In this passage, Mami humanizes Papi, perhaps more than Yahaira ever thought possible. She casts Papi as a man who kept trying his best—and eventually, he got caught up in his lies and in trying to be someone he wasn’t. In this way, he resembles Yahaira, who pretended to love chess just to maintain her close relationship with Papi. This correlation, however, suggests that now that Yahaira has given up chess (and now that Papi’s big secret is out), Yahaira can begin the process of figuring out what life looks like now that she knows the truth.