In blaming China for the Crisis, the government has implicitly condoned anti-Asian discrimination, leading the general public to accept it as the norm, no matter how violent it becomes. In this scene, no one helps the woman because they either agree with the man beating her, or they worry that providing assistance would draw their own loyalty into question. Bird’s attempt to reframe the incident through the lens of fairytales shows that there are limits to how art can be used to make sense of a sometimes senseless world.