Philippe Bourgois’s most recent book,
Righteous Dopefiend (2009), looks at the experiences of San Francisco drug users in the decade since
In Search of Respect. An extraordinary amount of ink has been spilled on both the crack epidemic and the War on Drugs. Notable works on the former include the 1997 compiled work
Crack In America: Demon Drugs and Social Justice, edited by Craig Reinarman; personal narratives like
New York Times journalist David Carr’s account of his past crack addiction,
The Night of the Gun (2009); and documentary work like photographer Eugene Richards’s controversial, arguably voyeuristic 1994 book
Cocaine True, Cocaine Blue. Books on the War on Drugs’ political background include former undercover agent Michael Levine’s
The Big White Lie: The Deep Cover Operation That Exposed the CIA Sabotage of the Drug War (2012), which narrates the author’s participation in American efforts to protect drug traffickers associated with U.S.-installed Latin American dictators, at the same time as the United States was supposedly fighting these same traffickers in the War on Drugs, and Gary Webb’s incendiary work on the so-called
Dark Alliance (1998). In his
Cocaine Nation: How the White Trade Took Over the World (2010), Thomas Feiling covers cocaine’s history, the rise of the crack epidemic, and the drug’s contemporary appeal through interviews with those involved in its production, transportation, and trade. And Dimitri A. Bogazianos’s
5 Grams: Crack Cocaine, Rap Music, and the War on Drugs (2011) looks at the severe disparity between laws against powder and crack cocaine, the racial underpinnings of the War on Drugs, and their relationship to street culture as expressed through 1990s New York hip-hop. Important scholarly work on Puerto Rican history includes James L. Dietz’s
Economic History of Puerto Rico: Institutional Change and Capitalist Development (1986), the volume
Puerto Rican Diaspora: Historical Perspectives (edited by Carmen Whalen and Victor Vasquez, 2005), Cesar Ayala and Rafael Bernabe’s
Puerto Rico in the American Century (2009), and numerous volumes resulting from the extensive work of Hunter College’s Centro de Estudios Puertorriqueños. Early anthropological work on Puerto Rico includes renowned ethnographer Sidney Mintz’s
Worker in the Cane: A Puerto Rican Life History (1960) and the collaborative study in which he participated,
The People of Puerto Rico (1956), formally authored by Julian Steward. One of the most important scholars of the inner-city United States is William Julius Wilson, who remains best known for his landmark work
The Truly Disadvantaged: The Inner City, the Underclass, and Public Policy (1987). His students have proven the new standard-bearers in this field: sociologist Sudhir Venkatesh has published a number of books on the underground economy in the United States since 2000, most famously
Gang Leader for a Day (2008), and Loïc Wacquant has taken up the issue of inner-city governance from a somewhat more theoretical perspective in works such as
Punishing the Poor (2009). There is also a substantial scholarly literature about East Harlem in particular. According to Bourgois, Oscar Lewis’s notorious 1966 study
La Vida: A Puerto Rican Family in the Culture of Poverty—San Juan and New York ultimately and unintentionally fed the American tendency to blame people for their own poverty and “scared a generation of social scientists away from studying the inner city.” Since
In Search of Respect, two prominent ethnographies have looked at East Harlem: Arlene Dávila’s
Barrio Dreams (2004), a study of economic and cultural changes in East Harlem amidst encroaching gentrification, and Russell Leigh Sharman’s
The Tenants of East Harlem (2006), which is narrated by seven different residents with various ethnic backgrounds and relationships to the neighborhood. Finally, the Nuyorican Movement has produced an enormous wealth of literature in both English and Spanish, starting with Jesús Colón’s
A Puerto Rican in New York (1961). The movement has produced numerous novels (like Giannina Braschi’s 1998
Yo-Yo Boing! and Luis López Nieves’s 2005
Voltaire’s Heart), plays (most famously Miguel Piñero’s 1973
Short Eyes), and especially poetry (such as the extensive work of Pedro Pietri and Lourdes Vázquez) and memoirs (such as Piri Thomas’s 1967
Down These Mean Streets and the celebrated trilogy by Esmeralda Santiago).