In Search of Respect

by

Philippe Bourgois

In Search of Respect: Chapter 2 Summary & Analysis

Summary
Analysis
After an epigraph from a Catholic priest decrying the danger of East Harlem in the 1930s, Bourgois explains the importance of historical context, and especially the “oppressive colonial history” of Puerto Rico, in his introduction to this chapter. Because of its importance amid shipping routes, the island was long contested by major powers uninterested in its inhabitants’ lives or safety. Even as a slave society, Puerto Rico was “above all, a locus for military control,” and its contemporary status as the same has led to a mass migration to the mainland United States over the last century. A “Free Associated Commonwealth,” Puerto Rico remains a disenfranchised colony largely economically dependent on funds from the mainland.
As he argued in the introduction, Bourgois intends to shed light on the historical antecedents to the modern-day marginalization of Nuyorican people in El Barrio. He considers how they became Nuyoricans in the first place: to this day, the territory of Puerto Rico has been thoroughly dominated, ignored, and deprived of sovereignty by colonial powers. Notably, Puerto Rico remains a colony: this history is not past, and Puerto Ricans remain one of the few currently colonized peoples in the world.
Themes
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In “From Puerto Rican Jíbaro to Hispanic Crack Dealer,” Bourgois explains that the U.S. expropriated and consolidated farmers’ lands after initially occupying Puerto Rico. After giving that land to large corporations, the government turned its previous owners into a class of wage-laborers who became associated with the term “jíbaros,” which is both a derogatory term and a “symbol of Puerto Rican cultural integrity and self-respect,” depending on the context. The term originally referred to Puerto Ricans who refused to work on Spanish plantations and “lived outside the jurisdiction of the urban-based state.” This parallels “street culture’s resistance to exploitation and marginalization by U.S. society,” and in fact Primo sometimes calls his group “jíbaros.”
The United States has historically exploited Puerto Rico’s labor in order to build up the profits of mainland corporations. The jíbaro’s move from an enslaved society to an oppressive form of labor under capitalism exemplifies this trend and parallels Nuyoricans’ experiences as they discover the legal job market is more insufferable than selling crack is dangerous. While they use the term “jíbaro” to point to their rejection of the state, the term also suggests their only alternative to living under their own “street culture” is to be incorporated into the lowest rung of the existing mainstream culture.
Themes
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While likely unaware of Puerto Rico’s social history after its transfer to U.S. control, El Barrio residents are the direct descendants of the mass migration after World War Two, during which 1.5 million people (a third of the island) moved from Puerto Rico to New York in two decades. Most of them worked in garment factories, and then service jobs when the manufacturing sector collapsed in the 1970s and 1980s. And now their children are people largely working in the underground economy, like Primo, who when revising his family history declares, “fuck it! I’m just a jíbaro.”
After two generations underwent drastic transformations in Puerto Rico, the following two generations had a similar experience in the United States. The economic opportunities for which the first generation migrated collapsed, and again, Puerto Ricans became a casualty of history.
Themes
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Quotes
Meanwhile, given U.S. tax exemptions in Puerto Rico after the Cuban Revolution in 1959, corporations have turned Puerto Rico into a tax shelter, extracting “the highest corporate profit rate of any country in the western hemisphere” but sending nearly all those profits back to the mainland. And Puerto Ricans experience “an overtly racist ‘cultural assault’” too: forced to navigate a second language and treated as racial inferiors in the United States. The combination of these “overwhelming changes” in a few generations has contributed to Puerto Ricans’ disproportionate levels of poverty and unemployment, drug use and health issues—they fare the worst on these measures among any ethnic group in New York.
Just as early Puerto Rican immigrants were treated as disposable laborers on the mainland (as was the next generation, since they could not fit into the transformed economy), the island’s economy has also been made disposable. Although mainland Americans would not tolerate this kind of treatment, Puerto Ricans have no federal political rights. While Bourgois does not mean to say that Puerto Rico’s dramatic historical changes are the only reason for contemporary Nuyoricans’ poverty, he sees a clear connection between the United States’ unfair treatment of Puerto Ricans (forcing them to adapt to circumstances and cultural frameworks they neither chose nor predicted) and El Barrio Nuyoricans’ deliberate rejection of mainstream culture.
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In “Confronting Individual Responsibility on the Street,” Bourgois contrasts his academic take on Nuyorican hardship with the fact that history does not exonerate individuals on the ground for “impos[ing] suffering on their families, neighbors, and friends.” In fact, the dealers Bourgois studied “firmly believe in individual responsibility,” like most Americans, and blame themselves for their poverty. But there is also an “almost political” form of street culture that indicts the limits of mainstream America. Caesar defends this view in an argument with Primo, who declares that “if I have a problem it’s because I brought it upon myself.”
Again, Bourgois points to the limits of the structure versus agency debate. His structural arguments do not explain individual choices, only the unfavorable conditions that constrain and determine individuals’ choices. And street culture seems caught in the same dilemma—although it often aligns with the American tendency to valorize agency and ignore structure, it also recognizes that this viewpoint is a way for Americans to conveniently forget the oppression they have imposed upon others both inside and outside their nation’s borders. Caesar, however, goes the opposite direction, using this history to excuse his detrimental individual behavior.
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In “East Harlem’s Immigrant Maelstroms,” Bourgois turns to “another historical legacy of social marginalization,” that of the neighborhood itself. The Dutch forced Manhattan’s native inhabitants out of the area by 1669 and covered it in tobacco plantations. It was briefly a “countryside retreat for wealthy New Yorkers” in the 1700s and 1800s, and then immigrant workers moved in in the 1880s-90s after public transportation opened connected it to the rest of the city. “One of the poorest and most culturally diverse neighborhoods in the history of the United States,” East Harlem saw waves of German and Irish immigrants, then Jews moving North from the Lower East Side, Scandinavians, and African Americans. At the time, however, researchers considered this incredible diversity a hindrance to assimilation.
In Bourgois’s research, the historical dispossession and oppression of the Puerto Rican people intersects with East Harlem’s historical impoverishment and marginalization. Unlike in Puerto Rico, this was not the direct result of official policy, but policy and public attitudes still contributed to East Harlem’s fate. It was a site for those considered undesirable “others” by native-born Americans, and was treated from the start as a marginal zone where those hoping to become Americans would wait and struggle to adapt.
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In the section “The Italian Invasion of East Harlem,” Bourgois explains how East Harlem became, according to the New York Mayor’s office, “probably the largest Italian colony in the Western hemisphere” around the beginning of the 20th century. In East Harlem’s dense cluster of ethnically-stratified shantytowns, Italians suffered horrific discrimination, which the few remaining Italian residents remember vividly. Mostly Sicilians, they were sometimes considered “of ‘African racial stock’” and stereotyped in schools and by researchers, as well as of course in everyday life. As one writer put it, they “were becoming Americans by learning how to be ashamed of [their] parents.”
The Italian experience in the early-20th century is a clear parallel to the Puerto Rican experience over the following hundred years. The Italian American narrative reflects the stories of many immigrant groups in the United States, who are initially rejected by both native-born Americans and other immigrant groups before eventually finding themselves accepted in American society. As an immigrant enclave, then, East Harlem also allowed Italians to form a community of acceptance within a city and nation that reviled them.
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Under “The Puerto Rican ‘Invasion’ of El Barrio,” Bourgois reveals that the Puerto Ricans moving into East Harlem just before World War Two “received as negative a reception as had the Italians,” and often from Italian gangs themselves, which is a conflict many of Ray’s friends and acquaintances remember. Until even the 1970s, Italian organized crime kept certain buildings and blocks white-only, and mob threats continued even after Bourgois began his research. In the 1930s, middle-class Jews started leaving the neighborhood and African Americans moving in. But the area’s growing Puerto Rican population, many of whom were malnourished due to conditions on the island, were vilified in New York: academic medical experts called them full of “tropical diseases [and] venereal diseases,” government reports spoke of their “inferiority in native ability,” intelligence researchers complained about their IQs, and popular publications decried their lack of English and propensity to live on welfare.
Originally the victims of racism, the Italian residents of East Harlem quickly became its enforcers, much like Puerto Ricans increasingly turn against new Mexican immigrants during the period of Bourgois’s research. These existing Italian residents, organized crime, and the official media all align against Puerto Rican newcomers, using extreme tactics and racist narratives that are hardly imaginable in today’s landscape. Although only some of Bourgois’s friends in El Barrio personally experienced this forceful, wide-ranging discrimination, all of them were raised by parents who did, and this further helps explain their sense of displacement and alienation in New York.
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In “Poverty and Ecological Disrepair,” Bourgois looks at the wealth of literature decrying East Harlem as Manhattan’s poorest and dirtiest neighborhood, a body of work catalyzed by the neighborhood’s location next to New York’s wealthiest. In the 1920s-30s, a criminologist named Trasher studied the area and developed a theory “that crime and social pathology emerged in expanding concentric circles from out of core urban poverty areas.” Oscar Lewis’s “culture of poverty theory” in the 1960s was next, and it is still often dishonestly employed to blame poverty’s victims for their condition. Creative works include a film by James Agee and Helen Levitt, the hit song “A Rose in Spanish Harlem,” and most importantly “the Nuyorican literary genre” that has won global acclaim.
East Harlem’s reputation almost seems to be a self-fulfilling prophecy, less about the actual character of the neighborhood than its proximity and visibility to the wealthy Upper East Side. It becomes a codeword for poverty in the United States, and its reputation is mutually reinforced by popular narratives, scholarly work, and government policies, which points to the danger Bourgois faces if his work is misinterpreted. At the same time, the neighborhood itself writes back, with Nuyorican literature taking on a subversive role much like street culture’s resistance to the mainstream.
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In “The Reconcentration of Poverty in Easternmost East Harlem,” Bourgois notes that the part of East Harlem where he, Ray, and their network lived has long been considered “the poorest and most delinquent section.” In the 1950s, the government spent millions of dollars destroying everything that existed in the neighborhood and replacing it with housing projects, which only concentrated poverty even more intensely in the area, a tendency that continues to the present. In fact, during the same period, one of the buildings on his block burned down—and while he lived there 24 years later, he watched the same fate befall another.
The physical infrastructure of East Harlem clearly reflects the neighborhood’s destiny. Although the construction of housing projects might have been well-intentioned, Bourgois makes it clear that the government’s huge investment in East Harlem only worsened the neighborhood’s conditions. Rather than spending to alleviate poverty, the city seemed to be spending to keep it confined to certain areas already zoned as undesirable.
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Under “From Speakeasy to Crackhouse,” Bourgois explicitly turns back to the problem of substance abuse and crime in East Harlem, which was originally filled with tobacco plantations and then overrun with speakeasies in the 1920s, and then of course the crackhouses that Bourgois studied. In fact, the Game Room used to be a speakeasy, and the library next door documented its frustration with both halves of this history. The historical density of “speakeasies, brothels, crackhouses, and shooting galleries” has created a hostile environment—one the librarians’ animosity toward the public exemplifies. (When Bourgois takes a young neighbor to get a library card, the library kicks him out, assuming he is trying to steal books or molest the boy.)
Bourgois turns to the third historical narrative that is critical to his research: that of drugs and drug abuse. The intersection of poverty, racialized communities, and drugs was not new when the crack epidemic exploded in the 1980s; rather, it is enduring and responsible for the neighborhood’s cycle of mistrust and “culture of terror.” Again, locals—here, those supposed to be serving the community in the library—immediately assume Bourgois has sinister intentions, which attests to the pervasive cynicism engendered by drugs and violence.
Themes
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Under “The Omnipresence of Heroin and Cocaine,” he notes that these drugs have been a fixation of the literature about East Harlem since the 1920s, and that pictures of La Farmacia and clients who buy Ray’s drugs have even been shown in recent works of journalism on the subject. In a school across the street from a popular drug-using corner, teachers put black paper over the windows so their students would not watch people inject drugs.
Although his research is partially motivated by the limits of conventional quantitative statistics, Bourgois evidently does not choose to research East Harlem because its story has been neglected or under-narrated. Rather, he hopes to show what is left out by the conventional, sensationalistic, even pornographic depictions of the neighborhood—which includes the perspectives of its non-drug-using residents.
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In “Mafia Legacies in the Underground Economy,” Bourgois explains that “the historical continuity of visible substance abuse” in East Harlem “repeatedly socializ[es] new generations of ambitious, energetic youngsters into careers of street dealing and substance use.” In the 1920s, the Italian Mafia first began selling drugs on a mass scale in the neighborhood, and the legacy of organized crime in El Barrio has “redefin[ed] ‘common sense’ in favor of crime and violence.” The police are corrupt, guns and drugs are easy to come by, it is common to see shoot-outs and murders, and “the Genovese crime family […] controlled the neighborhood” up to the end of the 1980s.
Although the drug trade is illegal, it becomes a prestigious and attractive career path for East Harlem youth, who are inculcated into its street culture from an early age and given no alternative cultural framework through which to think about their futures. Contrary to the public opinion that drug dealers are lazy, unmotivated, or unwilling to work, Bourgois shows that the most motivated and entrepreneurial East Harlem youth are actually the ones who end up selling drugs—which is, after all, an individualistic, winner-take-all business.
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Quotes
In fact, the Genovese family runs their scheme out of the same block where Bourgois lives. (The leader, “Fat Tony,” is sentenced to 175 years in prison during Bourgois’s residence.) After they murder his real estate agent, Bourgois decides to avoid the Genoveses, although they are always suspiciously using payphones and unloading mysterious bags in a fruit store they own. Nevertheless, the Genoveses are the laughingstock of the New York organized crime world. Their decline impacts the neighborhood’s real estate market: they sell various buildings and it becomes easier to rent to black tenants.
Just as Bourgois unintentionally shows up in East Harlem on the eve of the crack epidemic, he accidentally ends up with a front-row seat to the decline of East Harlem’s most important criminal dynasty. While most outsiders now connect East Harlem to criminality because of its Puerto Rican residents, Bourgois makes it clear that the Italian American Mafia was far more dangerous than the small-time crack dealers of the 1980s and 1990s.
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In the chapter’s last section, “The Free Market for Crack and Cocaine,” Bourgois explains that the Mafia’s decline coincides with the rise of cocaine and crack, which result largely from the U.S. government shifting its focus to targeting drug traffickers (and cocaine is easier to transport than marijuana). In turn, crack emerges—a smokable mix of cocaine and baking soda, which is stronger and quicker than cocaine, and cheaper initially but better-suited for drug binges. With the mob’s heroin trade disappearing, this crack economy takes over, with “upstart Puerto Rican, African American, and Dominican entrepreneurs” leading the way. But the Mafia’s impact continues to be felt, since it taught people that, in Caesar’s words, “you got to be making your money dirty.”
Just as with his subjects’ self-destructive behavior, Bourgois sees both structure (the malicious consequences of well-intentioned but deeply ineffectual U.S. drug policy, and the enduring influence of the Mafia) and agency (the individual’s decision to use and sell drugs) in East Harlem’s transformation into a crack mecca. While the supposedly unique and especially dangerous chemical composition of crack is often attributed to the destruction of inner-city communities, Bourgois affirms that it is simply a faster-acting version of cocaine, and that its effects were due to a combination of this fact, its low price, and the business opportunities it created for inner-city residents who lacked alternatives.
Themes
The Crack Trade and the Underground Economy Theme Icon
Poverty, History, and Public Policy Theme Icon
Street Culture and Drug Use  Theme Icon