Mortality, Life, and Meaning
They Both Die at the End plunges the reader into a world that, in a variety of ways, doesn’t seem that much different from the reader’s world—except when it comes to dying. In the novel, individuals who are going to die in the next 24 hours (Deckers) receive calls from an organization called Death-Cast between midnight and three in the morning, informing them of this fact so that they can make the most…
read analysis of Mortality, Life, and MeaningHuman Connection and Social Media
At the start of the novel, Death-Cast (a system that alerts people 24 hours before they’re going to die) has been in operation for about six years. Two years before the novel begins, the app Last Friend debuted. Last Friend is one of many apps and social media platforms that developers created to serve the Deckers (people who know they’re going to die) and others who are interested in and want to connect with Deckers…
read analysis of Human Connection and Social MediaChoices and Consequences
The existence of Death-Cast, a business that calls people and informs them that they’ll die sometime in the next 24 hours, poses a simple question to the novel’s characters and to readers: if someone knew it was their last day alive, what would they choose to do with it? Overwhelmingly, the novel proposes that while confronting one’s mortality may make a person’s choices seem more important than they ever were, this mode of thinking…
read analysis of Choices and ConsequencesFriendship and Chosen Family
None of the families in They Both Die at the End are conventional, whole, or uncomplicated. Mateo’s mother died in childbirth with him, while Mateo’s dad is in a coma; Rufus lost his parents and older sister months before the novel begins and is now in foster care; and Lidia is raising Penny with the help of her Abuelita, as her boyfriend Christian died weeks before Penny was born. However, all of these…
read analysis of Friendship and Chosen FamilyBusiness, Ethics, and Dehumanization
While They Both Die at the End doesn’t engage outright with the question of whether or not the Death-Cast system (a business that gives people 24 hours’ notice of their death) is good or moral, it does ask a number of questions about the morality of the way that businesses and individuals with something to gain respond to Death-Cast. Though the novel never comes down explicitly on whether these responses are wholly good or bad…
read analysis of Business, Ethics, and Dehumanization