Throughout his book Garbology, Edward Humes repeats the statistic that, over the course of a lifetime, the average American generates 102 tons of trash. Though extreme hoarders on reality TV may seem like exceptional people with an addiction to trash, in fact, the only thing that makes them unique is that they don’t hide how much trash they generate. For most Americans, the real cost of trash is hidden after it gets picked up by the garbage truck (or is littered away). Unless they live nearby, they don’t see the towering trash mountains of landfills like Puente Hills outside of Los Angeles, where workers like Big Mike manage garbage with industrial-sized equipment. The problem is so bad that even experts don’t know where all the trash goes.
Beyond the fact that U.S. garbage is often literally hard to keep track of, there are other hidden costs as well. For example, when some cities across the U.S. started banning or taxing plastic bags, many people complained that environmentalists had taken away something that used to be “free.” In fact, however, plastic bags were never free: around 2011, they were costing retail companies about $4 billion annually, and these costs were passed on to the consumer. Similarly, throughout the 1970s and 1980s, the company Waste Management seemed to be disposing of garbage cheaply and efficiently, but in fact, it was just shifting costs from itself onto the government and citizens, in the form of illegal dumping. In turn, this led to pollution that was expensive to clean up. In Garbology, Humes argues that in order to solve its growing trash crisis, the U.S. has to look directly at how much waste it generates. He also argues that, while the process of reducing waste will be painful, it often makes good economic sense because of the hidden costs of inaction.
Hidden Costs of Waste ThemeTracker
Hidden Costs of Waste Quotes in Garbology
On May 24, 2010, rescue workers donned impermeable hazardous materials suits, then burrowed into the creaking, dangerous confines of a ruined South Side Chicago home, searching for the elderly couple trapped inside.
What no one considered back then (and few acknowledge now) is waste’s oddest, most powerful quality: We’re addicted to it.
It turns out our contemporary economy, not to mention the current incarnation of the American Dream, is inextricably linked to an endless, accelerating accumulation of trash.
One hundred thirty million tons: Such a number is hard to grasp. Here’s one way to picture it: If Puente Hills were an elephant burial ground, its tonnage would represent about 15 million deceased pachyderms—equivalent to every living elephant on earth, times twenty. If it were an automobile burial ground, it could hold every car produced in America for the past fifteen years.
It is, quite literally, a mountain of garbage.
“There is no other place like it, and no other job like it, either,” Big Mike says, gazing fondly at his dusty, noisy workplace. This observation is accompanied by a sigh of satisfaction tinged with regret, because soon, Big Mike knows, it will end. Soon the mountain will be finished, though not gone, of course—a landfill is never gone. It’s the question of what’s next that has not yet been resolved, that L.A. and the rest of the country are trying to puzzle out, and that will have lasting consequences no matter how it’s answered: Is it time to dump the dump as the centerpiece of waste? Or time to hedge our bets once again and find even bigger dumps to take their place?
His life’s work, like that of the marketing and design industries he helped create and lead, was dedicated to preventing that from happening, to erase thrift as a quintessential American virtue, and replace it with conspicuous consumption powered by a kind of magical thinking, in which the well would never go dry, the bubble would never burst, oil and all forms of energy would grow cheaper and more plentiful with time, and the landfill would never fill up.
This rise of consumerism and the new American Dream launched during television’s golden age was accompanied by another trash-boosting trend—the plasticization of America.
But finding these big pieces of ocean trash was not the main source of Crowley’s mounting despair, though she has known these waters for nearly forty years and sailed here back when they were truly blank and pristine and breathtaking. She knows this sort of trash is a huge problem, entangling and killing more than one hundred thousand marine mammals and an even larger number of seabirds—no one knows for sure how many. But what really alarmed her this day wasn’t the trash she could see. It was what she couldn’t see that troubled her, after the bottles, cups and other bobbing trash had been hauled out, and the mirror of water and foam appeared deep blue and clear, flashing by beneath sun and pale sky as she stared down from the railing.
She tends to see the state of the sea as the ultimate in societal heedlessness—an unintended and untended lab experiment run wild, in which the world finds out just what happens when we dump fifty years’ worth of plastic into the ocean. Now, Goldstein says, it’s time to assess the damage and figure out where to go from here.
Plastic has gone so fast from zero to omnipresent that it’s slipped beneath conscious perception.
At fifty years old, Pritchard was a natural for Trash Track. He’d been working to green himself for years, knocking his personal trash footprint way below the 102-ton legacy. He pegs his trash output at a single paper grocery bagful a month, recyclables included, though he qualifies this achievement by saying he’s single and travels often for work, which cuts down his trips to the home trash can and recycling bin.
Recycling in particular has long served as a balm and a penance—a way of making it okay to waste, the assumption being that if something is recycled, then the energy and materials are not being lost, and our disposable economy of abundance doesn’t really seem so wasteful after all. But the meandering, inefficient and sometimes purposeless paths for our garbage revealed by Trash Track puts the lie to those old assumptions.
He is the world’s first garbologist, and his work uncovered just how poor an understanding we have of our own waste.
Garbology makes it possible for a student to go beyond thinking about saving the world, and actually doing it. It’s within their power to make a difference.
The artist-in-residence program at the San Francisco dump—insiders use the acronym AIR—started back in 1990 as a Southside San Francisco oddity planted a few miles from the airport near the old Cow Palace arena. It has evolved into an unlikely San Francisco icon, frequently copied but outlasting all imitators.
Prior to that moment, he had not thought of those handy-dandy filmy white grocery bags as any sort of problem. They were so thin, so light, he hadn’t really given them a thought. But their footprint seemed magnified now by their dramatic presence in the landfill.
TerraCycle, a New Jersey company that has become a leader in “upcycling,” faced a similar, potentially fatal attack from a larger, richer, established rival just as it was getting traction in the marketplace. Its experience would provide a model for Keller as he struggled to survive what he now calls “The Plastic Bag Wars.”
On the garbage front, this city is so far ahead of its American counterparts that it’s like comparing laser surgery to leech craft. This city recycles trash at twice the U.S. average, its residents create less than half the household waste per capita, and the community philosophy holds that dealing with and solving the problem of trash must be a local concern, even a neighborhood concern. When it comes to waste, NIMBY (Not in My Backyard) is not a factor, as shipping trash off to some distant landfill—making it disappear for others to manage—is considered wasteful, costly and immoral. Not that such out-of-sight, out-of-mind garbage treatment is much of a consideration here: only 3 to 4 percent of this city’s waste ends up in landfills, compared to the U.S. average of 69 percent.
This is not some Shangri-la of past or future. It is the Copenhagen, Denmark, of today.
That’s when Bea Johnson finally got it: There’s power in putting things down instead of putting them in your shopping cart. There’s power in saying no—the power to change a family’s life and fortune. Maybe a community’s. Maybe a whole country’s.
Johnson and her zero-waste crusade are a whole different animal. She has identified a problem not on a campus or a beach but inside everyone’s home and lifestyle. And her family has responded by transforming itself in a dramatic way, becoming happier and more prosperous by rejecting the consumer economy and lifestyle most Americans live and breathe. Is there any wonder why this angers so many people? Agreeing with the Johnsons’ views means you either have to accept living a wasteful life, or change.
When this book was conceived, I intended to write about our 64-ton lifetime trash legacy, not the 102 tons it turns out to be. This original, smaller calculation was based on the widely accepted and official data point produced by the U.S. Environmental Protection Agency, which asserts that the average American produced 4.5 pounds of trash a day. When I discovered midway through this project that these numbers were wrong, that Americans were actually churning out an average of 7.1 pounds a day and sending twice as much trash to the landfill as we were being led to believe, it did more than change the central metaphor of a book about garbage.
It meant our trash problem—our trash addiction—already the biggest on the planet, is way, way worse than we’ve been told.
Waste-cutting is the secret to sustainability, security and prosperity. That 102-ton legacy doesn’t have to be the end of the story. It’s in everyone’s power to make it the starting point instead.