I think what a miracle it would be if this miracle which man attends eternally should turn out to be nothing more than these two enormous turds which the faithful disciple dropped in the bidet. What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly, and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of [feces]. That, I believe would be more miraculous than anything which man has looked forward to. It would be miraculous because it would be undreamed of. It would be more miraculous than even the wildest dream because anybody could imagine the possibility but nobody ever has, and probably nobody ever again will.
"That guy," he begins, meaning Carl, "that guy's an artist. He described every detail minutely. He told it to me with such accuracy that I know it's all a god-damned lie... but I can't dismiss it from my mind. You know how my mind works!"
Once out of his sight we began to laugh hysterically. The false teeth! […] There are people in this world who cut such a grotesque figure that even death renders them ridiculous. And the more horrible the death the more ridiculous they seem. It's no use trying to invest the end with a little dignity – you have to be a liar and a hypocrite to discover anything tragic in their going. And since we didn't have to put on a false front we could laugh about the incident to our heart's content.
The wallpaper with which the men of science have covered the world of reality is falling to tatters. The grand whorehouse which they have made of life requires no decoration; it is essential only that the drains function adequately. Beauty, that feline beauty which has us by the balls in America, is finished. To fathom the new reality it is first necessary to dismantle the drains, to lay open the gangrened ducts which compose the genito-urinary system that supplies the excreta of art.
Now and then, it's true, I did think of Mona, not as of a person in a definite aura of time and space, but separately, detached, as though she had blown up into a great cloud-like form that blotted out the past. I couldn't allow myself to think about her very long; if I had I would have jumped off the bridge. It's strange. I had become so reconciled to this life without her, and yet if I thought about her only for a minute it was enough to pierce the bone and marrow of my contentment and shove me back again into the agonizing gutter of my wretched past. For seven years I went about, day and night, with only one thing on my mind — her.
It's best to keep America just like that, always in the background, a sort of picture post-card which you look at in a weak moment. Like that, you imagine it's always there waiting for you, unchanged, unspoiled, a big patriotic open space with cows and sheep and tenderhearted men ready to bugger everything in sight, man, woman or beast. It doesn't exist, America. It's a name you give to an abstract idea...
But do you know what saved me? So I think, at least. It was Faust. Yeah! Her old man happened to see it lying on the table. He asked me if I understood German. One thing led to another and before I knew it he was looking through my books. Fortunately I happened to have the Shakespeare open too. That impressed him like hell. He said I was evidently a very serious guy.
The sun is setting. I feel this river flowing through me – its past, its ancient soil, the changing climate. The hills gently girdle it about: its course is fixed.