Eggs have already appeared in the novel as a symbol of fertility, frequently signaling Marian’s anxiety about childbirth. But here, that symbolism is cemented: Len turns eggs and the gestation they represent into something scary and almost violent, akin to the butchered cow Marian imagined in the last chapter. And as Marian pictures the egg as the child in Ainsley’s belly—or the child she, Marian, might soon conceive with Peter—that food, too, turns from something sustaining into something terrifying.