LitCharts assigns a color and icon to each theme in The Ladies’ Paradise, which you can use to track the themes throughout the work.
Consumerism and Excess
Women, Exploitation, and Power
Tradition vs. Modernity
Class and Mobility
Summary
Analysis
One day in November, the Baudus’ servant finds Denise at work and tells her that Geneviève wants to see her. Recently, Colomban ran off with Clara, leaving a fake suicide note for the Baudus. His disappearance made Geneviève’s condition worse. Denise leaves work and goes to the Vieil Elbeuf. Baudu had recently mortgaged the building, and it is in such a state of disrepair that it looks ready to collapse. Denise finds Madame Baudu sitting in the shop, her eyes glazed with tears. Madame Baudu says that Baudu is upstairs with Geneviève.
Colomban’s departure and Baudu’s recent mortgaging of his building indicate that tradition is barely hanging on in the face of the modern world. Baudu has lost all of his customers and therefore cannot afford to keep running his small business. What is more, the modern ways of casual relationships and self-interest are ruining traditions such as arranged marriages and business partnerships.
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Baudu comes downstairs and says that Geneviève is sleeping. He sits down and silence falls. Then he starts muttering, saying that he raised Colomban as his own son, and that he was excellent salesman. Colomban betraying him for a dreadful woman is like someone telling him that God doesn’t exist. Baudu blames himself for Colomban’s demise, saying that he should have married him and Geneviève right away. Denise tells him not to blame himself, confessing that Colomban had been ready to run away for a long time. Baudu says that the Ladies’ Paradise has killed his business and is now killing his daughter.
In comparing Colomban’s departure to learning that God might not exist, Baudu explains that his whole belief system has collapsed. His traditional business model rested on the virtues of goodness and loyalty, but he cannot rely on these during the current times. What’s more, Baudu never realized that the Ladies’ Paradise would kill not only his business but his family as well.
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Geneviève wails that she is afraid of being left alone, and Denise and Baudu hurry upstairs. Geneviève lies in bed, her thin body wasted away by consumptive fever. She is in the room in the back so she can’t see the Ladies’ Paradise. She lights up when she sees Denise, who embraces her and asks if she needs anything. Geneviève stares at Baudu until he leaves the room. Geneviève then clasps Denise’s hand and asks if Colomban is still with Clara. Denise says that Colomban now stalks Clara, who has grown tired of him. Trying to give hope, Denise says that Colomban might come back to Geneviève.
Geneviève’s illness symbolizes the slow death that the Ladies’ Paradise and big business is causing to small businesses. Significantly, Geneviève suffers a life-threatening illness over Colomban’s obsession with a flashy girl—a relationship that is superficial and perhaps even temporary. This is similar to the way the Ladies’ Paradise ruins its customers financially all for their obsession with its flashy, yet low-quality merchandise.
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Geneviève says that she knows it is all over. She throws off her blankets and shows Denise her thin, naked body. She says that she is no longer a woman, and that it would be wrong to want Colomban. She asks Denise to tell Colomban that she forgives him. Denise kisses her and tells her not to lose heart. Baudu comes back upstairs, and Denise leaves.
In this passage, Geneviève gives up and essentially declares that the old traditional ways are dead. She’s no longer desirable sexually or romantically, and this is because modernity—and the Ladies’ Paradise—has robbed her of her health and femininity.
The next morning, Geneviève dies. Her funeral is held on a gloomy day. Her child-sized coffin is covered with white roses. The small tradespeople—the “monster’s victims”—attend, walking through the mud past the Ladies’ Paradise, dressed in black. Jean also attends and seems struck with grief by the tragedy. Denise leaves Pépé with his caretaker.
The small tradespeople who attend Geneviève’s funeral mourn her death as a symbol of everything The Paradise (the monster) has cruelly taken from them. In this way, Geneviève’s funeral culminates the financial, emotional, and moral ruin of small businessowners.
While everyone waits for the hearse to arrive, Denise hears Bourras ask another tradesman to look over his shop while he attends the funeral. Denise notices that his shop has fallen into a state of decrepitude, crushed between the Ladies’ Paradise and displaying a few rotten umbrellas. Bourras grumbles as he watches the hearse bump into one of the Ladies’ Paradise’s vans trying to get to the coffin. The procession starts, leading the coffin past the Ladies’ Paradise to the service, and then back past it to the cemetery. Baudu follows the hearse with heavy, mechanical steps.
Geneviève’s funeral procession cannot avoid passing in front of the Ladies’ Paradise two times. Its mocking presence rubs salt in the local businessowners’ wounds, but it also redoubles The Paradise’s claim to popularity. Whether welcome or unwelcome, the Ladies’ Paradise is in everyone’s mind and in front of everyone’s eyes—a fact which solidifies its fixed position as the future of business.
Tired and depressed, Denise gets into a funeral carriage. When the carriages halt, struggling to get around the Ladies’ Paradise’s scaffolding, Bourras climbs in beside her. He complains about the crowded street and the rumored 100-million-dollar turnover of the Paradise. He comments that Geneviève’s funeral is nothing but a “string of failures;” the tradesmen are defeated, and even Robineau is almost bankrupt. Bourras thinks the world is going mad because many stores are now selling a variety of things.
Although Bourras’s sorrow is justified, his complaints don’t all make sense. His claim that the world is going mad because many stores are becoming department stores simply makes him look old and out of touch with where the world is headed. In this way, allow the death of small business is sad, it is also a natural consequence of the progression of time.
Denise feels that the funeral procession is like a herd of cattle tramping towards a slaughterhouse. Bourras says that, after many lawsuits, he has kept the Ladies’ Paradise at bay. Mouret is still after him, but he won’t stop resisting, even though he has fallen into poverty. Denise tries to convince Bourras to accept Mouret’s offer, but Bourras tells her to mind her own business.
In Denise’s image of the funeral, the procession is all the small businessowners and the slaughterhouse is the ways of modern business that will ruin them once and for all. Like cows being led to the slaughterhouse, their death is necessary and unavoidable, if tragic.
The carriages stop at the cemetery, and Denise and Bourras get out. After a brief ceremony, the coffin is lowered into the grave. Bourras looks at the crowd of sickly tradespeople and says they should all jump in the grave too. Denise takes the Baudus and Jean back to Baudu’s, where she hears that Jean is in the throes of despair over a woman. Denise chokes back tears at the sight of Madame Baudu and Baudu sitting in their crumbling shop, crushed by grief.
Bourras’s dark joke reveals something of the willingness with which the small businessowners are going to their death at the hands of modern business. The local tradesmen had the opportunity to join with the Ladies’ Paradise, but their choice to stick stubbornly to the old ways was akin to them jumping into their own graves.
That evening, Mouret sends for Denise to talk about children’s fashion. Trembling with pity and grief, Denise tells him about her day. On hearing Bourras’s name, Mouret rants about Bourras’ filthy hovel, and his foolishness for rejecting Mouret’s generous offers. Denise stays quiet, thinking of sentimental rather than practical things. Mouret offers his condolences to the Baudus but says that they brought their troubles on themselves. If it wasn’t the Ladies’ Paradise that ruined them, it would have been another big shop, for the idea is now popular. Mouret says that “the corpse of old-fashioned business” must be swept out of the “sunny streets of modern Paris.”
Mouret’s practical explanation is that the death of the traditional is necessary for the modern era to dawn. He draws a contrast between the traditional as a corpse and the modern as “the sunny streets of Paris,” illustrating the past as cumbersome and depressing and the future as bright and cheerful. Moreover, his modern perspective claims that everyone is responsible for their own success or failure, just as he was responsible for getting rich after being poor.
That night, Denise barely sleeps. She wonders whether death is an essential part of life. She dreams of Geneviève’s grave and the small shops crumbling to the ground. She feels an immense sorrow but knows that every revolution involves sacrifice, and that all progress occurs over “the bodies of the dead.” However, she wants to alleviate her family’s suffering and decides to ask Mouret for help; although he is a womanizer, she believes that under his exploitative affections is a true warmth. The next day, Mouret agrees to compensate the Baudus and Bourras when they finally surrender to the Ladies’ Paradise. In the meantime, Denise visits the Baudus often, trying to cheer up Madame Baudu, who seems to be dying.
Denise feels sorrow over the suffering of the small businessowners, but she does not necessarily feel that it is an injustice—so long as the small businessowners are compensated fairly for their businesses when their shops do finally fail. That Mouret is so willing to agree to Denise’s request suggests that her influence is making him more humane, as he’s not normally been enthusiastic about quality of life improvements for employees or for anyone else.
One day, Denise is leaving the Baudus when she sees a crowd gathering in panic. An omnibus had just run into a man. The anxious driver says that the collision wasn’t his fault; the man walked into the street and threw himself under the wheels. Denise approaches the man—who is still alive—and recognizes Robineau. Denise gives the police Robineau’s information. A stretcher is sent for. Denise goes on ahead, hoping to warn Madame Robineau of the shock in store for her.
Robineau’s attempted suicide points out the extreme emotional pain that the Ladies’ Paradise causes to small businessowners. Not only has Robineau suffered materially, but he now sees no point in trying to stay alive and fight for his life or business. In this way, daring to compete with the Paradise results in an exaggerated attempt to defeat oneself.
Denise finds Madame Robineau, who is pregnant and looks tired. Recently, the Paris-Paradise outshone all rival silks and ruined Robineau’s business. Madame Robineau tells Denise that Gaujean had just showed Robineau some overdue bills earlier that morning. Denise then tells her about the accident and says that Robineau is being brought on a stretcher.
Robineau attempts suicide during Madame Robineau’s pregnancy, revealing how the stress caused by business threatens the security of one’s family. In this way, the small businessowners threaten their own values in competing with the Paradise.
Madame Robineau rushes to the door just as Robineau is being brought in on the stretcher. He has regained consciousness, and he weeps when he sees his wife. Denise closes the shutters to give them privacy. They embrace each other, and Robineau confesses his attempted suicide; he felt defeated after Gaujean showed him the bills. Robineau loses consciousness again and Madame Robineau grasps Denise, weeping that Robineau wanted to take his life because he failed her. Robineau opens his eyes, and Madame Robineau says that she doesn’t care about money. She cares only that they are together.
Madame Robineau’s simple declaration sheds light on the death and ruin that the small businessowners are bringing on themselves in trying to compete with the Ladies’ Paradise for money. In saying that she doesn’t care about money, Madame Robineau makes the whole competition appear meaningless, and suggests that love of money—rather than one’s values—is really responsible for this death struggle.
A doctor comes and determines that one of Robineau’s legs is broken. Gaujean appears and tells Robineau that he is officially bankrupt. Robineau says that he and Gaujean, both being young, should have accepted modern business. Robineau is carried to the bedroom and Madame Robineau kisses Denise, glad to be done with business altogether. Gaujean admits to Denise that she was right about modern business, and says he is trying to get back in with the Ladies’ Paradise.
After Robineau’s attempted suicide, he and Gaujean seem to realize that there is more at stake in their competition with the Paradise besides the loss of traditional businesses’ values. They each speak of acceptance and humility, suggesting that the death struggle between big and small business had been about their wounded pride rather than right and wrong.
One day in January, Madame Baudu dies. For the last few days of her life, she sat motionless in bed. She hadn’t let Baudu draw the curtains but had stared at the Ladies’ Paradise with her eyes full of tears. The ruined tradespeople gather again for a funeral. Baudu follows the hearse with the same mechanical walk.
Madame Baudu’s death and funeral reiterates what Geneviève’s death and funeral symbolized. The fate of small business unfolds at a rapid rate as each small businessowner comes to terms with their complete failure.
Denise is overwhelmed by these tragedies. On top of it all, Jean is immersed in another affair, and she had to send Pépé away to school. Then, Bourras goes bankrupt and is forced to give Mouret his shop for 500 francs after having refused the 100,000. When the demolition begins, the police are forced to remove Bourras, who refuses to leave.
Bourras’s obstinate fight against the Ladies’ Paradise actually contributed to the extent of his failure. In refusing Mouret all his offers, Bourras ultimately gives up his shop for nothing. In sticking to traditional values, Bourras brought about his own destruction.
The next morning, Denise finds Bourras standing outside his shop. She can see her old room through the window and is filled with pity for all the suffering in the world. There is a terrible cracking noise and the shop collapses. Bourras cries out and gapes at the debris. The Ladies’ Paradise had gained its ultimate triumph. Denise gently assures Bourras that he will be taken care of. Bourras draws himself up proudly and says he won’t accept charity from his murderer. He says goodbye and walks away through the crowd.
The collapse of Bourras’s shop symbolizes the final triumph of the Ladies’ Paradise. After financially triumphing over Robineau and emotionally wrecking Baudu, the Paradise now territorially dominates Bourras. In refusing charity from Denise and Mouret, Bourras sticks to his values—an action which perversely exacerbates his own failure.
Denise watches him go, and then goes to see Baudu who now spends his days pacing the mildewed and deserted Vieil Elbeuf. Denise asks Baudu if he heard Bourras’s house collapse. Baudu nods, gazing at the empty bench where his wife and daughter used to sit. Denise says that Baudu can’t stay here, and that he must figure out what to do. Baudu continues to pace. Denise says that the Ladies’ Paradise has a job for him. Baudu pitifully asks how he could do such a thing. Denise pictures Baudu working in the Ladies’ Paradise and feels sick with pity. She asks him to forgive her, then leaves him to his weary pacing.
In this scene, Denise is forced to confront the fact that there is no way of creating peace between the traditional and the modern. Baudu would be utterly humiliated to work at the place that ruined him, a fact which points out the unavoidable sacrifice that the Ladies’ Paradise costs. Denise realizes that there is an antipathy caused by pride between the old and the new and gives up trying to change this.
That night, Denise can’t sleep. She is moved to tears by the suffering around her but accepts it as a part of the struggle for existence. She shudders to think how she has become a powerful part of the “monster.” Despite the destruction that his “brutal mechanism” causes, its grandeur makes her love Mouret more.
In calling it a “brutal” “monster,” Denise reveals that she is still afraid of and repulsed by the Ladies’ Paradise. In the same way, she is afraid of Mouret. However, to her, this fear indicates what is great, powerful, and full of promise.