Carrie

by

Stephen King

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Sin vs. Atonement Theme Analysis

Themes and Colors
Puberty, Adolescence, and Coming of Age Theme Icon
Female Sexuality and Shame Theme Icon
Conformity vs. Ostracization Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon
LitCharts assigns a color and icon to each theme in Carrie, which you can use to track the themes throughout the work.
Sin vs. Atonement Theme Icon

In Stephen King’s Carrie, the desire to atone for one’s sins—whether real or imagined—is a major driver of the novel’s plot. The most explicit manifestation of this is Margaret’s understanding of sin, which largely revolves around sexuality and womanhood. Margaret feels that her own “original sin” is allowing Carrie to live after realizing she had telekinetic powers, and she attempts to atone for her sin first by abusing Carrie, then by attempting to kill her at the climax of the novel. In this way, Margaret’s attempts at “atonement” only lead to more violence and inadvertently escalate Carrie’s telekinetic powers (as Carrie reacts to the trauma inflicted upon her) despite Margaret’s attempts to quell them. In addition, a more subtle but equally important example of this theme is Sue’s attempt to atone for her treatment of Carrie. Sue is among the girls who harasses Carrie in the novel’s opening scene, but she regrets it almost immediately after. However, in contrast to Margaret, whose attempts at atonement are based in shame and abuse, Sue attempts to atone by giving up her senior prom and asking her boyfriend Tommy to take Carrie instead. This atonement is genuinely well-intentioned—but Carrie’s attending prom exposes her to Chris and Billy’s assault on her, causing her to psychologically snap and kill hundreds with her telekinetic abilities. This means that Sue’s attempt at atonement, though kind, inadvertently lead to greater harm. Given these two examples, the novel’s view of atonement is largely a negative one—when atonement is primarily an attempt to fix one’s past mistakes solely to feel better about oneself and one’s failures, the novel suggests, it often just leads to more pain, both for oneself and others.

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Sin vs. Atonement ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Sin vs. Atonement appears in each chapter of Carrie. Click or tap on any chapter to read its Summary & Analysis.
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Sin vs. Atonement Quotes in Carrie

Below you will find the important quotes in Carrie related to the theme of Sin vs. Atonement.
Part 1: Pages 1-25 Quotes

A tampon suddenly struck her in the chest and fell with a plop at her feet. A red flower stained the absorbent cotton and spread.

Then the laughter, disgusted, contemptuous, horrified, seemed to rise and bloom into something jagged and ugly, and the girls were bombarding her with tampons and sanitary napkins, some from purses, some from the broken dispenser on the wall. They flew like snow and the chant became: “Plug it up, plug it up, plug it up, plug it—”

Related Characters: Carietta “Carrie” White, Sue Snell, Christine “Chris” Hargensen, Norma Watson
Related Symbols: Blood
Page Number: 9
Explanation and Analysis:
Part 1: Pages 25-50 Quotes

Nobody wants to believe it, not even now. You and all the people who’ll read what you write will wish they could laugh it off and call me just another nut who’s been out here in the sun too long. But it happened. There were lots of people on the block who saw it happen, and it was just as real as that drunk leading the little girl with the bloody nose. And now there’s this other thing. No one can laugh that off, either. Too many people are dead.

And it’s not just on the Whites’ property any more.

Related Characters: Estelle Horan (speaker), Carietta “Carrie” White
Page Number: 42
Explanation and Analysis:
Part 1: Pages 50-91 Quotes

She was quite sure (or only hopeful) that she wasn’t that weak, not that liable to fall docilely into the complacent expectations of parents, friends, and even herself. But now there was this shower thing, where she had gone along and pitched in with high, savage glee. The word she was avoiding was expressed To Conform, in the infinitive, and it conjured up miserable images of hair in rollers, long afternoons in front of the ironing board in front of the soap operas while hubby was off busting heavies in an anonymous Office; [...] of fighting with desperate decorum to keep the Kleen Corners white, standing shoulder to shoulder with Terri Smith (Miss Potato Blossom of 1975) and Vicki Jones (Vice President of the Women’s League), armed with signs and petitions and sweet, slightly desperate smiles.

Related Characters: Carietta “Carrie” White, Sue Snell
Page Number: 53-54
Explanation and Analysis:

And Eve was weak and loosed the raven on the world, […] and the raven was called Sin, and the first Sin was Intercourse. And the Lord visited Eve with a Curse, and the Curse was the Curse of Blood. And Adam and Eve were driven out of the Garden and into the World and Eve found that her belly has grown big with child.

Related Characters: Margaret White (speaker), Carietta “Carrie” White
Page Number: 63
Explanation and Analysis:

Looking at Chris was like looking through a slanted doorway to a place where Carrie White crouched with hands over her head.

Related Characters: Carietta “Carrie” White, Sue Snell, Christine “Chris” Hargensen
Page Number: 86
Explanation and Analysis:
Part 1: Pages 91-117 Quotes

But he saw for the first time (because it was the first time he had really looked) that she was far from repulsive. Her face was round rather than oval, and the eyes were so dark that they seemed to cast shadows beneath them, like bruises. Her hair was darkish blonde, slightly wiry, pulled back in a bun that was not becoming to her. The lips were full, almost lush, the teeth naturally white.

Related Characters: Carietta “Carrie” White, Tommy Ross
Page Number: 100
Explanation and Analysis:

She was intimidated but not stopped. Because if she wanted to, she could send them all screaming into the streets. Mannequins toppling over, light fixtures falling, bolts of cloth shooting through the air in unwinding streamers. Like Samson in the temple, she could rain destruction on their heads if she so desired.

Related Characters: Carietta “Carrie” White, Margaret White
Page Number: 107
Explanation and Analysis:
Part 1: Pages 117-137 Quotes

She knew it wasn’t as alright as Helen had said. It couldn’t be; she would never be quite the same golden girl again in the eyes of her mates. She had done an ungovernable, dangerous thing—she had broken cover and shown her face.

Related Characters: Sue Snell, Tommy Ross
Page Number: 126
Explanation and Analysis:
Part 2: Pages 141-170 Quotes

And if he didn’t come, if she drew back and gave up? High school would be over in a month. Then what? A creeping, subterranean existence in this house, supported by Momma, watching game shows and soap operas all day on television at Mrs. Garrison’s house when she had Carrie In To Visit (Mrs. Garrison was eighty-six), walking down to the Center to get a malted after supper at the Kelly Fruit when it was deserted, getting fatter, losing hope, losing even the power to think?

No. Oh dear God, please no.

(please let it be a happy ending)

Related Characters: Carietta “Carrie” White, Margaret White, Sue Snell, Tommy Ross
Page Number: 147
Explanation and Analysis:

They’ve forgotten her, you know. They’ve made her into some kind of symbol and forgotten that she was a real human being, as real as you reading this, with hopes and dreams and blah, blah, blah. Useless to tell you that, I suppose. Nothing can change her back now from something made out of newsprint into a person. But she was, and she hurt. More than any of us probably know, she hurt.

And so I’m sorry and I hope it was good for her, that prom. Until the terror began. I hope it was good and fine and wonderful and magic.

Related Characters: Sue Snell (speaker), Carietta “Carrie” White
Page Number: 158
Explanation and Analysis:
Part 2: Pages 171-196 Quotes

The only way to kill sin, true black sin, was to drown it in the blood of
(she must be sacrificed)
a repentant heart. Surely God understood that, and had laid His finger upon her. Had not God Himself commanded Abraham to take his son Isaac up upon the mountain?

She shuffled out into the kitchen in her old and splayed slippers, and opened the kitchen utensil drawer. The knife they used for carving was long and sharp and arched in the middle from constant honing. She sat down on the high stool by the counter, found the sliver of whetstone in its small aluminum dish, and began to scrub it along the gleaming edge of the blade with the apathetic, fixated attention of the damned.

The Black Forest cuckoo clock ticked and ticked and finally the bird jumped out to call once and announce eight-thirty.

Related Characters: Carietta “Carrie” White, Margaret White
Related Symbols: Blood, The Black Forest Cuckoo Clock
Page Number: 177
Explanation and Analysis:
Part 2: Pages 238-277 Quotes

“I almost killed myself […] And Ralph wept and talked about atonement and I didn’t and then he was dead and the I thought God had visited me with cancer; that He was turning my female parts into something as black and rotten as my sinning soul. But that would have been too easy. The Lord works in mysterious ways His wonders to perform. I see that now. When the pains began I went and got a knife—this knife”—she held it up—“and waited for you to come so I could make my sacrifice. But I was weak and backsliding. I took this knife in hand again when you were three, and I backslid again. So now that devil has come home.”

Related Characters: Margaret White (speaker), Carietta “Carrie” White, Ralph White
Page Number: 249
Explanation and Analysis: