Cars represent the relationship between economic inequality and racial inequality in post-apartheid South Africa. Though some Black South Africans have wealth in the twenty-first century, many still lack opportunities for economic advancement. The first car that appears in the novel is Patricia Wiley’s beaten-up, 25-year-old Mercedes-Benz. The dilapidated luxury vehicle shows how Patricia, a white South African farm owner, had greater economic privilege and power during South Africa’s racially segregated apartheid era, which ended in the 1990s, than in the novel’s present. Looksmart, a Black man who grew up on the Wileys’ farm during apartheid, later suggests that Patricia’s pride in her then-new car led to her Black employee Grace’s death shortly before apartheid ended. Looksmart claims that years ago, under apartheid, Patricia hesitated to let him drive Grace to the hospital after a dog attacked Grace—for fear Grace would bleed on the car’s seats. Patricia’s hesitation may have contributed to Grace’s death. Thus, Patricia’s car represents how, during apartheid, white employers exploited and disregarded Black workers—even to death—to protect their own economic privilege.
In the post-apartheid era, Looksmart himself has bought a new Mercedes-Benz, which demonstrates that some Black South Africans now have access to economic privileges once reserved for whites. Yet when Grace’s sister Beauty—Patricia Wiley’s domestic employee—encounters Looksmart’s new car in the Wileys’ driveway, she can “barely imagine” the places the car has been, a detail revealing that many Black South Africans still have no opportunities for economic mobility. Moreover, when Looksmart encounters Beauty in the Wileys’ house, he mentally compares her to homeless people in the city; he used to give money to these homeless people—but now he ignores them while driving past. These details suggest that economic privilege for a few Black South Africans like Looksmart will not lead to improved conditions for all Black South Africans. Thus, using cars as a symbol, the novel shows how contemporary South Africa still excludes many Black South Africans from wealth.
Cars Quotes in The Dream House
He has a shameful secret: even today, he’s unaccustomed to the freedom he’s been given to drive around the country and go wherever he likes. Whenever he sits down in a restaurant or cinema, surrounded by white people, a part of him still expects someone to ask him politely to leave. It is a thing he could never mention to his daughters or even his wife. They would laugh at him and accuse him of making it up. Yet it is a thing he feels: he is an intruder in his own land, condemned to arriving at places where he will never quite belong.
“Of course, you would have forgotten what a car right out of the box looks like, or smells like. The freshly stitched leather, the air of wealth that breathes out of the air conditioner. My car is like a racehorse—skittish, responding to my every thought, my lightest touch. But you wouldn’t know anything about that. Not these days. What with that wreck of yours still sitting there under its tin roof.”
Like a fat toad, he wants to add, at the heart of his life.
“You know what I can’t forgive?”
“Sorry?”
“It is that you wanted to protect your seats.”
“My what?”