Although air travel is a recent invention, humans have fantasized about flying for thousands of years. Returning to
Toni Morrison’s
Song of Solomon, Foster suggests that the “flying African” myth represents the desire for freedom in the midst of captivity. In Angela Carter’s
Nights at the Circus (1984), a woman is ironically trapped by her ability to fly, as due to this skill she is forced to perform with a circus. Although this meaning may seem oppositional to Morrison’s, its ironic power rests on the shared assumption that flight usually means freedom.