Mother Courage and Her Children is above all an emphatic condemnation of war. The play takes place during the Thirty Years’ War, a brutal conflict between Catholics and Protestants that devastated Europe in the 1600s, killing as much as half the population of what is now Germany through violence, starvation, and disease. In the play, Mother Courage and her children Eilif, Swiss Cheese, and Kattrin make a living operating a canteen for the Swedish army out of their wagon. They follow the army around Europe for over a decade, turning a meager profit by selling food, alcohol, and supplies while they watch the soldiers around them face the harsh realities of combat and scarcity, abandon their faith and dreams, and then die pointless, miserable deaths. After all, there is no true winner in the Thirty Years’ War: even the victors starve, suffer horrible atrocities, and lose track of why they’re fighting in the first place. The protagonists are no exception: at first they dream that the war will bring them glory (Eilif), an honest job (Swiss Cheese), marriage (Kattrin), and riches (Mother Courage), but they are all wrong. The children instead die horrific deaths in the war, leaving Mother Courage penniless, desperate, and completely alone at the end of the play. In fact, the play suggests that even the powerful people who start and lead wars—like the Swedish Commander and King Gustav—often do so in pursuit of childish fantasies of power and prosperity, only to lead their peoples into nothing but division and despair.
Brecht’s message is clear: war is self-destructive folly. It destroys its participants’ humanity by rewarding them for brutality and destruction while stamping out their capacity for honesty and compassion. Plenty of propaganda—including much classical literature—teaches people to associate war with honor, prosperity, and strength. But Brecht suggests that this is a naïve fantasy at best and a cynical manipulation at worst. Because of such propaganda, millions of idealistic young people sign up for wars that turn them into corpses and immoral monsters. Written during the fateful year of 1939 and in the first month following the Nazi invasion of Poland (which formally set off World War II), this play is first and foremost a warning cry to Europe about the perils and folly of war.
War, Failure, and Despair ThemeTracker
War, Failure, and Despair Quotes in Mother Courage and Her Children
HERE’S MOTHER COURAGE AND HER WAGON!
HEY, CAPTAIN, LET THEM COME AND BUY!
BEER BY THE KEG! WINE BY THE FLAGON!
LET YOUR MEN DRINK BEFORE THEY DIE!
SABERS AND SWORDS ARE HARD TO SWALLOW:
FIRST YOU MUST GIVE THEM BEER TO DRINK.
THEN THEY CAN FACE WHAT IS TO FOLLOW—
BUT LET ‘EM SWIM BEFORE THEY SINK!
CHRISTIANS, AWAKE! THE WINTER’S GONE!
THE SNOWS DEPART, THE DEAD SLEEP ON.
AND THOUGH YOU MAY NOT LONG SURVIVE,
GET OUT OF BED AND LOOK ALIVE!
YOUR MEN WILL MARCH TILL THEY ARE DEAD, SIR,
BUT CANNOT FIGHT UNLESS THEY EAT.
THE BLOOD THEY SPILL FOR YOU IS RED, SIR,
WHAT FIRES THAT BLOOD IS MY RED MEAT.
FOR MEAT AND SOUP AND JAM AND JELLY
IN THIS OLD CART OF MINE ARE FOUND:
SO FILL THE HOLE UP IN YOUR BELLY
BEFORE YOU FILL ONE UNDERGROUND.
What they could use around here is a good war. What else can you expect with peace running wild all over the place? You know what the trouble with peace is? No organization. And when do you get organization? In a war. Peace is one big waste of equipment. Anything goes, no one gives a damn. See the way they eat? Cheese on rye, bacon on the cheese? Disgusting! How many horses they got in this town? How many young men? Nobody knows! They haven’t bothered to count ’em! That’s peace for you!!
(She draws a knife.) Yes, just you try, and I’ll cut you down like dogs! We sell cloth, we sell ham, we are peaceful people!
Well, there’s yours, Eilif, my boy! (As EILIF takes the slip, she snatches it and holds it up.) See? A cross!
[…]
Take yours, Swiss Cheese. You should be a better bet—you’re my good boy. (SWISS CHEESE draws.) Don’t tell me it’s a cross? Is there no saving you either? Just look, Sergeant—a black cross!
[…]
(to KATTRIN) Now all I have left is you. You’re a cross in yourself but you have a kind heart. (She holds the helmet up but takes the slip herself.) Oh dear, there must be some mistake! Don’t be too kind, Kattrin, don’t be too kind—there’s a black cross in your path! So now you all know: be careful! Be very careful! (MOTHER COURAGE climbs on her wagon preparing to leave.)
When a war gives you all you earn
One day it may claim something in return!
MOTHER COURAGE. My eldest. It’s two years since I saw him. He must be high in favor—the Commander inviting him to dinner! And what do you have to eat? Nothing. The Commander’s guest wants meat! Take my advice: buy the capon. The price is one hundred hellers.
(The COMMANDER has sat down with EILIF and the CHAPLAIN.)
COMMANDER. (roaring) Dinner, you pig! Or I’ll have your head!
COOK. This is blackmail. Give me the damn thing!
EILIF. I laughed. And so we got to talking. I came right down to business and said: “Twenty guilders an ox is too much, I bid fifteen.” Like I wanted to buy. That foxed ’em. So while they were scratching their heads. I reached for my good sword and cut ’em to ribbons. Necessity knows no law, huh?
COMMANDER. What do you say, keeper of souls?
CHAPLAIN. Strictly speaking, that saying is not in the Bible. Our Lord made five hundred loaves out of five so that no necessity should arise. So when he told men to love their neighbors, their bellies were full. Things have changed since his day.
COMMANDER. (laughing) Things have changed!
I’m letting you have the bullets for two guilders. Dirt cheap. ’Cause I need the money. The Colonel’s been drinking for three days and we’re out of liquor.
CHAPLAIN. My dear Cook, you talk as if dying for one’s beliefs were a misfortune—it is the highest privilege! This is not just any war, remember, it is a religious war, and therefore pleasing unto God.
COOK. I see that. In one sense it’s a war because of all the cheating, plunder, rape, and so forth, but it’s different from all other wars because it’s a religious war and therefore pleasing unto God. At that it does make you thirsty.
COOK. And King Gustavus liberated Poland from the Germans. Who could deny it? Then his appetite grew with eating, and he liberated Germany from the Germans. Made quite a profit on the deal, I’m told.
CHAPLAIN. That is a calumny! The Swedish king puts religion first!
MOTHER COURAGE. What’s more, you eat his bread.
COOK. I don’t eat his bread: I bake his bread.
MOTHER COURAGE. He’ll never be conquered, that man, and you know why? We all back him up—the little fellows like you and me. Oh yes, to hear the big fellows talk, they ‘re fighting for their beliefs and so on, but if you look into it, you find they’re not that silly: they do want to make a profit on the deal. So you and I back them up!
YVETTE (re-enters, pale). You’ve done it—with your haggling. You can keep your wagon now. He got eleven bullets in him. I don’t know why I still bother about you, you don’t deserve it, but I just happened to hear they don’t think the cash-box is really in the river. They think it’s here. And they think you were in with him.
SERGEANT. There’s a man here we don’t know the name of, but he has to be registered to keep the records straight. He bought a meal from you. Look at him. See if you know him. (He draws back the sheet.) You know him? (MOTHER COURAGE shakes her head.) What? You never saw him before he bought that meal? (MOTHER COURAGE shakes her head.) Lift him up. Throw him on the garbage dump. He has no one that knows him.
(They carry him off.)
MOTHER COURAGE. You’re hungry. You’re angry. I understand.
YOUNG SOLDIER. Talking’ll get you nowhere. I won’t stand for injustice!
MOTHER COURAGE. How long? How long won’t you stand for injustice? One hour? Or two? It’s a misery to sit in the stocks: especially if you leave it till then to realize you do stand for injustice.
IN WAR MORE CHRISTIAN SOULS THAN EVER
REACH THEIR ETERNAL RESTING PLACE.
[…]
AND WHAT IS WAR? THIS IS MY THESIS:
IT’S WHAT THE WORLD IS FOUNDED ON.
War is like love: it’ll always find a way. Why should it end?
She’s finished. How would she ever get a husband now? And she’s crazy for children. Even her dumbness comes from the war. A soldier stuck something in her mouth when she was little. I’ll never see Swiss Cheese again, and where my Eilif is the Good Lord knows. Curse the war!
Don’t tell me peace has broken out—I’ve gone and bought all these supplies!
CHAPLAIN. Your intentions are only too transparent! (to MOTHER COURAGE:) But when I see you take peace between finger and thumb like a snotty old handkerchief, the humanity in me rebels! You want war, do you? Well, don’t you forget the proverb: who sups with the devil must use a long spoon!
MOTHER COURAGE. Remember what one fox said to another that was caught in a trap? “If you stay there, you’re just asking for trouble.” I’m not in love with war, Mr. Army Chaplain, and when it comes to calling people hyenas, you and I part company!
CHAPLAIN. Then why all this grumbling about the peace? Is it just for the junk in your wagon?
MOTHER COURAGE. My goods are not junk. I live off them.
CHAPLAIN. You live off war. Exactly!
CHAPLAIN. What has he done?
SOLDIER. He broke in on a peasant. The wife is dead.
CHAPLAIN. Eilif, how could you?
EILIF. It’s no different. It’s what I did before.
COOK. That was in wartime.
EILIF. Shut your mouth. Can I sit down till she comes?
SOLDIER. No.
CHAPLAIN. It’s true. In wartime they honored him for it. He sat at the Commander’s right hand. It was bravery.
LIEUTENANT (pointing to the wagon on which KATTRIN has appeared). There’s another. (A SOLDIER pulls her out.) Is this everybody?
OLD PEASANT. That’s our son.
PEASANT WOMAN. And that’s a girl that can’t talk. Her mother’s in town buying up stocks because the shopkeepers are running away and selling cheap.
OLD PEASANT. They’re canteen people.
(KATTRIN, unperceived, has crept off to the wagon, has taken something out of it, put it under her skirt, and has climbed up the ladder to the roof.)
PEASANT WOMAN. Be mindful of the children in danger, especially the little ones, be mindful of the old folk who cannot move, and of all Christian souls, O Lord.
(The soldiers arrive with the gun.)
LIEUTENANT. Set it up! (Calling while the gun is set up on forks:) Once and for all, stop that drumming! (Still crying, KATTRIN is drumming as hard as she can.) Fire!
(The soldiers fire. KATTRIN is hit. She gives the drum another feeble beat or two, then collapses.)
LIEUTENANT. So that ends the noise.
(But the last beats of the drum are lost in the din of cannon from the town. Mingled with the thunder of cannon, alarm-bells are heard in the distance.)
FIRST SOLDIER. She made it.
LULLAY, LULLAY, WHAT’S THAT IN THE HAY?
THE NEIGHBOR’S KIDS CRY BUT MINE ARE GAY.
THE NEIGHBOR’S KIDS ARE DRESSED IN DIRT:
YOUR SILKS WERE CUT FROM AN ANGEL’S SKIRT.
THEY ARE ALL STARVING. YOU HAVE A CAKE
IF IT’S TOO STALE, YOU NEED BUT SPEAK.
LULLAY, LULLAY, WHAT’S RUSTLING THERE?
ONE LAD FELL IN POLAND. THE OTHER IS—WHERE?
OLD PEASANT. Have you no one left?
MOTHER COURAGE. Yes, my son Eilif.
OLD PEASANT. Find him then, leave her to us.
PEASANT WOMAN. We’ll give her a proper burial, you needn’t worry.
MOTHER COURAGE. Here’s a little money for the expenses. (She harnesses herself to the wagon.) I hope I can pull the wagon by myself. Yes, I’ll manage. There’s not much in it now. (The last regiment is heard passing.) Hey! Take me with you!