The novel’s first lines are strongly influenced by Ralph Ellison’s
Invisible Man and Fyodor Dostoyevsky’s
Notes from Underground. Like the narrators in those novels, this narrator describes how others refuse to see him as he really is as long as he serves his social purpose. In this instance, the narrator serves a dual purpose as both a loyalist to the South Vietnamese and a Communist spy, plotting with those who have overtaken the south, thereby ending the civil war. His sympathy is humane, but it also allows for some emotional detachment from political upheavals. Note also the structure of the novel that is introduced here: in the narrative present the narrator is confessing to a “Commandant,” telling his life story starting back at the fall of Saigon.