The Two Noble Kinsmen

by

William Shakespeare

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Themes and Colors
Love and Irrationality  Theme Icon
Fate, Fortune, and Divine Providence Theme Icon
Chivalry, Honor, and Pride Theme Icon
Friendship Theme Icon
Gender and Power Theme Icon
LitCharts assigns a color and icon to each theme in The Two Noble Kinsmen, which you can use to track the themes throughout the work.
Chivalry, Honor, and Pride Theme Icon

William Shakespeare and John Fletcher based The Two Noble Kinsmen on Geoffrey Chaucer’s well-known work of medieval literature, The Canterbury Tales, a satirical collection of stories written mostly in verse. The particular story that The Two Noble Kinsmen draws from, “The Knight’s Tale,” explores themes that relate to the chivalric code, a set of rules that governed the behavior of medieval knights and gentlemen. Though The Two Noble Kinsmen is set in Ancient Greece rather than medieval England, the same moral code shapes its characters, whose shared desire to embody the virtues of loyalty, piety, generosity, bravery, and a commitment to courtly manners influences their actions and decisions. For example, when Theseus leaves his wedding to battle Creon, he does so out of a sense of duty to the Three Queens who call on him to avenge their husbands’ deaths. Likewise, Arcite and Palamon remain in Thebes to defend the city against Theseus’s Athenian army—despite their personal disapproval of Creon’s corrupt kingdom—out of a chivalric sense of duty to defend their homeland.

This strong sense of duty to an external value system allows characters in The Two Noble Kinsmen  to accept the trials that befall them, even in the face of death. For example, in Act 3, Scene 6, Theseus’s hunting party interrupts Arcite and Palamon’s duel. Angry at the cousins for disrespecting his authority (Palamon has escaped from prison, and Arcite has returned to Athens in disguise after Theseus banished him), Theseus sentences them to death. But even though Emilia eventually convinces Theseus to spare the cousins, they reject the offer. They would both rather put their lives on the line than live as cowards and traitors to their personal chivalric causes (love for Palamon, victory for Arcite). The same sense of honor ultimately gives Arcite the strength to accept his fate when he is mortally wounded, as he confesses his wrongs against Palamon and asks for Palamon’s forgiveness. In The Two Noble Kinsmen, characters’ commitment to the chivalric code keeps them focused on maintaining their honor—even when doing so means facing danger, hardship, or death. At the same time, the play complicates an uncritical view of chivalry by presenting situations in which the cousins’ intense devotion to the chivalric code leads them to become so wrapped up in notions of honor that they actively turn down opportunities to avoid violence. In the above example, Emilia offers Arcite and Palamon an opportunity to escape Athens unscathed, yet they stubbornly insist on staying behind to fight because they’d rather die than appear weak and dishonorable. The play highlights Arcite and Palamon’s stubborn adherence to the chivalric code to show just how devoted knights were to defending their honor—so devoted, in fact, that they’d die before they injure their pride.

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Chivalry, Honor, and Pride Quotes in The Two Noble Kinsmen

Below you will find the important quotes in The Two Noble Kinsmen related to the theme of Chivalry, Honor, and Pride.
Act 1, Scene 2 Quotes

Let th’ event,
That never-erring arbitrator, tell us
When we know all ourselves, and let us follow
The becking of our chance.

Related Characters: Arcite (speaker), Palamon, Theseus, Creon, Valerius
Page Number: 1.2.132-135
Explanation and Analysis:
Act 1, Scene 3 Quotes

Their knot of love,
Tied, weaved, entangled, with so true, so long,
And with a finger of so deep a cunning,
May be outworn, never undone. I think
Theseus cannot be umpire to himself,
Cleaving his conscience into twin and doing
Each side like justice, which he loves best.

Related Characters: Hippolyta (speaker), Emilia, Theseus, Pirithous, Creon
Page Number: 1.3.48-54
Explanation and Analysis:

You’re out of breath,
And this high-speeded pace is but to say
That you shall never—like the maid Flavina—
Love any that’s called man.

Related Characters: Hippolyta (speaker), Arcite, Palamon, Emilia, Flavina
Page Number: 1.3.94-97
Explanation and Analysis:
Act 1, Scene 4 Quotes

Th’ impartial gods, who from the mounted heavens
View us their mortal herd, behold who err
And, in their time, chastise.

Related Characters: Theseus (speaker), Arcite, Palamon, Emilia, Three Queens, Creon
Page Number: 1.4.6-8
Explanation and Analysis:
Act 2, Scene 1 Quotes

Nay, most likely, for they are noble suff’rers.
I marvel how they would have looked had they
been victors, that with such a constant nobility enforce
a freedom out of bondage, making misery
their mirth and affliction a toy to jest at.

Related Characters: The Jailer’s Daughter (speaker), Arcite, Palamon, The Jailer, The Wooer
Page Number: 2.1.33-37
Explanation and Analysis:
Act 2, Scene 2 Quotes

Yet, cousin,
Even from the bottom of these miseries,
From all that fortune can inflict upon us,
I see two comforts rising, two mere blessings,
If the gods please: to hold here a brave patience,
And the enjoying of our griefs together.
Whilst Palamon is with me, let me perish
If I think this our prison!

Related Characters: Arcite (speaker), Palamon, Emilia, Theseus
Page Number: 2.2.60-67
Explanation and Analysis:

Men are mad things.

Related Characters: Emilia (speaker), Arcite, Palamon, Theseus, Hippolyta, Flavina, Woman
Page Number: 2.2.148
Explanation and Analysis:

It is the very emblem of a maid.
For when the west wind courts her gently,
How modestly she blows and paints the sun
With her chaste blushes! When the north comes near her,
Rude and impatient, then, like chastity,
She locks her beauties in her bud again,
And leave him to base briers.

Related Characters: Emilia (speaker), Arcite, Palamon, Theseus, Woman
Related Symbols: Flowers
Page Number: 2.2.168-175
Explanation and Analysis:

Have I called thee friend?

Related Characters: Palamon (speaker), Arcite, Emilia
Page Number: 2.2.231
Explanation and Analysis:

I shall live
To knock thy brains out[.]

Related Characters: Palamon (speaker), Arcite, Emilia
Page Number: 2.2.181-182
Explanation and Analysis:
Act 2, Scene 4 Quotes

[…] To marry him is hopeless;
To be his whore is witless.

Related Characters: The Jailer’s Daughter (speaker), Palamon, Emilia, The Jailer
Page Number: 2.4.4-5
Explanation and Analysis:
Act 2, Scene 5 Quotes

Mark how his virtue, like a hidden sun,
Breaks through his baser garments

Related Characters: Pirithous (speaker), Arcite, Palamon, Emilia, Theseus
Page Number: 2.5.33-34
Explanation and Analysis:
Act 2, Scene 6 Quotes

I love him beyond love and beyond reason
Or wit or safety. I have made him know it;
I care not, I am desperate.

Related Characters: The Jailer’s Daughter (speaker), Palamon, The Jailer
Page Number: 2.6.11-13
Explanation and Analysis:
Act 3, Scene 6 Quotes

Here, Palamon. This hand shall never more
Come near thee with such friendship.

Related Characters: Arcite (speaker), Palamon, Emilia
Page Number: 3.6.139-140
Explanation and Analysis:

I’ll be cut a-pieces
Before I take this oath!

Related Characters: Palamon (speaker), Arcite, Emilia, Theseus
Page Number: 3.6.319-320
Explanation and Analysis:

No, never duke. ’Tis worse to me than begging
To take my life so basely; though I think
I shall never enjoy her, yet I’ll preserve
The honor of affection, and die for her,
Make death a devil!

Related Characters: Arcite (speaker), Palamon, Emilia, Theseus
Page Number: 3.6.331-335
Explanation and Analysis:
Act 4, Scene 2 Quotes

What sins have I committed, chaste Diana,
That my unspotted youth must now be soiled
With blood of princes, and my chastity
Be made the altar where the lives of lovers—
Two greater and two better never yet
Made mothers joy—must be the sacrifice
To my unhappy beauty?

Related Characters: Emilia (speaker), Arcite, Palamon, Theseus
Related Literary Devices:
Page Number: 4.2.65-71
Explanation and Analysis:

’Tis pity love should be so tyrannous.—
O, my soft-hearted sister, what think you?
Weep not till they weep blood. Wench, it must be.

Related Characters: Hippolyta (speaker), Arcite, Palamon, Emilia
Page Number: 4.2.175-177
Explanation and Analysis:

Poor wench, go weep, for whosoever wins
Loses a noble cousin for thy sins.

Related Characters: Emilia (speaker), Arcite, Palamon, Theseus, Hippolyta
Page Number: 4.2.187-188
Explanation and Analysis:
Act 5, Scene 1 Quotes

Hail, sovereign queen of secrets, who hast power
To call the fiercest tyrant from his rage
And weep unto a girl[.]

Related Characters: Palamon (speaker), Arcite, Emilia, Knights
Page Number: 5.1.85-87
Explanation and Analysis:
Act 5, Scene 3 Quotes

Is this winning?
O all you heavenly powers, where is your mercy?
But that your wills have said it must be so,
And charge me live to comfort this unfriended,
This miserable prince, that cuts away
a life more worthy from him than all women,
I should and would die too.

Related Characters: Emilia (speaker), Arcite, Palamon, Theseus
Page Number: 5.3.163-169
Explanation and Analysis:

Infinite pity
That four such eyes should be so fixed on one
That two must needs be blind for ‘t.

Related Characters: Hippolyta (speaker), Arcite, Palamon, Emilia, Theseus
Page Number: 5.3.170-172
Explanation and Analysis:
Act 5, Scene 4 Quotes

His part is played, and though it were too short,
He did it well.

Related Characters: Theseus (speaker), Arcite, Palamon, Emilia
Page Number: 5.4.123-124
Explanation and Analysis:

[…] O you heavenly charmers,
What things you make of us! For what we lack
We laugh, for what we have are sorry, still
Are children in some kind.

Related Characters: Theseus (speaker), Arcite, Palamon, Emilia
Related Literary Devices:
Page Number: 5.4.154-157
Explanation and Analysis: