Trigger Quotes in The Edible Woman
Maybe he had intended the bathtub as an expression of his personality. I tried thinking of ways to make that fit. Asceticism? A modern version of hair shirts or sitting on spikes? […] Or maybe it had been a reckless young-man gesture, like jumping into the swimming pool with your clothes on, or putting things on your head at parties. But this image didn't suit Peter either. I was glad there were no more of his group of old friends left to be married: next time he might have tried cramming us into a clothes closet, or an exotic posture in the kitchen sink.
Or maybe—and the thought was chilling—he had intended it as an expression of my personality. A new corridor of possibilities extended itself before me: did he really think of me as a lavatory fixture? What kind of a girl did he think I was?
“One shot, right through the heart. The rest of them got away. I picked it up and Trigger said, ‘You know how to gut them, you just slit her down the belly and give her a good hard shake and all the guts’ll fall out.’ So I whipped out my knife, good knife, German steel, and slit the belly and took her by the hind legs […] God it was funny. Lucky thing Trigger and me had the old cameras along, we got some good shots of the whole mess.”
After a while I noticed with mild curiosity that a large drop of something wet had materialized on the table near my hand. I poked it with my finger and smudged it around a little before I realized with horror that it was a tear. I must be crying then!
She watched the capable hands holding the knife and fork, slicing precisely with an exact adjustment of pressures. How skillfully he did it: no tearing, no ragged edges. And yet it was a violent action, cutting; and violence in connection with Peter seemed incongruous to her. Like the Moose Beer commercials, which had begun to appear everywhere […] The fisherman wading in the street, scooping the trout into his net was too tidy: he looked as though his hair had just been combed, a few strands glued neatly to his forehead to show he was wind-blown. And the fish also was unreal; it had no slime, no teeth, no smell; it was a clever toy, metal and enamel.
[…] She looked down at her half-eaten steak and suddenly saw it as a hunk of muscle. Blood-red. Part of a real cow that once moved and ate and was killed.
Trigger Quotes in The Edible Woman
Maybe he had intended the bathtub as an expression of his personality. I tried thinking of ways to make that fit. Asceticism? A modern version of hair shirts or sitting on spikes? […] Or maybe it had been a reckless young-man gesture, like jumping into the swimming pool with your clothes on, or putting things on your head at parties. But this image didn't suit Peter either. I was glad there were no more of his group of old friends left to be married: next time he might have tried cramming us into a clothes closet, or an exotic posture in the kitchen sink.
Or maybe—and the thought was chilling—he had intended it as an expression of my personality. A new corridor of possibilities extended itself before me: did he really think of me as a lavatory fixture? What kind of a girl did he think I was?
“One shot, right through the heart. The rest of them got away. I picked it up and Trigger said, ‘You know how to gut them, you just slit her down the belly and give her a good hard shake and all the guts’ll fall out.’ So I whipped out my knife, good knife, German steel, and slit the belly and took her by the hind legs […] God it was funny. Lucky thing Trigger and me had the old cameras along, we got some good shots of the whole mess.”
After a while I noticed with mild curiosity that a large drop of something wet had materialized on the table near my hand. I poked it with my finger and smudged it around a little before I realized with horror that it was a tear. I must be crying then!
She watched the capable hands holding the knife and fork, slicing precisely with an exact adjustment of pressures. How skillfully he did it: no tearing, no ragged edges. And yet it was a violent action, cutting; and violence in connection with Peter seemed incongruous to her. Like the Moose Beer commercials, which had begun to appear everywhere […] The fisherman wading in the street, scooping the trout into his net was too tidy: he looked as though his hair had just been combed, a few strands glued neatly to his forehead to show he was wind-blown. And the fish also was unreal; it had no slime, no teeth, no smell; it was a clever toy, metal and enamel.
[…] She looked down at her half-eaten steak and suddenly saw it as a hunk of muscle. Blood-red. Part of a real cow that once moved and ate and was killed.
