Carrie

by

Stephen King

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Carrie: Part 1: Pages 91-117 Summary & Analysis

Summary
Analysis
Carrie crosses the current day, May 17th, off her calendar; she dreads returning to school tomorrow. In her bedroom, she practices her telekinesis, starting with a hairbrush. As it levitates in the air, her pulse and blood pressure sharply increase, while her breathing and temperature drop. She proceeds to rock her rocking chair telekinetically, then lifts and drops her bedframe with a loud crash. Margaret, who is downstairs, says nothing. Satisfied, Carrie gets into bed and dreams of stones raining down on those who have hurt her. In an autobiography written by Sue in 1986, Sue emphasizes that, despite all the sharp scrutiny of her after the incidents of Prom Night, she, Carrie, Tommy, and everyone else involved were just children.
Carrie’s gradual escalation of her telekinetic abilities shows her increasing power, but also hints at the increasing risk. Her ability to lift entire pieces of furniture is a notable increase in ability from pushing Mr. Morton’s ashtray off of his desk, but the intense effects on her body suggest that her powers are a physical strain. However, Margaret’s lack of response to Carrie’s bed crashing further suggests that she is afraid of Carrie—showing that Carrie has a very good reason to keep practicing her telekinesis, so she can protect herself.
Themes
Conformity vs. Ostracization Theme Icon
Cycles of Abuse Theme Icon
At his house, Tommy reacts with shock after Sue asks him to ask Carrie to the Spring Ball. He doesn’t refuse, but he asks Sue what the point is and whether Carrie would even say yes. Sue tells him that Carrie definitely has a crush on him and that she feels she has something to atone for: not only the locker room incident, but her complacency in all the teasing Carrie’s endured over the years. She tells him that this is a chance for her to say sorry in a way that really matters. Tommy agrees to ask Carrie, although he’s not optimistic she’ll say yes. He then tells Sue that he loves her. In Sue’s autobiography, she tells her readers that Tommy asked Carrie out of his love for Sue—his motivations were as simple as that.
Sue asking Tommy to take Carrie to the prom is a major turning point in her character and the novel itself. While Sue admits to herself that she only went to detention to save her ticket to prom, this decision means that she is giving up the chance to go, making it a more concrete gesture of atonement. Tommy’s agreement also shows his commitment to Sue; although he does not believe that Carrie will accept his invitation, he understands and respects Sue’s decision to atone and does it for her.
Themes
Conformity vs. Ostracization Theme Icon
Sin vs. Atonement Theme Icon
Quotes
On Thursday, Tommy approaches Carrie in study hall to ask her. He really looks at her for the first time and notices that, despite the insults about her appearance common throughout the school, she’s actually quite pretty. He asks her to the Ball, and for a moment, he feels a strange dizziness as though he has no control over his mind; then, it passes. Carrie responds with shock and skepticism, but Tommy reassures her that he’s serious. They go into the hallway to avoid scrutiny, and Carrie ultimately accepts despite her doubt. Tommy touches her hand. The Shadow Exploded discusses Tommy, rejecting the idea of him as a dumb jock who asked Carrie as a joke. Congress cites Tommy’s exemplary school record and reputation even among the school outcasts that, though he was no saint, he was a genuinely kind and complicated person.
This scene, which is the first one to shift into Tommy’s perspective, paints both him and Carrie in a favorable light. Although physical descriptions of Carrie up to this point have been unflattering, Tommy viewing her as pretty suggests that past descriptions have been influenced by the point-of-view characters’ unfavorable views of her, but that Tommy sees her as she is. In addition, the dizziness Tommy feels subtly introduces a new facet of Carrie’s powers: she has the ability to telepathically connect with other people in moments of intense emotion.
Themes
Conformity vs. Ostracization Theme Icon
Sin vs. Atonement Theme Icon
Quotes
Carrie lies in bed, planning the dress she’s going to make for prom. She practices her telekinesis by lifting her bureau up and down—it doesn’t tire her at all—and begins to recall other moments from her childhood when her abilities manifested in subtle ways. She remembers how, after she saw Estelle, Margaret approached her with a knife to cut out her eyes, which was when the stones began to fall. Afterwards, Margaret never spoke of the incident again, and Carrie gradually forgot it. In the present, Margaret calls Carrie down for dinner. In a brief excerpt from The Shadow Exploded, Congress wonders what Margaret thought of Carrie’s telekinesis.
Carrie’s telekinetic abilities continue to grow even stronger, increasing the stakes of the narrative. Furthermore, her memory of her encounter with Estelle introduces a shocking angle to Margaret’s abuse: not only does Margaret verbally and physically abuse Carrie, but she has it in her to attempt to mutilate Carrie. This helps make Carrie a more sympathetic character, as she continues to practice her telekinesis to protect herself, even though it poses physical risks for her.
Themes
Female Sexuality and Shame Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon
Quotes
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At dinner, Carrie tells Margaret about Tommy and asks to go to prom with him. Although she reassures Margaret that Tommy is an upstanding young man, Margaret still reacts violently, screaming and throwing her tea in Carrie’s face. She tells Carrie to get in the closet, but Carrie refuses. Margaret slaps Carrie and begins to ramble to herself about receiving “the mark” and being taken in cars and roadhouses. When she comes back to herself, she attempts to slap Carrie again, but Carrie telekinetically stops her hand and tells her that she’s going to the prom no matter what, and that she wants to live her own life. Margaret doesn’t respond, so Carrie goes to start on her dress, thinking about how nobody better mess with her at prom. Upstairs, she can hear Margaret reciting the Prayer of Exorcism.
Here, Margaret once again attempts to abuse Carrie as punishment for wanting to live life as a normal teenage girl. However, in stark contrast to the previous scene in which Margaret throws Carrie in the closet, Carrie is in control in this scene, telekinetically controlling Margaret’s body to keep her from striking her. Carrie declaring her intention to go to prom symbolizes an inversion of the household’s power dynamic, with her ordering Margaret around rather than the other way around. Clearly, Carrie’s agency is increasing alongside her telekinetic abilities.
Themes
Female Sexuality and Shame Theme Icon
Conformity vs. Ostracization Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon