Carrie

by

Stephen King

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Carrie: Part 1: Pages 50-91 Summary & Analysis

Summary
Analysis
A snippet of Ogilvie’s Dictionary of Psychic Phenomena defines telekinesis, speculating that it is an electrochemical feature of the mind. In Tommy’s car, Sue redresses. She’s been dating Tommy since the fall and the two have had sex twice, but neither have been especially pleasurable for Sue, and Tommy didn’t use the condom properly the first time. She thinks about Carrie and begins to cry, concerning Tommy. She confides in him about the locker room incident, which she feels remorseful about. Although Sue is popular, this makes her feel uneasy, as it comes with a sort of complacency and ability to avoid thinking deeply about things. She does not want to become a typical PTA mom who is unhappy with her life, and her willingness to join in taunting Carrie seems to confirm her fears.
While Carrie struggles with being an outcast, this scene shows that Sue struggles with the opposite: she worries about how conforming too strictly might affect her. To her, her poor treatment of Carrie functions as a harbinger of her losing all her sense of morality and critical thinking, resulting in her becoming an uncaring cookie-cutter adult. In other words, while Sue has the opposite dilemma as Carrie, both of them struggle with the pressure to conform with those around them.
Themes
Female Sexuality and Shame Theme Icon
Conformity vs. Ostracization Theme Icon
Sin vs. Atonement Theme Icon
Quotes
Tommy gently chastises Sue for her behavior, then tells her about how, in seventh grade, he kicked his bully on the playground after the boy was already pushed over and knocked unconscious. He admits he didn’t apologize, but he tells Sue that at least he had a reason for doing it, while Sue has barely spoken to Carrie. Sue snaps at Tommy, then apologizes, admitting she’s ashamed. She asks him if he ever resents being popular, but he tells her that high school isn’t an important place in the long run. He half-jokes about his lackluster future, which upsets Sue. She tells him to have sex with her again, and Sue orgasms for the first time. Later, Tommy asks her to the Spring Ball.
Tommy’s conversation with Sue shows that, despite also being popular, he has a grounded view of high school and its social scene. However, compared to Sue, Tommy also seems to be more fatalistic about his future of becoming a run-of-the-mill, conformist person. This illustrates that both he and Sue are aware that the high-school world they’re in right now is fleeting and trivial—but that their actions within it also have long-term ramifications.
Themes
Female Sexuality and Shame Theme Icon
Conformity vs. Ostracization Theme Icon
Sin vs. Atonement Theme Icon
The 1981 journal article “Telekinesis: Analysis and Aftermath” discusses scientists who refuse to accept the implications of Carrie White’s powers since they shake the foundation of scientific knowledge. At the White house, Carrie sews while Margaret listens to hymns. Earlier in the day, Margaret comes home from work after receiving a call from the school and strikes Carrie for getting her period. She beats Carrie as she recites the sins of Eve, ignoring Carrie’s cries that Margaret should have told her about menstruation. Eventually, Margaret tells Carrie to get into the closet.
The contrast between Carrie and Margaret’s peaceful evening and the violent flashback earlier in the day is jarring. As the day of the stones also shows, the abuse Carrie suffers is not a one-off incident, but a daily occurrence. As with the incident with Estelle, Margaret’s outburst is related to female puberty, emphasizing her shame around the matter.
Themes
Puberty, Adolescence, and Coming of Age Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon
Quotes
Carrie resists Margaret, telling her that she is the real sinner for refusing to tell Carrie about menstruation. She threatens to “bring the stones again,” enraging Margaret and causing her to momentarily strangle Carrie. Margaret calls Carrie a devil spawn, which enrages Carrie; she screams, calling Margaret a “fuck.” This is the first time she’s ever sworn at her mother. Margaret throws Carrie into the closet, where Carrie stays for six hours before she breaks and begs to be let out. Margaret complies almost immediately, which is unusual for her. Now, three hours later, Carrie sits at her sewing machine, finishing a red dress. She politely asks Margaret if she can go to bed, and Margaret says yes. As Carrie goes upstairs, she knows that Margaret let her out because she was scared Carrie would wrench the closet door off of its hinges—and Carrie knows that she could.
This incident is notable in that it is the first time Carrie has ever overtly used the threat of her telekinesis as a way of threatening Margaret, and also the first time Carrie has ever sworn at her mother. Carrie’s newfound rebellion is typical of a teenager, but it goes beyond that, serving as a self-defense mechanism against the severe abuse she’s facing. Most importantly, her realization that Margaret fears her telekinesis gives her leverage; as her threat to “bring the stones again” shows, Carrie has the ability to retaliate in a very real and violent way.
Themes
Puberty, Adolescence, and Coming of Age Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon
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The Shadow Exploded covers Margaret’s background, in which she became involved in fundamentalist churches despite an areligious upbringing. She had a bad relationship with her mother Judith and stepfather Harold, whom she viewed as dirty sinners. After marrying Ralph in 1962, she was admitted to the hospital for paranoid behavior; Judith believed she’d had a miscarriage. Despite this, Margaret wrote a letter to Judith and Harold later about how she and Ralph were living “sinlessly” without intercourse. However, Carrie was conceived that same year.
The dive into Margaret’s background provides context for her abuse of Carrie. Her two pregnancies show that she was indeed sexually active with Ralph, but her shame about this is so deep that she is in complete denial. With this in mind, her reason for abusing Carrie becomes clear: Carrie is concrete evidence of Margaret’s own “sin,” which she now projects onto her daughter.
Themes
Female Sexuality and Shame Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon
In the present day, Miss Desjardin’s female students dress quietly for class until their teacher comes in. Miss Desjardin comes in and chastises them for their cruelty, especially Chris Hargensen. Chris tries to walk out, but Miss Desjardin slams her against the lockers, shocking Chris. She tells the girls that their punishment will be a week’s detention, and if they don’t show up, they’ll be suspended for three days and banned from prom. She then leaves. Chris responds with rage, declaring that this isn’t over. In an excerpt of The Shadow Exploded, Congress speculates that the rain of stones in Carrie’s childhood was an isolated, extraordinary incident, and that her second instance of telekinesis was similarly singular—but, unfortunately, Margaret White, the closest witness to Carrie’s telepathy, is now dead.
Miss Desjardin’s punishment, and especially her confrontation with Chris, heightens the tension surrounding the locker room incident. Chris’s disobedience and anger establishes her as a volatile character, but Miss Desjardin, who feels guilty much like Sue does, wants to follow through on her punishment. The juxtaposition between this moment and the excerpt from The Shadow Exploded suggests that this escalation will ultimately lead to a future outburst of Carrie’s telekinesis—which apparently will lead to Margaret’s death.
Themes
Puberty, Adolescence, and Coming of Age Theme Icon
Conformity vs. Ostracization Theme Icon
Cycles of Abuse Theme Icon
That Friday, Chris’s father John, a powerful lawyer, shows up to principal Henry Grayle’s office. Hargensen complains about Miss Desjardin’s treatment of Chris, threatening to sue for verbal and physical abuse unless she is fired, and Chris is allowed to attend prom. Grayle counters by telling Hargensen about Chris’s treatment of Carrie and alluding to Chris’s numerous other disciplinary incidents. Hargensen asserts that this is irrelevant, but Grayle threatens to countersue on Carrie’s behalf if Hargensen proceeds with his case. Hargensen leaves infuriated. Afterwards, Mr. Morton comes in, and Grayle jokes that he’s glad he’s up to date on his unemployment insurance. An appendix from The Shadow Exploded describes a poem that Carrie wrote in English class in which she describes feeling alone despite Jesus watching over her.
Although the poem Carrie writes in English class shows how alone she feels, Grayle’s reaction to Hargensen suggests that she does have some allies in the school. Grayle’s threat to sue on Carrie’s behalf shows that he is taking Carrie’s bullying seriously and will fully support Miss Desjardin punishing Chris and the other girls for it. While this is heartening, it is also tragic in its own way, as Carrie is not able to see her teacher and principal attempting to get justice for her. And so, Carrie continues to move through life believing that nobody can or will help her.
Themes
Conformity vs. Ostracization Theme Icon
Monday afternoon, Sue goes to the Kelly Fruit Company, a grocery store and soda fountain, to wait for Tommy until he gets out of baseball practice. There, she encounters Chris and her boyfriend Billy Nolan, the former of whom calls Sue over. As Billy apathetically puts his arm over Chris’s shoulder, Chris talks about how she wants to crash prom and asks Sue why she didn’t walk out on detention with her. Sue tells her that they deserved the punishment, which angers Chris, who calls Sue hypocritical. As Sue leaves, she tearfully acknowledges to herself that Chris is right: she attended detention not out of remorse, but because she didn’t want to miss her Spring Ball. In The Shadow Exploded, Congress reprints a letter Chris wrote to an unnamed friend, in which she promises to bring a “big fucking surprise” to prom.
Sue’s argument with Chris shows the risks of going against the crowd. Sue wants to atone for her role in bullying Carrie, which is admirable, but it means that she alienates Chris. She also continues to struggle with her own internal sense of morality, acknowledging that her attending detention was not about penance and more about protecting her own interests. Furthermore, the excerpt from The Shadow Exploded once again hints at how these various conflicts are building towards something larger and more cataclysmic.
Themes
Conformity vs. Ostracization Theme Icon
Sin vs. Atonement Theme Icon
Quotes