Eva, Kevin’s mother and the narrator of We Need to Talk About Kevin, feels guilty from the day she gives birth to Kevin. At first, her guilt stems from the fact that she feels no emotion toward Kevin when he is born. This makes her feel like a failure, both as a mother and a wife, as she knows that her indifference toward motherhood causes Kevin and Franklin, her husband, to suffer. However, Eva later struggles to understand just how much responsibility she deserves to bear for Kevin’s mass murder. She accepts that she is a bad mother in many ways—she uses her work to avoid dealing with her family, she is often cold and unloving, and she even physically abuses Kevin on a couple occasions. At the same time, the novel implies that the mere idea of fault or accountability in such situations is deeply complex, and Eva’s struggle to come to terms with her own culpability as the mother of a mass murderer ultimately invites readers to engage with difficult questions about guilt and blame.
On some level, Eva knows that she is not solely responsible for Kevin’s eventual murders, but some members of her community try to blame her. When Mary Woolford, the mother of one of Kevin’s, victims sues Eva for child negligence, Eva is defensive. After all, Eva believes, Kevin is the one who committed the murders. Even though he's young, he’s still an individual who makes his own choices, so he must be held responsible. To that end, Eva is moved to tears when Loretta Greenleaf—the mother of one of Kevin’s fellow inmates—tells her not to feel responsible for her son’s crime. Loretta reasons that if Eva is at fault for her son’s wrongdoings, then she should in turn blame her own mother, and her grandmother, and so on. This idea highlights the human tendency to foist accountability onto others as well as the fact that society often seems eager to place blame on mothers, as if the failure to be a perfect mother is a crime of sorts.
Of course, this is not to downplay the fact that Eva does behave rather immorally toward Kevin, using violence and emotional manipulation to deal with her insecurity about his behavior and their relationship. But the novel isn’t interested in definitively condemning Eva as the reason Kevin becomes a mass murderer. Rather, the novel is interested in examining her complex relationship to her own guilt and, in doing so, encouraging readers to consider the seeming impossibility of tracing the root cause of senseless violence back to a single source.
Guilt and Accountability ThemeTracker
Guilt and Accountability Quotes in We Need to Talk About Kevin
There’s no better way to get people to cooperate in this country than by seeming a little unhinged.
I gasped. The sun was streaming in the windows, or at least through the panes not streaked with paint. It also shone through in spots where the paint was thinnest, casting the off-white walls of that room in the lurid red glow of a garish Chinese restaurant.
The only way my head was going truly somewhere else was to travel to a different life and not to a different airport. “Motherhood,” I condensed in the park. “Now, that is a foreign country.”
You make me feel bad; feeling bad makes me mad; ergo, you make me mad.
“It’s very dangerous,” I said. Indeed, just about any stranger could have turned up nine months later. We might as well have left the door unlocked.
The whole time I was pregnant with Kevin I was battling the idea of Kevin, the notion that I had demoted myself from driver to vehicle, from householder to house.
Only the untouched, the well-fed and contented, could possibly covet suffering like a designer jacket.
I panicked, thinking, There’s nowhere to hide.
After all, you practiced rounding up on Kevin from the day he was born. Me, I’m a stickler. I prefer my photographs in focus.
The secret is that there is no secret. That is what we really wish to keep from our kids, and its suppression is the true collusion of adulthood, the pact we make, the Talmud we protect.
You can blame your mother, and she can blame hers. Leastways sooner or later it’s the fault of somebody who’s dead.
A poor substitute for the sort of passion we like to extol perhaps, but real love shares more in common with hatred and rage than it does with geniality or politeness.
“Just cause you get used to something doesn’t mean you like it.” he added, snapping the magenta, “You’re used to me.” “Yes!” I said.
Impatient with the slow pace of made-for-TV combat, he grumbled, “I don’t see why Cone Power bothers with all that little junk, Dad. Nuke ‘em. That’d teach the Raqis who’s boss.” You thought it was adorable.
When you love your kids, and you’re there for them, and you take them on trips, like to museums and battlefields, and make time for them, you have faith in them and express an interest in what they think? That’s when this kind off plunging off the deep end doesn’t happen. And if you don’t believe me, ask Kevin.
Almost to, what, know you’re alive. To show other people they don’t control you. To prove you can do something, even if it could get you arrested.
Because after three days short of eighteen years, I can finally announce that I am too exhausted and too confused and too lonely to keep fighting, and if only out of desperation or even laziness I love my son. He has five grim years left to serve in an adult penitentiary, and I cannot vouch for what will walk out the other side. But in the meantime, there is a second bedroom in my serviceable apartment. The bedspread is plain. A copy of Robin Hood lies on the bookshelf. And the sheets are clean.