Creativity vs. Possession Theme Analysis

So when it came time to design the floor of my house, I created a pattern as complex as the henna I had painted on those women's bodies, delighting in the knowledge that its meaning was known only to me.

The saffron flowers represent its sterility. Incapable of producing seed as I had proved incapable of producing children. The Ashoka lion, like the icon of our new Republic, a symbol of my ambition. I wanted more, always, for what my hands could accomplish, what my wits could achieve—more than my parents had thought possible. The fine work beneath my feet required the skill of artisans who worked exclusively for the palace. All financed by the painstaking preparations of my charmed oils, lotions, henna paste and, most importantly, the herb sachets I supplied Samir.

Our father was fervent in his beliefs; I admired him for that. He was committed to his ideals. Unfortunately, high ideals came with a price.

Once he had depleted his savings, he sold the remainder of Maa’s only possessions, the gold that could have saved us from poverty, that was supposed to keep Maa secure in widowhood, that might have kept me from having to marry at fifteen. In a country where a woman's gold was her security against the unforeseen, Maa’s naked earlobes and bare wrists were a constant reminder that my father had put politics before his family.

And so, we were forced to move to Ajar, where my mother buried her disappointment and my father buried his pride. Independence wouldn’t come for another twelve years, but by then, he was already broken.

“You're my sister, Radha, but I don't know you that well—”

“Ask me anything! I'll tell you. Anything! You've never asked me the month I was born. October. What's my favorite food? Gajar ka halwa. I love sari that have mirrors sewn into them. And I love kajal on babies. My favorite color is the green of mango leaves. And I like the taste of guavas just before they're ripe, when the flesh is hard enough to make my mouth water.”

She was right, and it stung. I hadn't tried to get to know her. Not really. To be close to her made me feel my guilt more acutely, and I hadn't wanted that. I didn't want to be reminded of the terror she must have felt with a father who was defeated—or worse, a drunk—and a mother who seemed either resentful or indifferent. My sister had grown up alone in Ajar because of my transgression. Since her arrival in Jaipur, I'd buried myself in work, my steadfast companion. I was good at my work; it welcomed me, and I shined in its embrace. Radha, who was smart but naive, courageous but foolhardy, helpful but thoughtless, was far less manageable.

Hari chuckled, a sound without joy. “Now that you’re working for the palace, you're too good to help her yourself?”

I felt my face grow warm. For a decade, I had been healing the rich, only, for their minor, more emotional troubles. If I'd stayed with Hari, no doubt Saasuji would have gotten around to teaching me the more complex procedures only she practiced. I shivered as I imagined my mother-in-law regarding me with as much dismay as Hari was now.

He knew he'd touched a tender spot. “Even Radha travels in such fine circles now.” Before I could ask him what he meant, he said, “How much did the palace bursar give you?”

Day after day, I worked alongside her to heal women—most were children still, twenty years old or younger, bodies weak from too many births, too many of them rough. Their days were filled with worry about how to feed their brood; at night they prayed their husbands would come home from labor too tired to add to their troubles. One day Saasuji taught me to prepare the contraceptive tea. And I realized that cotton root bark could change a woman's life: she could choose for herself.

That was what I wanted: a life that could fulfill me in a way that children wouldn't. From that day, I hoarded all the knowledge my mother-in-law could give me. Let her be the rolling pin that shapes a ball of chappati. Almost overnight, my world grew large with possibility.

I shook my head. “You think it's that easy? This house took thirteen years of hard work and Yes, Ji and No, Ji and Whatever you say, Ji. You'll never have to do that if you go to that school. You have many years in which to have a child, after you finish school. […] You can be something better than a henna artist. Better than me. You can have a meaningful life.” The water was almost boiling. “Just—please help me find the cotton root bark.”

Her voice trembled. “He said I was just another cheap pair of hands to you. Your business only took off after I arrived. You told me yourself you booked more appointments now because of my henna. If that's true, then why can't you trust me to think for myself? […] It doesn't matter how hard I work, how much I do. You'll never have faith in me!”

I rose from the bench, consumed with loathing for him and for myself. What light work I had made of infidelity, for him and his friends to cheat on their wives for ten years! I'd helped them discard their mistresses’ pregnancies as easily as they discarded the lint in their trouser pockets. I had justified it by treating it as a business transaction. To me each sale had been nothing more than another coat of plaster or another section of terrazzo for my house. At least when I made sachets for the courtesans, I had done so for women who had been raised to be prostitutes, who needed to make a living from their bodies without the interruption of pregnancies.

There was always a moment before I placed the final dot of henna on a woman's skin that felt significant somehow. Never again would I repeat that particular design, and after a few weeks, it would disappear entirely. This moment with Mrs. Sharma felt final, and ephemeral, in the same way.

Jay Kumar was offering me a chance to heal, to work with people who wanted what I had to offer. Who believed my knowledge was sacred. It was a chance to do the work my saas taught me. She lived in me, still. I could make her proud once more. Be proud of myself again.

But…my house! I had dreamed it, worked hard for it, built it. I'd love knowing that all the decisions were mine. Moving meant I would have to leave it behind.

Yet, what had the house brought me but debt, anxiety, sleepless nights? Did I need it to announce my arrival in the world of the successful, as I once had? Success was ephemeral—and fluid—as I had found out the hard way. It came. It went. It changed you from the outside, but not from the inside. Inside, I was still the same girl who dreamed of a destiny greater than she was allowed. Did I really need the house to prove I had skill, talent, ambition, intelligence? What if—

I felt my spirits lift. I would leave the map of my life here, in Jaipur. I would leave behind a hundred thousand henna strokes. I would no longer call myself a henna artist but tell anyone who asked: I healed, I soothed. I made whole. I would leave behind the useless apologies for my disobedience. I would leave behind the yearning to rewrite my past.

My skills, my eagerness to learn, my desire for a life I could call my own—these were things I would take with me. They were a part of me the way my blood, my breath, my bones were.

“The gossip-eaters were right. I'll always be the Bad Luck Girl.”

I pulled my head back to look at her. I lifted her chin. “No, Radha, you won't. You never were. You never will be. I'm sorry I ever said that of you. You've brought so much good luck into my life, into our lives. If it hadn't been for you, do you think I'd be going to Shimla? Building my own healing garden? Working with Dr. Kumar? How would I have done any of that without you?”[…]

“And look how you've helped me create a family. Malik. Kanta and Manu. And Nikhil. And, of course, you. You, Radha, Krishna’s wise gopi.”

What a miracle that she had found me, and I, her.

“So, Rundo Rani, burri sayani…are you coming to Shimla with us?”