Boris shows that he takes after his mother, Anna Mikhailovna Drubetskoy. Unlike his friend Rostov, he doesn’t see military service as honorable in its own right, but as a system of social advancement to be mastered. In this system, people aren’t valuable in themselves but as resources for one’s own progress. Though she’s been presenting herself as a victim, Hélène doesn’t hesitate to pursue questionable relationships with young men like Boris.