Boy Swallows Universe

by

Trent Dalton

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Boy Swallows Universe: Boy Busts Out Summary & Analysis

Summary
Analysis
Eli is dreaming the magic car dream again. This time, the car is flying, and he and August are in the backseat. Eli says he doesn’t want to be in this dream anymore as the car hits the water, which reflects the full moon. August, unconcerned about breathing water, writes “Boy swallows universe” in the air. Eli picks up a hand to write back—but his finger is gone and bleeding. Eli comes to in a hospital room, his hand aching and heavily bandaged. Slim leans over him and helps Eli drink.
Eli seems to be processing losing his finger through this dream. It’s a variation on his usual flying car dream, and in this situation, dreaming may be a way for his mind to try to help him cope with his recent trauma. The fact that Slim is in the hospital with Eli when he wakes up is comforting, as it suggests that not everything is changing. Eli still has this person who makes him feel safe and secure.
Themes
Trauma, Coping, and Healing Theme Icon
Family, Love, and Mentorship Theme Icon
Slim tells Eli he’s in the hospital, and that Mum is with the police—and Eli won’t see her for a long time. When Eli asks what happened, Slim quietly says Eli knows what happened. Soon, a doctor will come in and want to know if what Mum told the ambulance crew is true: that Eli and August were messing with a Star Wars figurine and an axe, and August accidentally chopped Eli’s finger off. August, as usual, said nothing to the police.
Slim implies that Mum is going to be incarcerated, as Tytus said she would. He also suggests that Eli must keep the truth of how he lost his finger to himself. Eli doesn’t give readers much indication as to how he feels about this, which reflects how confused and unmoored he is. Right now, even trustworthy adults like Slim make little sense.
Themes
Trauma, Coping, and Healing Theme Icon
Family, Love, and Mentorship Theme Icon
Storytelling and Justice Theme Icon
Money, Suburbia, and Criminality Theme Icon
Eli begs to know why Lyle was taken away. Sighing, Slim says Lyle was making side deals with Bich Dang; he was building up a stash to save for a few years. This is going to create chaos in Darra’s streets. Eli is crushed: this is his fault. He sobs that it was his idea to hide drugs to sell later. Slim, though, says Lyle has been doing that since well before Eli mentioned it. At this, Eli sobs again—Lyle lied to him. Eli sobs that he's going to tell the police everything so supposed saints like Tytus Broz and Bich Dang are arrested and can’t run the world anymore. Slim suggests that Eli not worry about that. Instead, Eli should consider why Mum lied to the police.
At first, hearing that Lyle followed Eli’s advice is devastating for Eli, because it makes him feel like he’s responsible for Lyle’s disappearance. But Slim’s revelation—that Lyle was already stockpiling heroin long before Eli suggested it—is devastating for another reason: Lyle didn’t always tell Eli the truth. Eli’s first reaction is to turn to the police, to try to ensure that other kids in his position won’t lose their parents because of people like Tytus Broz. Slim, though, insists that Eli must be careful. Mum, Slim implies, is trying to protect Eli—and Eli should let her.
Themes
Trauma, Coping, and Healing Theme Icon
Family, Love, and Mentorship Theme Icon
Storytelling and Justice Theme Icon
Money, Suburbia, and Criminality Theme Icon
Eli is distraught, and he feels even worse when Slim says he and August are going to go live with Dad now. Eli imagines Mum’s dad, Mum’s kidnapper, and Dad all with Tytus Broz’s face. After a minute, Slim tells Eli that things will only get better from here. Eli asks if Slim is a good man. Slim says he’s good, but he's also bad—and all men are like that. Then, Eli asks if he’s a good kid, and if he’ll grow into a good man. He lists evidence for why he isn’t good, though Slim insists Eli is good and just on a lot of painkillers. Slim says that today, Eli can do a good deed by supporting Mum’s story, even though it means implicating August.
Tytus Broz is the evilest person Eli can think of right now, so all the people he considers awful (such as Mum’s dad and kidnapper, and Eli’s dad) all have his face in Eli’s mind. Having established who the real “bad guy” is in Darra, Eli turns to figuring out what makes a man good—that is, what differentiates people from Tytus. Slim suggests that this isn’t such a simple thing. People are both good and bad, and it’s a person’s choices that make them good. Indeed, it’s even possible to see that Tytus is doing good in the world, since his prosthetics business helps many people.
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Trauma, Coping, and Healing Theme Icon
Quotes
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Just as Eli starts to share what August said, the doctor comes around the curtain. The doctor introduces herself as Caroline Brennan. She checks Eli’s finger and shocks him by saying she already knows his lost finger was special—it’s his pointer finger. She then explains that finger reattachment surgery is tricky at the best of times, but it’s impossible if there’s no finger to reattach. Dr. Brennan asks Eli to put up his middle finger and stick it in his nose. Eli smiles. She then asks to speak to Eli alone. Slim gives Eli a $20 bill, tells him there are fresh clothes in the closet, and leaves a phone number to contact him.
Dr. Brennan doesn’t seem to fully grasp how important Eli’s lucky finger was to him. It was “home,” in that it represented Eli’s childhood and made him feel secure. Eli is never going to get back the innocence he lost when Iwan Krol cut the finger off. Still, Eli’s smile suggests that he likes the doctor and sees her as an ally, if only because she asks Eli to flip her off and pick his nose.
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Trauma, Coping, and Healing Theme Icon
Family, Love, and Mentorship Theme Icon
Once they’re alone, Dr. Brennan takes Eli’s blood pressure and quizzes him about Star Wars. The doctor says Darth Vader is her favorite character—terrible villains are the only way stories can have wonderful heroes. Eli can see where this is going. Just then, a boy with an IV drip appears in the doorway. He whines that the Tang is weak today and slouches away. Dr. Brennan explains that Christopher has a tumor in his head and then returns the conversation to Darth Vader. She says she’s seen a lot of terrible things as a doctor, but nothing as dangerous as the “bullshit” Eli is spewing now. She assures him there are heroes willing to help.
Unlike Slim, Dr. Brennan encourages Eli to see that good and bad people are totally different. In her view, good and bad is a binary, not a spectrum (which is what Slim has been pointing to when he talks to Eli about good and evil). Dr. Brennan clearly wants to know the truth about who cut Eli’s finger off, and she doesn’t believe that August did it. Telling her the truth, she implies, is the only way that Eli can be a hero in this scenario. But although Eli does seem to agree with her that good and evil are a binary, his loyalty to Mum and Slim means that he doesn’t deviate from Mum’s story. 
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Family, Love, and Mentorship Theme Icon
Storytelling and Justice Theme Icon
In a letter to Alex, Eli apologizes for his handwriting—he just lost his finger, and Dr. Brennan wants him to practice writing. He says the food in the hospital is pretty good. He’s been thinking about heroes and has decided that all it takes to be a hero is to follow one’s heart. Eli writes that he might not write for a while, since he has a quest to go on.
Eli is very cryptic about what his quest might entail. He may simply be trying to process all the changes he’s experiencing, from losing Mum and Lyle to having to move in with Dad once he’s out of the hospital. However, he writes as though he knows Alex will support him in this endeavor: Alex, Eli knows, wants Eli to be a hero and help people.
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Trauma, Coping, and Healing Theme Icon
Storytelling and Justice Theme Icon
According to Slim, the way to escape prison is to truly believe the guards can’t see you. Eli describes Slim’s first escape from Boggo Road, which he did by believing he could do impossible things—like scale fences and be invisible—and then doing them. Now, Eli is prepared to emulate Slim and escape the hospital. All the kids in the children’s ward are in the play area, and Eli is sitting with Christopher. Christopher is annoyed the nurses won’t play his favorite TV show, but he listens wide-eyed as Eli tells him how he lost his finger.
Even as most things about Eli’s life are changing, his love for and admiration of Slim remains constant. Slim shows Eli what’s possible, and now, Eli is able to use all the things Slim has taught him to create change in his own life. He talks to Christopher in much the same way Slim spoke to him (Christopher seems just as taken with Eli as Eli is with Slim). In this way, Eli is stepping into a more adult as a wise storyteller.
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Storytelling and Justice Theme Icon
Christopher is engaged, so Eli says he needs help creating a diversion. Eli tells Christopher what a diversion is and remembers how, to escape Boggo Road in 1953, Slim set a fire. Excited to help, Christopher pulls out his IV, walks to the TV, and screams that he wants a different show. As Christopher flips the TV over, Eli makes his escape, thinking the whole time of Slim. He thinks of how Slim made himself an escape kit and used a rope and grappling hook to scale the prison wall. Slim spent weeks practicing throwing matchsticks so he could be accurate with the grappling hook. The first thing he did out of prison was change clothes, so in the elevator, Eli pulls off his hospital gown to reveal street clothes underneath.
Eli is escaping from a hospital, not a prison, so his escape plan is necessarily different than Slim’s was. (He doesn’t have to worry about a grappling hook, for instance.) But changing his clothes shows again that Eli is starting to look at Slim’s stories more critically and use them as lessons, not just as entertainment. Christopher seems extremely happy to have an excuse to make a scene, especially if it’s in service of someone he admires. Again, Eli is starting to step into Slim’s role as a storyteller and idol.
Themes
Family, Love, and Mentorship Theme Icon
Storytelling and Justice Theme Icon
Two doctors join Eli in the elevator. Eli tells them he was visiting his brother, and now he’s meeting his parents outside. Eli confidently walks out the hospital doors and starts running, just as a security guard starts to pursue him. He’s only vaguely familiar with the area, so he hides until the security guard runs in a different direction. Eli crosses the street and approaches a homeless man to ask directions to the train station. The man just says “Batman” and points to a bat bite on his neck. He says he doesn’t need help, which confirms Eli’s suspicion that adult men are all awful. Eli shakes the man’s hand and follows his directions to the station.
Eli is only somewhat successful in escaping from the hospital: the security guard is presumably after him, which means Eli is going to have to hide for a while. It’s interesting that Eli parrots Darren’s earlier assessment that adult men are terrible when he meets the houseless man. Eli has had several men in his life (like Slim and Lyle) who aren’t terrible, so it seems as though Eli is just exasperated with this man who he thinks clearly needs help.
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Trauma, Coping, and Healing Theme Icon
As Eli runs, he passes a building with “The Courier-Mail” on the front. Slim has told Eli about this place: this is where people make the paper. Eli knows he’ll be part of it someday and file his own crime stories. As he hurries along, he thinks again of Slim and how in 1940, Slim was captured after stealing gas for his stolen car. Slim always told Eli he smiled when he was captured because his escape taught him that he was born so tall and lanky to be able to jump over walls. 
Passing The Courier-Mail’s building is inspiring for Eli. One day, Eli believes, he’ll be able to write about criminals like Tytus Broz and Iwan Krol—not just lie to protect them, or run from them. Thinking about Slim insisting he was born tall to be able to climb walls suggests that Eli is learning something similar about himself, though Eli doesn’t share with readers what that is.
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Storytelling and Justice Theme Icon
Eli bounds down the stairs toward the train platform—and falls on his face down the bottom steps. But he gets on the train, hoping it’ll stop at Darra. Fortunately, it does. Eli wanders toward home, wondering if he’s losing his mind or if the pain drugs are just wearing off. When he gets there, Eli realizes he doesn’t have a key. He’ll have to break in. However, before Eli can smash a window, the neighbor asks Eli if he’s okay and passes over an extra key. Inside, someone—probably Slim—cleaned up after the spaghetti. Eli finds something to eat and heads for Lena’s room.
The fact that Eli is wondering about his own mental state signals to readers that he might not be a totally reliable narrator in this passage—this is a stressful situation, and he’s without much-needed pain medication. Though Eli is acting independently as he escapes, the neighbor reminds him that he can’t do all of this alone. The fact that Slim cleaned up in the house reinforces this: Eli has lots of people looking out for him like he is a kid, even if he feels more mature now than he ever has. 
Themes
Goodness, Masculinity, and Coming of Age Theme Icon
Family, Love, and Mentorship Theme Icon
Eli’s hand throbs as he opens the passage in the wardrobe. The heroin has to be here—but it isn’t. Eli even crawls down the tunnel to the outhouse cavity, where there’s a Styrofoam box. But the box is empty. Tytus Broz got the heroin first. Enraged, Eli smashes the box and sobs. He decides he’ll cry himself to death here, and Caitlyn Spies can write the story about his death for the paper. Eli sits down, falls asleep, and dreams of Caitlyn Spies on a beach. She’s playing with crabs and beckons for Eli to come closer. She tells him, “Your end is a dead blue wren” and asks if he's going to answer the phone.
Eli is exhausted and in pain, and his plans aren’t working out. Falling asleep is as much of a coping mechanism as anything else. Thinking about Caitlyn Spies writing about Eli crying himself to death reads as immature and as a product of all the trauma Eli has experienced—he’s not thinking entirely straight. On another note, thinking about the “dead blue wren” phrase suggests that Eli is still struggling to understand what August meant by this.
Themes
Trauma, Coping, and Healing Theme Icon
Family, Love, and Mentorship Theme Icon
Storytelling and Justice Theme Icon
Eli wakes up and hears Lyle’s red telephone ringing. He crawls back through the tunnel and picks up the phone. The man’s voice is the same as last time. The man tells Eli that he calls the number for Eli—773 8137—on this phone multiple times per day, even though Lyle said this phone doesn’t take calls. Then, the man asks if it’s close to Christmas, and asks Eli to tell him what happened. Eli gives a brief account and says he won’t be able to try to offer Tytus Broz the heroin in exchange for Lyle, because the heroin is gone. The man says Mum won’t survive Christmas Day. She’s at risk for suicide. Eli puts the phone down as the man starts to sing “Walking in a Winter Wonderland” and curls up on the floor, pretending he’s holding Irene—who turns into Caitlyn Spies.
If Lyle is to be believed, everything Eli hears from the man on the telephone exists only in his mind—it may be something Eli has invented to cope with trauma. The fact that the man shifts Eli’s attention away from Lyle and toward Mum instead suggests that he may be wasting time trying to get Lyle back. On some level, Eli may know that Lyle is gone. Mum, on the other hand, is still alive—and if the man is to believed, she needs help. Eli’s loyalty to his family members means that while the man’s words are hard to hear in this moment, he’ll likely step up and try to help Mum.
Themes
Trauma, Coping, and Healing Theme Icon
Family, Love, and Mentorship Theme Icon